Marilyn’s skirt: from the archetype to the stereotype of media imagery

Detalhes bibliográficos
Autor(a) principal: Barros, Ana Taís Martins Portanova
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: por
Título da fonte: E-Compós
Texto Completo: https://www.e-compos.org.br/e-compos/article/view/365
Resumo: This article develops a discussion about the nature of stereotypes in media iconographic imagery, in order to show the way they interact with the deepest layers of the imaginary, especially with archetypes and myths. The classification is made through the Regime of the Visual, proposed by Régis Debray and the theories of the imaginary by Gilbert Durand, showing that stereotype is the uppermost point in the process of symbolic impoverishment. Such impoverishment happens through the demystification of myths that have originally an oppositionist and liberating role in societies. Finally, the Durandian mythic criticism method is used to analyze four media images that remain vivid in the collective memory. The conclusion was that in their core, they refer to important myths for the psychosocial balance, which were degraded by the media establishment, which resulted in the stereotypification of images that derive from the archetypes of the femininity, the fall, the trickster and the hero.
id ANPPC-1_a26fe19c4dbd1526af2bb22955b3f850
oai_identifier_str oai:ojs.www.e-compos.org.br:article/365
network_acronym_str ANPPC-1
network_name_str E-Compós
repository_id_str
spelling Marilyn’s skirt: from the archetype to the stereotype of media imageryLa falda de Marilyn: del arquetipo al estereotipo en las imágenes mediáticasA saia de Marilyn: do arquétipo ao estereótipo nas imagens midiáticasImagemMitoEstereótipoMídia.This article develops a discussion about the nature of stereotypes in media iconographic imagery, in order to show the way they interact with the deepest layers of the imaginary, especially with archetypes and myths. The classification is made through the Regime of the Visual, proposed by Régis Debray and the theories of the imaginary by Gilbert Durand, showing that stereotype is the uppermost point in the process of symbolic impoverishment. Such impoverishment happens through the demystification of myths that have originally an oppositionist and liberating role in societies. Finally, the Durandian mythic criticism method is used to analyze four media images that remain vivid in the collective memory. The conclusion was that in their core, they refer to important myths for the psychosocial balance, which were degraded by the media establishment, which resulted in the stereotypification of images that derive from the archetypes of the femininity, the fall, the trickster and the hero.Este artículo desarrolla una reflexión sobre la naturaleza del estereotipo en las imágenes iconográficas mediáticas con el objetivo de mostrar de qué modo ellas se relacionan con los niveles más profundos del imaginario, a saber los arquetipos y los mitos. Se utilizan la clasificación de los regímenes de la mirada hecha por Régis Debray y los presupuestos de los estudios del imaginario de Gilbert Durand, para demostrar que el estereotipo es el punto culminante de un proceso de empobrecimiento simbólico. Ese empobrecimiento sucede a través de la destrucción de mitos que, originalmente, tienen un rol de contestación y de liberación en las sociedades. Finalmente, se utiliza el método de la mitocrítica durandiana para analizar cuatro imágenes mediáticas que permanecen activas en la memoria colectiva. Se concluye que en sus bases ellas remiten a mitos importantes para el equilibrio psicosocial, pero que fueron degradados por su institucionalización en los medios de comunicación, resultando en la estereotipia de imágenes que derivan de arquetipos de la femineidad, de la caída, del trickster y del héroe.Este artigo desenvolve uma reflexão sobre a natureza do estereótipo nas imagens iconográficas midiáticas com o objetivo de mostrar de que modo elas se relacionam com os níveis mais profundos do imaginário: os arquétipos e os mitos. Utiliza-se a classificação dos regimes do olhar feita por Régis Debray e os pressupostos dos estudos do imaginário de Gilbert Durand, demonstrando-se que o estereótipo é o ponto culminante de um processo de empobrecimento simbólico. Tal empobrecimento ocorre através da desmitologização de mitos que, originalmente, têm papel contestatório e libertador nas sociedades. Por fim, utiliza-se o método da mitocrítica durandiana para se analisarem quatro imagens midiáticas que permanecem ativas na memória coletiva. Conclui-se que na sua base elas remetem a mitos importantes para a equilibração psicossocial, mas que foram degradados por sua institucionalização na mídia, resultando na estereotipia de imagens que derivam de arquétipos da feminilidade, da queda, do trickster e do herói.ABEC2009-06-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfimage/pjpegimage/pjpegimage/pjpegimage/pjpeghttps://www.e-compos.org.br/e-compos/article/view/36510.30962/ec.365E-Compós; Vol. 12 No. 1 (2009)E-Compós; Vol. 12 Núm. 1 (2009)E-Compós; v. 12 n. 1 (2009)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/365/321https://www.e-compos.org.br/e-compos/article/view/365/1121https://www.e-compos.org.br/e-compos/article/view/365/1123https://www.e-compos.org.br/e-compos/article/view/365/1125https://www.e-compos.org.br/e-compos/article/view/365/1127Barros, Ana Taís Martins Portanovainfo:eu-repo/semantics/openAccess2021-06-10T14:12:31Zoai:ojs.www.e-compos.org.br:article/365Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2021-06-10T14:12:31E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv Marilyn’s skirt: from the archetype to the stereotype of media imagery
La falda de Marilyn: del arquetipo al estereotipo en las imágenes mediáticas
A saia de Marilyn: do arquétipo ao estereótipo nas imagens midiáticas
title Marilyn’s skirt: from the archetype to the stereotype of media imagery
spellingShingle Marilyn’s skirt: from the archetype to the stereotype of media imagery
Barros, Ana Taís Martins Portanova
Imagem
Mito
Estereótipo
Mídia.
title_short Marilyn’s skirt: from the archetype to the stereotype of media imagery
title_full Marilyn’s skirt: from the archetype to the stereotype of media imagery
title_fullStr Marilyn’s skirt: from the archetype to the stereotype of media imagery
title_full_unstemmed Marilyn’s skirt: from the archetype to the stereotype of media imagery
title_sort Marilyn’s skirt: from the archetype to the stereotype of media imagery
author Barros, Ana Taís Martins Portanova
author_facet Barros, Ana Taís Martins Portanova
author_role author
dc.contributor.author.fl_str_mv Barros, Ana Taís Martins Portanova
dc.subject.por.fl_str_mv Imagem
Mito
Estereótipo
Mídia.
topic Imagem
Mito
Estereótipo
Mídia.
description This article develops a discussion about the nature of stereotypes in media iconographic imagery, in order to show the way they interact with the deepest layers of the imaginary, especially with archetypes and myths. The classification is made through the Regime of the Visual, proposed by Régis Debray and the theories of the imaginary by Gilbert Durand, showing that stereotype is the uppermost point in the process of symbolic impoverishment. Such impoverishment happens through the demystification of myths that have originally an oppositionist and liberating role in societies. Finally, the Durandian mythic criticism method is used to analyze four media images that remain vivid in the collective memory. The conclusion was that in their core, they refer to important myths for the psychosocial balance, which were degraded by the media establishment, which resulted in the stereotypification of images that derive from the archetypes of the femininity, the fall, the trickster and the hero.
publishDate 2009
dc.date.none.fl_str_mv 2009-06-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/365
10.30962/ec.365
url https://www.e-compos.org.br/e-compos/article/view/365
identifier_str_mv 10.30962/ec.365
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/365/321
https://www.e-compos.org.br/e-compos/article/view/365/1121
https://www.e-compos.org.br/e-compos/article/view/365/1123
https://www.e-compos.org.br/e-compos/article/view/365/1125
https://www.e-compos.org.br/e-compos/article/view/365/1127
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
image/pjpeg
image/pjpeg
image/pjpeg
image/pjpeg
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 12 No. 1 (2009)
E-Compós; Vol. 12 Núm. 1 (2009)
E-Compós; v. 12 n. 1 (2009)
1808-2599
reponame:E-Compós
instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron:ANPPC
instname_str Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron_str ANPPC
institution ANPPC
reponame_str E-Compós
collection E-Compós
repository.name.fl_str_mv E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação
repository.mail.fl_str_mv revistaecompos@gmail.com
_version_ 1798045732623613952