What is the place of the “pagode” in the 100 years celebration of “samba”?

Detalhes bibliográficos
Autor(a) principal: Trotta, Felipe Costa
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: E-Compós
Texto Completo: https://www.e-compos.org.br/e-compos/article/view/1463
Resumo: Since at least the beginning of the 90s, the samba style known as “pagoda” has an important role in Brazilian music market. The success of groups such as Raça Negra and Só Pra Contrariar has increased the samba market, achieving wide audiences throughout the country which a huge amount of styles. These bands merged informality and professionalism through an aesthetics that reported positively the love, changed some rhythmic patterns and sounded like mainstream pop music (national and international). This paper criticises the disqualification of the pagoda in the historical narrative of samba, especially on the festive celebrations of the genre’s centenary.
id ANPPC-1_b3ca28fc93e476bf1b748e4f25562026
oai_identifier_str oai:ojs.www.e-compos.org.br:article/1463
network_acronym_str ANPPC-1
network_name_str E-Compós
repository_id_str
spelling What is the place of the “pagode” in the 100 years celebration of “samba”?Qual é o lugar do pagode no centenário do samba?Música populargênero musicalsambapagodeSince at least the beginning of the 90s, the samba style known as “pagoda” has an important role in Brazilian music market. The success of groups such as Raça Negra and Só Pra Contrariar has increased the samba market, achieving wide audiences throughout the country which a huge amount of styles. These bands merged informality and professionalism through an aesthetics that reported positively the love, changed some rhythmic patterns and sounded like mainstream pop music (national and international). This paper criticises the disqualification of the pagoda in the historical narrative of samba, especially on the festive celebrations of the genre’s centenary.Desde pelo menos o início da década de 1990, o estilo de samba conhecido como pagode ocupa lugar de destaque no mercado musical brasileiro. O sucesso de grupos como Raça Negra e Só pra Contrariar ampliou o alcance mercantil do samba, atingindo público expressivo e permitindo uma grande variedade de estilos. Esses grupos elaboraram um samba que conjugava informalidade e profissionalismo através de uma estética musical que narrava positivamente o amor, alterava certos padrões rítmicos e aproximava sua sonoridade da música pop nacional e internacional. Esse artigo questiona a desqualificação que essa tendência estilística do samba sofre desde então, reivindicando um espaço de destaque para o pagode na narrativa do centenário do samba.ABEC2018-07-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/146310.30962/ec.1463E-Compós; Vol. 22 (2019)E-Compós; Vol. 22 (2019)E-Compós; v. 22 (2019)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/1463/1924Copyright (c) 2019 Felipe Costa Trottainfo:eu-repo/semantics/openAccessTrotta, Felipe Costa2020-05-19T23:57:51Zoai:ojs.www.e-compos.org.br:article/1463Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2020-05-19T23:57:51E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv What is the place of the “pagode” in the 100 years celebration of “samba”?
Qual é o lugar do pagode no centenário do samba?
title What is the place of the “pagode” in the 100 years celebration of “samba”?
spellingShingle What is the place of the “pagode” in the 100 years celebration of “samba”?
Trotta, Felipe Costa
Música popular
gênero musical
samba
pagode
title_short What is the place of the “pagode” in the 100 years celebration of “samba”?
title_full What is the place of the “pagode” in the 100 years celebration of “samba”?
title_fullStr What is the place of the “pagode” in the 100 years celebration of “samba”?
title_full_unstemmed What is the place of the “pagode” in the 100 years celebration of “samba”?
title_sort What is the place of the “pagode” in the 100 years celebration of “samba”?
author Trotta, Felipe Costa
author_facet Trotta, Felipe Costa
author_role author
dc.contributor.author.fl_str_mv Trotta, Felipe Costa
dc.subject.por.fl_str_mv Música popular
gênero musical
samba
pagode
topic Música popular
gênero musical
samba
pagode
description Since at least the beginning of the 90s, the samba style known as “pagoda” has an important role in Brazilian music market. The success of groups such as Raça Negra and Só Pra Contrariar has increased the samba market, achieving wide audiences throughout the country which a huge amount of styles. These bands merged informality and professionalism through an aesthetics that reported positively the love, changed some rhythmic patterns and sounded like mainstream pop music (national and international). This paper criticises the disqualification of the pagoda in the historical narrative of samba, especially on the festive celebrations of the genre’s centenary.
publishDate 2018
dc.date.none.fl_str_mv 2018-07-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/1463
10.30962/ec.1463
url https://www.e-compos.org.br/e-compos/article/view/1463
identifier_str_mv 10.30962/ec.1463
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/1463/1924
dc.rights.driver.fl_str_mv Copyright (c) 2019 Felipe Costa Trotta
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Felipe Costa Trotta
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 22 (2019)
E-Compós; Vol. 22 (2019)
E-Compós; v. 22 (2019)
1808-2599
reponame:E-Compós
instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron:ANPPC
instname_str Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron_str ANPPC
institution ANPPC
reponame_str E-Compós
collection E-Compós
repository.name.fl_str_mv E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação
repository.mail.fl_str_mv revistaecompos@gmail.com
_version_ 1798045734816186368