Unanswered Questions in Audience Research
Autor(a) principal: | |
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Data de Publicação: | 2006 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | E-Compós |
Texto Completo: | https://www.e-compos.org.br/e-compos/article/view/76 |
Resumo: | As its title implies, this article explores a number of unanswered questions and outstanding issues in contemporary audience research. These include: models of the “active audience”; questions of cultural power; global media and transnational audiences; methodologies in audience research; problems of essentialism in the conceptualization of categories of audience members; the strengths and limitations of the ncoding/decoding model; models of intellectual progress in the field; the new media and technologies of “newness.” My title is derived from Bertolt Brecht's “Anecdotes of Mr Keuner” in which he extols the virtue of thinking up questions to which we do not have answers (Brecht, 1966). Working from this principle, rather than trying to formulate solutions to the problems of our field, my contribution here is based on questions in media audience research to which I, at least, do not have the answers, as a way of taking stock of what exactly it is that we think we now know about the field. |
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Unanswered Questions in Audience ResearchEstudos de RecepçãoMetodologiaEstudos CulturaisAs its title implies, this article explores a number of unanswered questions and outstanding issues in contemporary audience research. These include: models of the “active audience”; questions of cultural power; global media and transnational audiences; methodologies in audience research; problems of essentialism in the conceptualization of categories of audience members; the strengths and limitations of the ncoding/decoding model; models of intellectual progress in the field; the new media and technologies of “newness.” My title is derived from Bertolt Brecht's “Anecdotes of Mr Keuner” in which he extols the virtue of thinking up questions to which we do not have answers (Brecht, 1966). Working from this principle, rather than trying to formulate solutions to the problems of our field, my contribution here is based on questions in media audience research to which I, at least, do not have the answers, as a way of taking stock of what exactly it is that we think we now know about the field.Como o seu título insinua, este artigo explora diversas perguntas não respondidas, assim como questões em aberto, ligadas à pesquisa contemporânea de audiência. Estas incluem: modelos da “audiência ativa”; questões de poder cultural; mídia global e audiência transnacional; metodologia em pesquisa de audiência; problemas de essencialismo na conceituação de categorias dos membros da audiência; os pontos fortes e as limitações do modelo de codificação/ decodificação; modelos de progresso intelectual no campo; as novas mídias e tecnologias “inovadoras”. Meu título deriva das “Anedotas do Sr Keuner” de Bertold Brecht, na qual ele exorta as virtudes de refletir sobre as perguntas para as quais nós não temos respostas (Brecht, 1966). Trabalhando a partir deste princípio, ao invés de tentar formular soluções para o nosso campo, minha contribuição aqui é baseada em perguntas ligadas à pesquisa de audiência midiática para as quais, eu, pelo menos, não tenho as respostas, como uma maneira de investigar o que exatamente nós sabemos sobre o nosso campo.ABEC2006-06-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/7610.30962/ec.76E-Compós; Vol. 6 (2006)E-Compós; Vol. 6 (2006)E-Compós; v. 6 (2006)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/76/76Morley, Davidinfo:eu-repo/semantics/openAccess2019-07-24T05:31:06Zoai:ojs.www.e-compos.org.br:article/76Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2019-07-24T05:31:06E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse |
dc.title.none.fl_str_mv |
Unanswered Questions in Audience Research |
title |
Unanswered Questions in Audience Research |
spellingShingle |
Unanswered Questions in Audience Research Morley, David Estudos de Recepção Metodologia Estudos Culturais |
title_short |
Unanswered Questions in Audience Research |
title_full |
Unanswered Questions in Audience Research |
title_fullStr |
Unanswered Questions in Audience Research |
title_full_unstemmed |
Unanswered Questions in Audience Research |
title_sort |
Unanswered Questions in Audience Research |
author |
Morley, David |
author_facet |
Morley, David |
author_role |
author |
dc.contributor.author.fl_str_mv |
Morley, David |
dc.subject.por.fl_str_mv |
Estudos de Recepção Metodologia Estudos Culturais |
topic |
Estudos de Recepção Metodologia Estudos Culturais |
description |
As its title implies, this article explores a number of unanswered questions and outstanding issues in contemporary audience research. These include: models of the “active audience”; questions of cultural power; global media and transnational audiences; methodologies in audience research; problems of essentialism in the conceptualization of categories of audience members; the strengths and limitations of the ncoding/decoding model; models of intellectual progress in the field; the new media and technologies of “newness.” My title is derived from Bertolt Brecht's “Anecdotes of Mr Keuner” in which he extols the virtue of thinking up questions to which we do not have answers (Brecht, 1966). Working from this principle, rather than trying to formulate solutions to the problems of our field, my contribution here is based on questions in media audience research to which I, at least, do not have the answers, as a way of taking stock of what exactly it is that we think we now know about the field. |
publishDate |
2006 |
dc.date.none.fl_str_mv |
2006-06-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/76 10.30962/ec.76 |
url |
https://www.e-compos.org.br/e-compos/article/view/76 |
identifier_str_mv |
10.30962/ec.76 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/76/76 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
ABEC |
publisher.none.fl_str_mv |
ABEC |
dc.source.none.fl_str_mv |
E-Compós; Vol. 6 (2006) E-Compós; Vol. 6 (2006) E-Compós; v. 6 (2006) 1808-2599 reponame:E-Compós instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação instacron:ANPPC |
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Associação Nacional dos Programas de Pós-Graduação em Comunicação |
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ANPPC |
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ANPPC |
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E-Compós |
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E-Compós |
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E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação |
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revistaecompos@gmail.com |
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