Identity, identification and differentiation in contemporary brazilian comedies
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Brasileira de Pesquisa (Auto)biográfica |
Texto Completo: | https://www.revistas.uneb.br/index.php/rbpab/article/view/3865 |
Resumo: | We explore how Deleuze’s notion of the ‘powers of the false’, from Cinema 2, enables a consideration of the ways in which national identity is negotiated in two popular Brazilian comedies of the 2000s, Se Eu Fosse Você/If I Were You (2006) and Se Eu Fosse Você 2/If I Were You 2 (2009). The films offer possibilities for various Brazilian audiences to reimagine national identities “against the grain” of a movement-image blockbuster with an apparently homogenising white, middle class, nuclear family-oriented, normative image of national identity. Studying the aesthetics of these artistic productions, understanding their implications for people and for world representations as structured by the look and its narrative, we found contributions to cultural identities discussions on curriculum studies. |
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Identity, identification and differentiation in contemporary brazilian comediescinemadifferencepower of falseWe explore how Deleuze’s notion of the ‘powers of the false’, from Cinema 2, enables a consideration of the ways in which national identity is negotiated in two popular Brazilian comedies of the 2000s, Se Eu Fosse Você/If I Were You (2006) and Se Eu Fosse Você 2/If I Were You 2 (2009). The films offer possibilities for various Brazilian audiences to reimagine national identities “against the grain” of a movement-image blockbuster with an apparently homogenising white, middle class, nuclear family-oriented, normative image of national identity. Studying the aesthetics of these artistic productions, understanding their implications for people and for world representations as structured by the look and its narrative, we found contributions to cultural identities discussions on curriculum studies. Associação Brasileira de Pesquisa (Auto)Biográfica (BIOgraph)2017-12-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/vnd.openxmlformats-officedocument.wordprocessingml.documenthttps://www.revistas.uneb.br/index.php/rbpab/article/view/386510.31892/rbpab2525-426X.2017.v2.n6.p583-595Revista Brasileira de Pesquisa (Auto)biográfica; Vol. 2 Núm. 6 (2017): Revista Brasileira de Pesquisa (Auto)biográfica; 583-595REVUE BRÉSILIENNE DE RECHERCHE (AUTO)BIOGRAPHIQUE; Vol. 2 No. 6 (2017): Revista Brasileira de Pesquisa (Auto)biográfica; 583-595Revista Brasileira de Pesquisa (Auto)biográfica; v. 2 n. 6 (2017): Revista Brasileira de Pesquisa (Auto)biográfica; 583-5952525-426X10.31892/rbpab2525-426X.v2.n6reponame:Revista Brasileira de Pesquisa (Auto)biográficainstname:Associação Brasileira de Pesquisa (Auto)Biográfica (BIOgraph)instacron:BIOenghttps://www.revistas.uneb.br/index.php/rbpab/article/view/3865/2622https://www.revistas.uneb.br/index.php/rbpab/article/view/3865/6729Copyright (c) 2017 Revista Brasileira de Pesquisa (Auto)biográficainfo:eu-repo/semantics/openAccessAmorim, Antonio Carlos Rodrigues deMartin-Jones, David2023-07-18T22:24:05Zoai:ojs.revistas.uneb.br:article/3865Revistahttp://revistas.uneb.br/index.php/rbpab/indexhttps://www.revistas.uneb.br/index.php/rbpab/oai||esclementino@uol.com.br|| biographassociacao@gmail.com2525-426X2525-426Xopendoar:2023-07-18T22:24:05Revista Brasileira de Pesquisa (Auto)biográfica - Associação Brasileira de Pesquisa (Auto)Biográfica (BIOgraph)false |
dc.title.none.fl_str_mv |
Identity, identification and differentiation in contemporary brazilian comedies |
title |
Identity, identification and differentiation in contemporary brazilian comedies |
spellingShingle |
Identity, identification and differentiation in contemporary brazilian comedies Amorim, Antonio Carlos Rodrigues de cinema difference power of false |
title_short |
Identity, identification and differentiation in contemporary brazilian comedies |
title_full |
Identity, identification and differentiation in contemporary brazilian comedies |
title_fullStr |
Identity, identification and differentiation in contemporary brazilian comedies |
title_full_unstemmed |
Identity, identification and differentiation in contemporary brazilian comedies |
title_sort |
Identity, identification and differentiation in contemporary brazilian comedies |
author |
Amorim, Antonio Carlos Rodrigues de |
author_facet |
Amorim, Antonio Carlos Rodrigues de Martin-Jones, David |
author_role |
author |
author2 |
Martin-Jones, David |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Amorim, Antonio Carlos Rodrigues de Martin-Jones, David |
dc.subject.por.fl_str_mv |
cinema difference power of false |
topic |
cinema difference power of false |
description |
We explore how Deleuze’s notion of the ‘powers of the false’, from Cinema 2, enables a consideration of the ways in which national identity is negotiated in two popular Brazilian comedies of the 2000s, Se Eu Fosse Você/If I Were You (2006) and Se Eu Fosse Você 2/If I Were You 2 (2009). The films offer possibilities for various Brazilian audiences to reimagine national identities “against the grain” of a movement-image blockbuster with an apparently homogenising white, middle class, nuclear family-oriented, normative image of national identity. Studying the aesthetics of these artistic productions, understanding their implications for people and for world representations as structured by the look and its narrative, we found contributions to cultural identities discussions on curriculum studies. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-12-15 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.uneb.br/index.php/rbpab/article/view/3865 10.31892/rbpab2525-426X.2017.v2.n6.p583-595 |
url |
https://www.revistas.uneb.br/index.php/rbpab/article/view/3865 |
identifier_str_mv |
10.31892/rbpab2525-426X.2017.v2.n6.p583-595 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://www.revistas.uneb.br/index.php/rbpab/article/view/3865/2622 https://www.revistas.uneb.br/index.php/rbpab/article/view/3865/6729 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Revista Brasileira de Pesquisa (Auto)biográfica info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Revista Brasileira de Pesquisa (Auto)biográfica |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/vnd.openxmlformats-officedocument.wordprocessingml.document |
dc.publisher.none.fl_str_mv |
Associação Brasileira de Pesquisa (Auto)Biográfica (BIOgraph) |
publisher.none.fl_str_mv |
Associação Brasileira de Pesquisa (Auto)Biográfica (BIOgraph) |
dc.source.none.fl_str_mv |
Revista Brasileira de Pesquisa (Auto)biográfica; Vol. 2 Núm. 6 (2017): Revista Brasileira de Pesquisa (Auto)biográfica; 583-595 REVUE BRÉSILIENNE DE RECHERCHE (AUTO)BIOGRAPHIQUE; Vol. 2 No. 6 (2017): Revista Brasileira de Pesquisa (Auto)biográfica; 583-595 Revista Brasileira de Pesquisa (Auto)biográfica; v. 2 n. 6 (2017): Revista Brasileira de Pesquisa (Auto)biográfica; 583-595 2525-426X 10.31892/rbpab2525-426X.v2.n6 reponame:Revista Brasileira de Pesquisa (Auto)biográfica instname:Associação Brasileira de Pesquisa (Auto)Biográfica (BIOgraph) instacron:BIO |
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Associação Brasileira de Pesquisa (Auto)Biográfica (BIOgraph) |
instacron_str |
BIO |
institution |
BIO |
reponame_str |
Revista Brasileira de Pesquisa (Auto)biográfica |
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Revista Brasileira de Pesquisa (Auto)biográfica |
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Revista Brasileira de Pesquisa (Auto)biográfica - Associação Brasileira de Pesquisa (Auto)Biográfica (BIOgraph) |
repository.mail.fl_str_mv |
||esclementino@uol.com.br|| biographassociacao@gmail.com |
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