A fake on television ? From lie to fraude : the documentary Opératio Lune as an example
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | E-Compós |
Texto Completo: | https://www.e-compos.org.br/e-compos/article/view/329 |
Resumo: | The objective of this article is to show how much the relations of mass media television in reality are more subtle than they think of it ordinarily. So, across the analysis of The dark side of the moon (Opération Lune), film of W.Karel investigating the genuineness of pictures of the first steps of the men on the moon, we shall question the status of this program introduced as a "falsehood" by criticism by disentangling the numerous building semiotics: pictures of archives, truths-falsehoods evidence, change of tonality, parodic techniques. What is therefore its status? Lie? Parody? Trick? The dark side of the moon shows how much in referential mediation the criticism of pictures succeeds to delay in reason real events which they relate. Certain viewers do not hesitate to slip cast doubts on the thruthfulness of pictures to the reality of facts with the collusive help of the present implements into the film. |
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A fake on television ? From lie to fraude : the documentary Opératio Lune as an exampleUn falso en la televisión ? De la mentira a la fraude : el ejemplo del documental Opération LuneUn faux à la télévision ? Du mensonge à la supercherie : l’exemple du documentaire Opération Lunefalso documentáriotelevisãorealidadeOpération Lune.The objective of this article is to show how much the relations of mass media television in reality are more subtle than they think of it ordinarily. So, across the analysis of The dark side of the moon (Opération Lune), film of W.Karel investigating the genuineness of pictures of the first steps of the men on the moon, we shall question the status of this program introduced as a "falsehood" by criticism by disentangling the numerous building semiotics: pictures of archives, truths-falsehoods evidence, change of tonality, parodic techniques. What is therefore its status? Lie? Parody? Trick? The dark side of the moon shows how much in referential mediation the criticism of pictures succeeds to delay in reason real events which they relate. Certain viewers do not hesitate to slip cast doubts on the thruthfulness of pictures to the reality of facts with the collusive help of the present implements into the film.El objetivo de este artículo es mostrar cuánto las relaciones de la televisión con la realidad son más sutiles de lo que solemos creer. Así, a través del análisis de Opération Lune, una película de William Karel que investiga la autenticidad de las imágenes de los primeros pasos del hombre en la Luna, cuestionamos el estatuto de ese programa presentado como un “falso” por la crítica, desenredando las múltiples construcciones semióticas: imágenes de archivo, testimonios verdadero-falsos, cambio de tonalidad, procedimientos paródicos. ¿Cuál es, entonces, su estatuto? ¿Mentira? ¿Parodia? ¿Fraude? Opération Lune muestra cuánto, en mediación referencial, la crítica de las imágenes parece conducir al cuestionamiento de los acontecimientos reales que ellas narran. Ciertos telespectadores no hesitan en pasar de la duda sobre la veracidad de las imágenes a la sospecha sobre la realidad de los hechos, con la ayuda cómplice de los dispositivos presentes en la película. Palavras clave: falso documental. Televisión. Realidad. Opération Lune.O objetivo deste artigo é mostrar o quanto as relações da televisão com a realidade são mais sutis do que nós costumamos acreditar. Assim, através da análise de Opération Lune, um filme de William Karel que investiga a autenticidade das imagens dos primeiros passos do homem na Lua, questionamos o estatuto desse programa apresentado como um “falso” pela crítica, desembaraçando as múltiplas construções semióticas: imagens de arquivo, testemunhos verdadeiro-falsos, mudança de tonalidade, procedimentos paródicos. Qual é, então, seu estatuto? Mentira? Paródia? Fraude? Opération Lune mostra o quanto, em mediação referencial, a crítica das imagens parece conduzir ao questionamento dos acontecimentos reais que elas narram. Certos telespectadores não hesitam em passar da dúvida sobre a veracidade das imagens à suspeita sobre a realidade dos fatos, com a ajuda cúmplice dos dispositivos presentes no filme.ABEC2009-01-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/32910.30962/ec.329E-Compós; Vol. 11 No. 2 (2008)E-Compós; Vol. 11 Núm. 2 (2008)E-Compós; v. 11 n. 2 (2008)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/329/284Chambat-Houillon, Marie-Franceinfo:eu-repo/semantics/openAccess2019-07-24T05:29:31Zoai:ojs.www.e-compos.org.br:article/329Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2019-07-24T05:29:31E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse |
dc.title.none.fl_str_mv |
A fake on television ? From lie to fraude : the documentary Opératio Lune as an example Un falso en la televisión ? De la mentira a la fraude : el ejemplo del documental Opération Lune Un faux à la télévision ? Du mensonge à la supercherie : l’exemple du documentaire Opération Lune |
title |
A fake on television ? From lie to fraude : the documentary Opératio Lune as an example |
spellingShingle |
A fake on television ? From lie to fraude : the documentary Opératio Lune as an example Chambat-Houillon, Marie-France falso documentário televisão realidade Opération Lune. |
title_short |
A fake on television ? From lie to fraude : the documentary Opératio Lune as an example |
title_full |
A fake on television ? From lie to fraude : the documentary Opératio Lune as an example |
title_fullStr |
A fake on television ? From lie to fraude : the documentary Opératio Lune as an example |
title_full_unstemmed |
A fake on television ? From lie to fraude : the documentary Opératio Lune as an example |
title_sort |
A fake on television ? From lie to fraude : the documentary Opératio Lune as an example |
author |
Chambat-Houillon, Marie-France |
author_facet |
Chambat-Houillon, Marie-France |
author_role |
author |
dc.contributor.author.fl_str_mv |
Chambat-Houillon, Marie-France |
dc.subject.por.fl_str_mv |
falso documentário televisão realidade Opération Lune. |
topic |
falso documentário televisão realidade Opération Lune. |
description |
The objective of this article is to show how much the relations of mass media television in reality are more subtle than they think of it ordinarily. So, across the analysis of The dark side of the moon (Opération Lune), film of W.Karel investigating the genuineness of pictures of the first steps of the men on the moon, we shall question the status of this program introduced as a "falsehood" by criticism by disentangling the numerous building semiotics: pictures of archives, truths-falsehoods evidence, change of tonality, parodic techniques. What is therefore its status? Lie? Parody? Trick? The dark side of the moon shows how much in referential mediation the criticism of pictures succeeds to delay in reason real events which they relate. Certain viewers do not hesitate to slip cast doubts on the thruthfulness of pictures to the reality of facts with the collusive help of the present implements into the film. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-01-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/329 10.30962/ec.329 |
url |
https://www.e-compos.org.br/e-compos/article/view/329 |
identifier_str_mv |
10.30962/ec.329 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/329/284 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC |
publisher.none.fl_str_mv |
ABEC |
dc.source.none.fl_str_mv |
E-Compós; Vol. 11 No. 2 (2008) E-Compós; Vol. 11 Núm. 2 (2008) E-Compós; v. 11 n. 2 (2008) 1808-2599 reponame:E-Compós instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação instacron:ANPPC |
instname_str |
Associação Nacional dos Programas de Pós-Graduação em Comunicação |
instacron_str |
ANPPC |
institution |
ANPPC |
reponame_str |
E-Compós |
collection |
E-Compós |
repository.name.fl_str_mv |
E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação |
repository.mail.fl_str_mv |
revistaecompos@gmail.com |
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1798045732601593856 |