Writing poems: voices in search of an author

Detalhes bibliográficos
Autor(a) principal: Gebara, Ana Elvira Luciano
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Cadernos Cenpec (Online)
Texto Completo: https://cadernos.cenpec.org.br/cadernos/index.php/cadernos/article/view/91
Resumo: The decision to use genre as a basis for developing writing skills entails methodological choices which will, in turn, impact the work by the studentpoets. An analysis of the poems presented at the Olimpíada de Língua Portuguesa (2010) allowed for the creation of a list of choices made within the poem-writing process – both by teachers and by students – which point to authorship as the central feature for this genre. In order to identify the author – who sustains the poem, as Faraco (2005, p. 45) argues based on the bakhtinian concept of authorship, and as Fiad (2008, p.218) also sustains - these features would be on the “how”, on the “process of refracted transpositions”, on “the uniqueness of style” and also on the “value-assessment bent”. In each of the poems selected, these elements were examined as they emerge from different voices which intertwine in the poems and point to the subjection or the solution to the voice of the student-poet.
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spelling Writing poems: voices in search of an authorEscrever poemas: vozes em busca de um autorEducacionAuthorship. Poetic genres. Poem-writing process.EducaçãoMarcas da autoria. Gêneros Poéticos. Escrita de poema.The decision to use genre as a basis for developing writing skills entails methodological choices which will, in turn, impact the work by the studentpoets. An analysis of the poems presented at the Olimpíada de Língua Portuguesa (2010) allowed for the creation of a list of choices made within the poem-writing process – both by teachers and by students – which point to authorship as the central feature for this genre. In order to identify the author – who sustains the poem, as Faraco (2005, p. 45) argues based on the bakhtinian concept of authorship, and as Fiad (2008, p.218) also sustains - these features would be on the “how”, on the “process of refracted transpositions”, on “the uniqueness of style” and also on the “value-assessment bent”. In each of the poems selected, these elements were examined as they emerge from different voices which intertwine in the poems and point to the subjection or the solution to the voice of the student-poet. No ensino-aprendizagem da produção escrita, o trabalho com gêneros envolve escolhas que se refletem nos textos dos alunos. A análise da amostra dos poemas da Olimpíada possibilitou a elaboração de um quadro das escolhas de professores e de alunos ao longo do processo de elaboração dos textos poéticos, permitindo identificar o elemento central para a produção desses gêneros: as marcas de autoria. Em busca do autor que sustenta o poema – na perspectiva da concepção bakhtiniana de autoria (FARACO, 2005, p. 45) e, ainda, com base nas indicações de Fiad (2008, p. 218), podemos dizer que essas marcas estariam no “como”, no “processo de transposições refratadas”, “na singularidade e no estilo”, e também “no viés valorativo”. Assim, em cada poema da amostra buscou-se analisar os elementos que surgem, vozes que se entrelaçam e indicam a sujeição ou a solução para a voz do aluno-poeta. Cenpec - Centro de Estudos e Pesquisas em Educação, Cultura e Ação ComunitáriaGebara, Ana Elvira Luciano2012-08-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/octet-streamhttps://cadernos.cenpec.org.br/cadernos/index.php/cadernos/article/view/9110.18676/cadernoscenpec.v2i1.91Cadernos Cenpec | Nova série; v. 2, n. 1 (2012): Gênero e ensino de PortuguêsCadernos Cenpec; v. 2, n. 1 (2012): Gênero e ensino de Português2237-99832237-998310.18676/cadernoscenpec.v2i1reponame:Cadernos Cenpec (Online)instname:Centro de Estudos e Pesquisa em Educação, Cultura e Ação Comunitária (CENPEC)instacron:CENPECporhttps://cadernos.cenpec.org.br/cadernos/index.php/cadernos/article/view/91/109https://cadernos.cenpec.org.br/cadernos/index.php/cadernos/article/view/91/110info:eu-repo/semantics/openAccess2016-06-29T16:15:38Zoai:ojs.www.cadernos.cenpec.org.br:article/91Revistahttps://cadernos.cenpec.org.br/cadernos/index.php/PUBhttps://cadernos.cenpec.org.br/cadernos/index.php/cadernos/oaiceliaparra@cenpec.org.br||celiaparra@cenpec.org.br2237-99832237-9983opendoar:2016-06-29T16:15:38Cadernos Cenpec (Online) - Centro de Estudos e Pesquisa em Educação, Cultura e Ação Comunitária (CENPEC)false
dc.title.none.fl_str_mv Writing poems: voices in search of an author

Escrever poemas: vozes em busca de um autor
title Writing poems: voices in search of an author
spellingShingle Writing poems: voices in search of an author
Gebara, Ana Elvira Luciano
Educacion
Authorship. Poetic genres. Poem-writing process.
Educação
Marcas da autoria. Gêneros Poéticos. Escrita de poema.
title_short Writing poems: voices in search of an author
title_full Writing poems: voices in search of an author
title_fullStr Writing poems: voices in search of an author
title_full_unstemmed Writing poems: voices in search of an author
title_sort Writing poems: voices in search of an author
author Gebara, Ana Elvira Luciano
author_facet Gebara, Ana Elvira Luciano
author_role author
dc.contributor.none.fl_str_mv


dc.contributor.author.fl_str_mv Gebara, Ana Elvira Luciano
dc.subject.none.fl_str_mv

dc.subject.por.fl_str_mv Educacion
Authorship. Poetic genres. Poem-writing process.
Educação
Marcas da autoria. Gêneros Poéticos. Escrita de poema.
topic Educacion
Authorship. Poetic genres. Poem-writing process.
Educação
Marcas da autoria. Gêneros Poéticos. Escrita de poema.
description The decision to use genre as a basis for developing writing skills entails methodological choices which will, in turn, impact the work by the studentpoets. An analysis of the poems presented at the Olimpíada de Língua Portuguesa (2010) allowed for the creation of a list of choices made within the poem-writing process – both by teachers and by students – which point to authorship as the central feature for this genre. In order to identify the author – who sustains the poem, as Faraco (2005, p. 45) argues based on the bakhtinian concept of authorship, and as Fiad (2008, p.218) also sustains - these features would be on the “how”, on the “process of refracted transpositions”, on “the uniqueness of style” and also on the “value-assessment bent”. In each of the poems selected, these elements were examined as they emerge from different voices which intertwine in the poems and point to the subjection or the solution to the voice of the student-poet.
publishDate 2012
dc.date.none.fl_str_mv 2012-08-20
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dc.publisher.none.fl_str_mv Cenpec - Centro de Estudos e Pesquisas em Educação, Cultura e Ação Comunitária
publisher.none.fl_str_mv Cenpec - Centro de Estudos e Pesquisas em Educação, Cultura e Ação Comunitária
dc.source.none.fl_str_mv Cadernos Cenpec | Nova série; v. 2, n. 1 (2012): Gênero e ensino de Português
Cadernos Cenpec; v. 2, n. 1 (2012): Gênero e ensino de Português
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