Judgments of value and the value of judgments: strategies of valuation in the practice of samba
Autor(a) principal: | |
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Data de Publicação: | 2007 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/1470 |
Resumo: | Every esthetic experience involves symbolic sharing of tastes and representations that are particularly visible in the construction of value judgments. In popular music, musical genres work as representations through which individuals and social groups develop quality criteria that begin to guide musical experiences and shape identities. This paper discusses strategies of valuation surrounding the practice of samba, particularly those that emerged in the 1990s, motivated by the success of “romantic pagode” groups. At that time, samba became divided into two categories, i.e., “root samba” and “pagode”, representing different and conflicting forms of attributing values and gaining esthetic and commercial legitimacy. |
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Judgments of value and the value of judgments: strategies of valuation in the practice of sambaJuízos de valor e o valor dos juízos: estratégias de valoração na prática do sambapopular musicmusical genresambapagodevalueEvery esthetic experience involves symbolic sharing of tastes and representations that are particularly visible in the construction of value judgments. In popular music, musical genres work as representations through which individuals and social groups develop quality criteria that begin to guide musical experiences and shape identities. This paper discusses strategies of valuation surrounding the practice of samba, particularly those that emerged in the 1990s, motivated by the success of “romantic pagode” groups. At that time, samba became divided into two categories, i.e., “root samba” and “pagode”, representing different and conflicting forms of attributing values and gaining esthetic and commercial legitimacy.As experiências estéticas implicam processos de compartilhamento simbólico de gostos e representações que se manifestam fortemente na construção de julgamentos de valor. Na música popular, os gêneros musicais funcionam como abrigos dessas representações e, através deles, os sujeitos e grupos sociais desenvolvem critérios de qualidade que passam a nortear as experiências musicais e formação de identidades. Neste trabalho, serão discutidas as estratégias de valoração que circulam em torno da prática do samba e, em especial, aquelas que surgiram na última década do século passado motivadas pelo sucesso dos grupos de pagode romântico. Neste momento, o samba passou a ser dividido no mercado entre “raiz” e “pagode”, representando formas distintas e conflituosas de atribuir valor e conquistar legitimidade estética e comercial.PEPG COS-PUC-SP2007-06-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/1470Galaxia; No. 13 (2007); p. 115-127GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 13 (2007); p. 115-1271982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/1470/935Trotta, Felipe Costainfo:eu-repo/semantics/openAccess2024-05-15T14:01:06Zoai:ojs.pkp.sfu.ca:article/1470Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2024-05-15T14:01:06Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Judgments of value and the value of judgments: strategies of valuation in the practice of samba Juízos de valor e o valor dos juízos: estratégias de valoração na prática do samba |
title |
Judgments of value and the value of judgments: strategies of valuation in the practice of samba |
spellingShingle |
Judgments of value and the value of judgments: strategies of valuation in the practice of samba Trotta, Felipe Costa popular music musical genre samba pagode value |
title_short |
Judgments of value and the value of judgments: strategies of valuation in the practice of samba |
title_full |
Judgments of value and the value of judgments: strategies of valuation in the practice of samba |
title_fullStr |
Judgments of value and the value of judgments: strategies of valuation in the practice of samba |
title_full_unstemmed |
Judgments of value and the value of judgments: strategies of valuation in the practice of samba |
title_sort |
Judgments of value and the value of judgments: strategies of valuation in the practice of samba |
author |
Trotta, Felipe Costa |
author_facet |
Trotta, Felipe Costa |
author_role |
author |
dc.contributor.author.fl_str_mv |
Trotta, Felipe Costa |
dc.subject.por.fl_str_mv |
popular music musical genre samba pagode value |
topic |
popular music musical genre samba pagode value |
description |
Every esthetic experience involves symbolic sharing of tastes and representations that are particularly visible in the construction of value judgments. In popular music, musical genres work as representations through which individuals and social groups develop quality criteria that begin to guide musical experiences and shape identities. This paper discusses strategies of valuation surrounding the practice of samba, particularly those that emerged in the 1990s, motivated by the success of “romantic pagode” groups. At that time, samba became divided into two categories, i.e., “root samba” and “pagode”, representing different and conflicting forms of attributing values and gaining esthetic and commercial legitimacy. |
publishDate |
2007 |
dc.date.none.fl_str_mv |
2007-06-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/1470 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/1470 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/1470/935 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 13 (2007); p. 115-127 GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 13 (2007); p. 115-127 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
1799129329122148352 |