Espejos, reflejos e imaginarios: el diario Mundo al Día (1924-1938)
Autor(a) principal: | |
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Data de Publicação: | 2006 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | E-Compós |
Texto Completo: | https://www.e-compos.org.br/e-compos/article/view/88 |
Resumo: | By means of an analysis of the daily newspaper Mundo al día published between 1924 and 1938, whose presence has not been legitimized by our historians and journalists (compared to other newspapers that are more wellknown), this article shows how gradually in the twenties a new kind of journalism emerges. What previously was a journalism for a social and intellectual elite that circulated among a reduced number of literate people with a certain cultural level as well as an enormous avidness for the latest news transforms itself into a journalism that has a different focus that cannot be separated from the rise of modernity and industrialization in Colombia nor from the new technologies in the age of information. Visual communication constitutes a significant part of a series of strategies that aim at a massive coverage of the news. |
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Espejos, reflejos e imaginarios: el diario Mundo al Día (1924-1938)Comunicación visualColombiaModernidadMemoriaIdentidad CulturalBy means of an analysis of the daily newspaper Mundo al día published between 1924 and 1938, whose presence has not been legitimized by our historians and journalists (compared to other newspapers that are more wellknown), this article shows how gradually in the twenties a new kind of journalism emerges. What previously was a journalism for a social and intellectual elite that circulated among a reduced number of literate people with a certain cultural level as well as an enormous avidness for the latest news transforms itself into a journalism that has a different focus that cannot be separated from the rise of modernity and industrialization in Colombia nor from the new technologies in the age of information. Visual communication constitutes a significant part of a series of strategies that aim at a massive coverage of the news.Mediante un análisis del texto y de la imagen del diario gráfico colombiano Mundo al día, publicado entre 1924 y 1938 (cuya presencia no ha sido legitimizada por nuestros historiadores y periodistas en comparación con otros periódicos más reconocidos), este artículo muestra cómo paulatinamente en los años veinte surge una nueva forma de periodismo. Lo que anteriormente constituía un periodismo de elite social e intelectual que circulaba entre un grupo reducido de gente letrada con un cierto nivel de cultura y una enorme avidez por la noticia se convierte aquí en un periodismo con un enfoque bastante diferente que no se puede desvincular del advenimiento de la modernidad y de la industrialización en Colombia ni de las nuevas tecnologías de la información. La comunicación visual forma parte significativa en una serie de estrategias para lograr un cubrimiento masivo de lo noticioso.Mediante un análisis del texto y de la imagen del diario gráfico colombiano Mundo al día, publicado entre 1924 y 1938 (cuya presencia no ha sido legitimizada por nuestros historiadores y periodistas en comparación con otros periódicos más reconocidos), este artículo muestra cómo paulatinamente en los años veinte surge una nueva forma de periodismo. Lo que anteriormente constituía un periodismo de elite social e intelectual que circulaba entre un grupo reducido de gente letrada con un cierto nivel de cultura y una enorme avidez por la noticia se convierte aquí en un periodismo con un enfoque bastante diferente que no se puede desvincular del advenimiento de la modernidad y de la industrialización en Colombia ni de las nuevas tecnologías de la información. La comunicación visual forma parte significativa en una serie de estrategias para lograr un cubrimiento masivo de lo noticioso.ABEC2006-06-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/8810.30962/ec.88E-Compós; Vol. 6 (2006)E-Compós; Vol. 6 (2006)E-Compós; v. 6 (2006)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/88/88Friedmann, Susanainfo:eu-repo/semantics/openAccess2019-07-24T05:30:59Zoai:ojs.www.e-compos.org.br:article/88Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2019-07-24T05:30:59E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse |
dc.title.none.fl_str_mv |
Espejos, reflejos e imaginarios: el diario Mundo al Día (1924-1938) |
title |
Espejos, reflejos e imaginarios: el diario Mundo al Día (1924-1938) |
spellingShingle |
Espejos, reflejos e imaginarios: el diario Mundo al Día (1924-1938) Friedmann, Susana Comunicación visual Colombia Modernidad Memoria Identidad Cultural |
title_short |
Espejos, reflejos e imaginarios: el diario Mundo al Día (1924-1938) |
title_full |
Espejos, reflejos e imaginarios: el diario Mundo al Día (1924-1938) |
title_fullStr |
Espejos, reflejos e imaginarios: el diario Mundo al Día (1924-1938) |
title_full_unstemmed |
Espejos, reflejos e imaginarios: el diario Mundo al Día (1924-1938) |
title_sort |
Espejos, reflejos e imaginarios: el diario Mundo al Día (1924-1938) |
author |
Friedmann, Susana |
author_facet |
Friedmann, Susana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Friedmann, Susana |
dc.subject.por.fl_str_mv |
Comunicación visual Colombia Modernidad Memoria Identidad Cultural |
topic |
Comunicación visual Colombia Modernidad Memoria Identidad Cultural |
description |
By means of an analysis of the daily newspaper Mundo al día published between 1924 and 1938, whose presence has not been legitimized by our historians and journalists (compared to other newspapers that are more wellknown), this article shows how gradually in the twenties a new kind of journalism emerges. What previously was a journalism for a social and intellectual elite that circulated among a reduced number of literate people with a certain cultural level as well as an enormous avidness for the latest news transforms itself into a journalism that has a different focus that cannot be separated from the rise of modernity and industrialization in Colombia nor from the new technologies in the age of information. Visual communication constitutes a significant part of a series of strategies that aim at a massive coverage of the news. |
publishDate |
2006 |
dc.date.none.fl_str_mv |
2006-06-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/88 10.30962/ec.88 |
url |
https://www.e-compos.org.br/e-compos/article/view/88 |
identifier_str_mv |
10.30962/ec.88 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/88/88 |
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info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
ABEC |
publisher.none.fl_str_mv |
ABEC |
dc.source.none.fl_str_mv |
E-Compós; Vol. 6 (2006) E-Compós; Vol. 6 (2006) E-Compós; v. 6 (2006) 1808-2599 reponame:E-Compós instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação instacron:ANPPC |
instname_str |
Associação Nacional dos Programas de Pós-Graduação em Comunicação |
instacron_str |
ANPPC |
institution |
ANPPC |
reponame_str |
E-Compós |
collection |
E-Compós |
repository.name.fl_str_mv |
E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação |
repository.mail.fl_str_mv |
revistaecompos@gmail.com |
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1798045731260465152 |