A arquitetura enunciativa em “O Monstro” de Sérgio Sant’anna
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório do Centro Universitário Braz Cubas |
Texto Completo: | https://repositorio.cruzeirodosul.edu.br/handle/123456789/857 |
Resumo: | This paper focuses on the study of the short story “O Monstro” of the homonymous masterpiece by Sérgio Sant’Anna (1994) and has as its foundation the theoretical reference of French semiotics. Our goal is to analyze the enunciating architecture of the masterwork, which refers to the actors’ constructions and to the passion that leaded their actions. In this sense, we have noticed the relationship that is processed between the instance of the enunciation and the enunciate discourse, aiming at unraveling the enunciating strategies, created by the enunciator in order to validate the enunciate text. In addition, we have sought to conduct an analysis of the path of the actor Antenor Lott Marçal, as an enunciate subject and as a narrating subject, projected at the current time of the enunciation. In the former, he is endowed of a thematic role of monster for having murdered the young Frederica Stucker along with his mistress Marieta de Castro. In the latter, he evaluates his narrative route in the simulacrum of the interview that constitutes the text. In this sense, we have observed the way in which the enunciator calls upon the structure of the journalistic interview reconstructing it as a literary text and the signifying practices which emerge from this dialogue. We also describe the narrative, cognitive and patemic paths of the characters Marieta and Antenor, focusing on the passions that supposedly motivate their actions, such as power, envy, jealousy, anger and revenge, all of which are bad passions. On the other hand, when we analyze the figurative paths of the text, we notice that the violence themes in the interpersonal relationships is highlighted in the masterpiece through an ironic look of the enunciation subject that leads us to question the worth of the values embedded in the contemporary society. Keywords: Sérgio Sant’Anna; enunciation; enunciate; actor; passion |
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A arquitetura enunciativa em “O Monstro” de Sérgio Sant’annaThe enunciative architecture in “O Monstro” by Sérgio Sant’annaSérgio Sant'AnnaEnunciaçãoEnunciadoAtorPaixãoCNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICAThis paper focuses on the study of the short story “O Monstro” of the homonymous masterpiece by Sérgio Sant’Anna (1994) and has as its foundation the theoretical reference of French semiotics. Our goal is to analyze the enunciating architecture of the masterwork, which refers to the actors’ constructions and to the passion that leaded their actions. In this sense, we have noticed the relationship that is processed between the instance of the enunciation and the enunciate discourse, aiming at unraveling the enunciating strategies, created by the enunciator in order to validate the enunciate text. In addition, we have sought to conduct an analysis of the path of the actor Antenor Lott Marçal, as an enunciate subject and as a narrating subject, projected at the current time of the enunciation. In the former, he is endowed of a thematic role of monster for having murdered the young Frederica Stucker along with his mistress Marieta de Castro. In the latter, he evaluates his narrative route in the simulacrum of the interview that constitutes the text. In this sense, we have observed the way in which the enunciator calls upon the structure of the journalistic interview reconstructing it as a literary text and the signifying practices which emerge from this dialogue. We also describe the narrative, cognitive and patemic paths of the characters Marieta and Antenor, focusing on the passions that supposedly motivate their actions, such as power, envy, jealousy, anger and revenge, all of which are bad passions. On the other hand, when we analyze the figurative paths of the text, we notice that the violence themes in the interpersonal relationships is highlighted in the masterpiece through an ironic look of the enunciation subject that leads us to question the worth of the values embedded in the contemporary society. Keywords: Sérgio Sant’Anna; enunciation; enunciate; actor; passionEste trabalho volta-se para o estudo do conto “O Monstro” da obra homônima de Sérgio Sant’Anna (1994) e tem por base o referencial teórico da semiótica francesa. Nosso propósito é analisar a arquitetura enunciativa da obra, no que diz respeito à construção dos atores e às paixões que moveram suas ações. Nesse sentido, observamos a relação que se processa entre a instância da enunciação e o discurso enunciado, objetivando desvendar as estratégias enunciativas criadas pelo enunciador para fazer crer no texto enunciado. Procuramos, também, realizar uma análise do percurso do ator Antenor Lott Marçal, como sujeito do enunciado e como sujeito narrador, projetado no presente da enunciação. No primeiro, ele é dotado do papel temático de monstro por ter, juntamente com sua amante Marieta de Castro, praticado o assassinato da jovem Frederica Stucker. No segundo, ele avalia seu percurso narrativo no simulacro de entrevista que constitui o texto. Nesse aspecto, observamos o modo como o enunciador convoca a estrutura da entrevista jornalística reconstruindo-a como texto literário e os efeitos de sentido que se criam a partir desse diálogo. Descrevemos ainda os percursos narrativo, cognitivo e patêmico dos sujeitos Marieta e Antenor, centrando-nos nas paixões que supostamente motivaram suas ações como o poder, a inveja, o ciúme, a raiva e a vingança, todas más paixões. Por outro lado, ao analisarmos os percursos figurativos do texto, observamos que o tema da violência nas relações interpessoais se destaca na obra por meio do olhar irônico do sujeito da enunciação que nos leva a questionar o valor dos valores da sociedade contemporânea. Palavras-chave: Sérgio Sant’Anna; enunciação; enunciado; ator; paixão.Universidade de FrancaBrasilPós-GraduaçãoPrograma de Mestrado em LinguísticaUNIFRANAbriata, Vera Lucia Rodella0008939878371016http://lattes.cnpq.br/0008939878371016Gomes, André Luís9178145717917135http://lattes.cnpq.br/9178145717917135Figueiredo, Maria Flávia0501927833510978http://lattes.cnpq.br/0501927833510978Guimarães, Inaura2020-07-29T18:07:50Z2020-07-29T18:07:50Z2009-03-28info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfGUIMARÃES, Inaura. A arquitetura enunciativa em 'O Monstro' de Sérgio Sant'anna. Franca, 2009. 115 f. Dissertação (Mestrado em Linguística) - Universidade de Franca. 2009.https://repositorio.cruzeirodosul.edu.br/handle/123456789/857porinfo:eu-repo/semantics/openAccessreponame:Repositório do Centro Universitário Braz Cubasinstname:Centro Universitário Braz Cubas (CUB)instacron:CUB2020-07-29T18:09:43Zoai:repositorio.cruzeirodosul.edu.br:123456789/857Repositório InstitucionalPUBhttps://repositorio.brazcubas.edu.br/oai/requestbibli@brazcubas.edu.bropendoar:2020-07-29T18:09:43Repositório do Centro Universitário Braz Cubas - Centro Universitário Braz Cubas (CUB)false |
dc.title.none.fl_str_mv |
A arquitetura enunciativa em “O Monstro” de Sérgio Sant’anna The enunciative architecture in “O Monstro” by Sérgio Sant’anna |
title |
A arquitetura enunciativa em “O Monstro” de Sérgio Sant’anna |
spellingShingle |
A arquitetura enunciativa em “O Monstro” de Sérgio Sant’anna Guimarães, Inaura Sérgio Sant'Anna Enunciação Enunciado Ator Paixão CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
title_short |
A arquitetura enunciativa em “O Monstro” de Sérgio Sant’anna |
title_full |
A arquitetura enunciativa em “O Monstro” de Sérgio Sant’anna |
title_fullStr |
A arquitetura enunciativa em “O Monstro” de Sérgio Sant’anna |
title_full_unstemmed |
A arquitetura enunciativa em “O Monstro” de Sérgio Sant’anna |
title_sort |
A arquitetura enunciativa em “O Monstro” de Sérgio Sant’anna |
author |
Guimarães, Inaura |
author_facet |
Guimarães, Inaura |
author_role |
author |
dc.contributor.none.fl_str_mv |
Abriata, Vera Lucia Rodella 0008939878371016 http://lattes.cnpq.br/0008939878371016 Gomes, André Luís 9178145717917135 http://lattes.cnpq.br/9178145717917135 Figueiredo, Maria Flávia 0501927833510978 http://lattes.cnpq.br/0501927833510978 |
dc.contributor.author.fl_str_mv |
Guimarães, Inaura |
dc.subject.por.fl_str_mv |
Sérgio Sant'Anna Enunciação Enunciado Ator Paixão CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
topic |
Sérgio Sant'Anna Enunciação Enunciado Ator Paixão CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
description |
This paper focuses on the study of the short story “O Monstro” of the homonymous masterpiece by Sérgio Sant’Anna (1994) and has as its foundation the theoretical reference of French semiotics. Our goal is to analyze the enunciating architecture of the masterwork, which refers to the actors’ constructions and to the passion that leaded their actions. In this sense, we have noticed the relationship that is processed between the instance of the enunciation and the enunciate discourse, aiming at unraveling the enunciating strategies, created by the enunciator in order to validate the enunciate text. In addition, we have sought to conduct an analysis of the path of the actor Antenor Lott Marçal, as an enunciate subject and as a narrating subject, projected at the current time of the enunciation. In the former, he is endowed of a thematic role of monster for having murdered the young Frederica Stucker along with his mistress Marieta de Castro. In the latter, he evaluates his narrative route in the simulacrum of the interview that constitutes the text. In this sense, we have observed the way in which the enunciator calls upon the structure of the journalistic interview reconstructing it as a literary text and the signifying practices which emerge from this dialogue. We also describe the narrative, cognitive and patemic paths of the characters Marieta and Antenor, focusing on the passions that supposedly motivate their actions, such as power, envy, jealousy, anger and revenge, all of which are bad passions. On the other hand, when we analyze the figurative paths of the text, we notice that the violence themes in the interpersonal relationships is highlighted in the masterpiece through an ironic look of the enunciation subject that leads us to question the worth of the values embedded in the contemporary society. Keywords: Sérgio Sant’Anna; enunciation; enunciate; actor; passion |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-03-28 2020-07-29T18:07:50Z 2020-07-29T18:07:50Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
GUIMARÃES, Inaura. A arquitetura enunciativa em 'O Monstro' de Sérgio Sant'anna. Franca, 2009. 115 f. Dissertação (Mestrado em Linguística) - Universidade de Franca. 2009. https://repositorio.cruzeirodosul.edu.br/handle/123456789/857 |
identifier_str_mv |
GUIMARÃES, Inaura. A arquitetura enunciativa em 'O Monstro' de Sérgio Sant'anna. Franca, 2009. 115 f. Dissertação (Mestrado em Linguística) - Universidade de Franca. 2009. |
url |
https://repositorio.cruzeirodosul.edu.br/handle/123456789/857 |
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info:eu-repo/semantics/openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de Franca Brasil Pós-Graduação Programa de Mestrado em Linguística UNIFRAN |
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Universidade de Franca Brasil Pós-Graduação Programa de Mestrado em Linguística UNIFRAN |
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reponame:Repositório do Centro Universitário Braz Cubas instname:Centro Universitário Braz Cubas (CUB) instacron:CUB |
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Repositório do Centro Universitário Braz Cubas |
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bibli@brazcubas.edu.br |
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