Towards an Alternative 1922: Popular Culture and Rio de Janeiro’s Vernacular Modernisms

Detalhes bibliográficos
Autor(a) principal: Conde,Maite
Data de Publicação: 2022
Outros Autores: Shaw,Lisa
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista brasileira de história (Online)
Texto Completo: http://old.scielo.br/scielo.php?script=sci_arttext&pid=S0102-01882022000200097
Resumo: ABSTRACT This article explores cultural innovations taking place in Rio de Janeiro in 1922. The year evidenced numerous changes in the then capital. These have, though, been eclipsed by the dominant focus on avant-garde experimentations by modernist artists in São Paulo. Returning to 1922 and zooming in on Rio, this article explores transformations that altered the space of the city, and its popular cultural landscape. By doing so, the article seeks to widen the landscape of Brazil’s cultural modernity to encompass developments taking place beyond the confines of the modernist movement and the city of São Paulo. It does this by analysing cultural revolutions taking place in 1922 in terms of Rio’s “vernacular modernisms”, to borrow from Miriam Hansen (1999). Specifically it explores changes in urban planning, in popular music and live performance, in the teatro de revista and in popular literature.
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spelling Towards an Alternative 1922: Popular Culture and Rio de Janeiro’s Vernacular ModernismsRio de Janeiro in 1922Vernacular modernismTeatro de revistaOito BatutasEnervadasBrazil’s Centennial ExpositionABSTRACT This article explores cultural innovations taking place in Rio de Janeiro in 1922. The year evidenced numerous changes in the then capital. These have, though, been eclipsed by the dominant focus on avant-garde experimentations by modernist artists in São Paulo. Returning to 1922 and zooming in on Rio, this article explores transformations that altered the space of the city, and its popular cultural landscape. By doing so, the article seeks to widen the landscape of Brazil’s cultural modernity to encompass developments taking place beyond the confines of the modernist movement and the city of São Paulo. It does this by analysing cultural revolutions taking place in 1922 in terms of Rio’s “vernacular modernisms”, to borrow from Miriam Hansen (1999). Specifically it explores changes in urban planning, in popular music and live performance, in the teatro de revista and in popular literature.Associação Nacional de História - ANPUH2022-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontext/htmlhttp://old.scielo.br/scielo.php?script=sci_arttext&pid=S0102-01882022000200097Revista Brasileira de História v.42 n.90 2022reponame:Revista brasileira de história (Online)instname:Associação Nacional de História (ANPUH)instacron:ANPUH10.1590/1806-93472022v42n90-07info:eu-repo/semantics/openAccessConde,MaiteShaw,Lisaeng2022-07-28T00:00:00Zoai:scielo:S0102-01882022000200097Revistahttp://www.scielo.br/rbhhttps://old.scielo.br/oai/scielo-oai.phprbh@usp.br||secretaria@anpuh.org1806-93470102-0188opendoar:2022-07-28T00:00Revista brasileira de história (Online) - Associação Nacional de História (ANPUH)false
dc.title.none.fl_str_mv Towards an Alternative 1922: Popular Culture and Rio de Janeiro’s Vernacular Modernisms
title Towards an Alternative 1922: Popular Culture and Rio de Janeiro’s Vernacular Modernisms
spellingShingle Towards an Alternative 1922: Popular Culture and Rio de Janeiro’s Vernacular Modernisms
Conde,Maite
Rio de Janeiro in 1922
Vernacular modernism
Teatro de revista
Oito Batutas
Enervadas
Brazil’s Centennial Exposition
title_short Towards an Alternative 1922: Popular Culture and Rio de Janeiro’s Vernacular Modernisms
title_full Towards an Alternative 1922: Popular Culture and Rio de Janeiro’s Vernacular Modernisms
title_fullStr Towards an Alternative 1922: Popular Culture and Rio de Janeiro’s Vernacular Modernisms
title_full_unstemmed Towards an Alternative 1922: Popular Culture and Rio de Janeiro’s Vernacular Modernisms
title_sort Towards an Alternative 1922: Popular Culture and Rio de Janeiro’s Vernacular Modernisms
author Conde,Maite
author_facet Conde,Maite
Shaw,Lisa
author_role author
author2 Shaw,Lisa
author2_role author
dc.contributor.author.fl_str_mv Conde,Maite
Shaw,Lisa
dc.subject.por.fl_str_mv Rio de Janeiro in 1922
Vernacular modernism
Teatro de revista
Oito Batutas
Enervadas
Brazil’s Centennial Exposition
topic Rio de Janeiro in 1922
Vernacular modernism
Teatro de revista
Oito Batutas
Enervadas
Brazil’s Centennial Exposition
description ABSTRACT This article explores cultural innovations taking place in Rio de Janeiro in 1922. The year evidenced numerous changes in the then capital. These have, though, been eclipsed by the dominant focus on avant-garde experimentations by modernist artists in São Paulo. Returning to 1922 and zooming in on Rio, this article explores transformations that altered the space of the city, and its popular cultural landscape. By doing so, the article seeks to widen the landscape of Brazil’s cultural modernity to encompass developments taking place beyond the confines of the modernist movement and the city of São Paulo. It does this by analysing cultural revolutions taking place in 1922 in terms of Rio’s “vernacular modernisms”, to borrow from Miriam Hansen (1999). Specifically it explores changes in urban planning, in popular music and live performance, in the teatro de revista and in popular literature.
publishDate 2022
dc.date.none.fl_str_mv 2022-05-01
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dc.relation.none.fl_str_mv 10.1590/1806-93472022v42n90-07
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publisher.none.fl_str_mv Associação Nacional de História - ANPUH
dc.source.none.fl_str_mv Revista Brasileira de História v.42 n.90 2022
reponame:Revista brasileira de história (Online)
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