The relation between horror and racism in the movie Get Out!
Autor(a) principal: | |
---|---|
Data de Publicação: | 2020 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Comunicação, Mídia e Consumo (Online) |
DOI: | 10.18568/cmc.v17i48.2094 |
Texto Completo: | https://revistacmc.espm.br/revistacmc/article/view/2094 |
Resumo: | This article discusses how the movie Get Out!, directed by Jordan Peele, introduces sensitive experiences about horror and racism in contemporary societies. The concept of horror its understood through Eugene Thacker, for whom the genre fruition occurs by the thinking in an unthinkable world, non-human and unknown. Considered as the other in the Western society, the condition of being black, category created during the slavery and colonization process for the dehumanization of Africans (GILROY, 2007), answers this genre definition. The act of being black provokes horror in whom ignores the human condition, at the same time its affected in their humanity by the racism. This essay promotes the encounter between two researches that investigates the characteristics of aesthetics experiences of horror in the contemporaneity: thinking the phenomenon beyond fear (ACKER, 2018) with that one proposes a criticism to structural racism in the media (CAMPOS, 2018). |
id |
ESPM-3_1aed26ea4003ebd668dca6a9c3ab7925 |
---|---|
oai_identifier_str |
oai:ojs.revistacmc.espm.br:article/2094 |
network_acronym_str |
ESPM-3 |
network_name_str |
Comunicação, Mídia e Consumo (Online) |
spelling |
The relation between horror and racism in the movie Get Out!As relações entre horror e racismo no filme Corra!HorrorRacismoExperiência estéticaThis article discusses how the movie Get Out!, directed by Jordan Peele, introduces sensitive experiences about horror and racism in contemporary societies. The concept of horror its understood through Eugene Thacker, for whom the genre fruition occurs by the thinking in an unthinkable world, non-human and unknown. Considered as the other in the Western society, the condition of being black, category created during the slavery and colonization process for the dehumanization of Africans (GILROY, 2007), answers this genre definition. The act of being black provokes horror in whom ignores the human condition, at the same time its affected in their humanity by the racism. This essay promotes the encounter between two researches that investigates the characteristics of aesthetics experiences of horror in the contemporaneity: thinking the phenomenon beyond fear (ACKER, 2018) with that one proposes a criticism to structural racism in the media (CAMPOS, 2018).O artigo discute como o filme Corra!, de Jordan Peele, apresenta experiências sensíveis do horror e do racismo nas sociedades contemporâneas. O conceito de horror é entendido a partir de Eugene Thacker (2011 e 2015) para quem a fruição com o gênero se dá no ato de pensar sobre um mundo impensável, não-humano e desconhecido. Considerado o outro na sociedade Ocidental, a condição de ser negro, categoria criada durante o processo de escravização e colonização para a desumanização dos africanos (GILROY, 2007), atende a essa definição do gênero. O ser negro causa horror em quem ignora a condição humana, ao mesmo tempo em que é afetado em sua humanidade pelo racismo. O texto promove o encontro de duas pesquisas que investigam as características das possíveis experiências estéticas do horror na contemporaneidade: pensando o fenômeno para além do medo (ACKER, 2018) com a que propõe uma crítica ao racismo estrutural a partir do midiático (CAMPOS, 2018).Escola Superior de Propaganda e Marketing2020-04-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPesquisa audiovisual bibliográfica problematizada por ensaios audiovisuais,application/pdfapplication/pdfhttps://revistacmc.espm.br/revistacmc/article/view/209410.18568/cmc.v17i48.2094Comunicação Mídia e Consumo; Vol. 17 No. 48 (2020): JANEIRO/ABRIL; 169-192Comunicação Mídia e Consumo; Vol. 17 Núm. 48 (2020): JANEIRO/ABRIL; 169-192Comunicação Mídia e Consumo; v. 17 n. 48 (2020): JANEIRO/ABRIL; 169-1921983-707010.18568/cmc.v17i48reponame:Comunicação, Mídia e Consumo (Online)instname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporenghttps://revistacmc.espm.br/revistacmc/article/view/2094/pdfhttps://revistacmc.espm.br/revistacmc/article/view/2094/pdf_1Copyright (c) 2020 Comunicação Mídia e Consumoinfo:eu-repo/semantics/openAccessAcker, Ana MariaCampos, Deivison Moacir Cezar de2020-09-04T16:50:35Zoai:ojs.revistacmc.espm.br:article/2094Revistahttps://revistacmc.espm.br/revistacmc/oaiPRIhttp://revistacmc.espm.br/index.php/revistacmc/oaithoff@espm.br||revistacmc@espm.br1983-70701806-4981opendoar:2020-09-04T16:50:35Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM)false |
dc.title.none.fl_str_mv |
The relation between horror and racism in the movie Get Out! As relações entre horror e racismo no filme Corra! |
title |
The relation between horror and racism in the movie Get Out! |
spellingShingle |
The relation between horror and racism in the movie Get Out! The relation between horror and racism in the movie Get Out! Acker, Ana Maria Horror Racismo Experiência estética Acker, Ana Maria Horror Racismo Experiência estética |
title_short |
The relation between horror and racism in the movie Get Out! |
title_full |
The relation between horror and racism in the movie Get Out! |
title_fullStr |
The relation between horror and racism in the movie Get Out! The relation between horror and racism in the movie Get Out! |
title_full_unstemmed |
The relation between horror and racism in the movie Get Out! The relation between horror and racism in the movie Get Out! |
title_sort |
The relation between horror and racism in the movie Get Out! |
author |
Acker, Ana Maria |
author_facet |
Acker, Ana Maria Acker, Ana Maria Campos, Deivison Moacir Cezar de Campos, Deivison Moacir Cezar de |
author_role |
author |
author2 |
Campos, Deivison Moacir Cezar de |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Acker, Ana Maria Campos, Deivison Moacir Cezar de |
dc.subject.por.fl_str_mv |
Horror Racismo Experiência estética |
topic |
Horror Racismo Experiência estética |
description |
This article discusses how the movie Get Out!, directed by Jordan Peele, introduces sensitive experiences about horror and racism in contemporary societies. The concept of horror its understood through Eugene Thacker, for whom the genre fruition occurs by the thinking in an unthinkable world, non-human and unknown. Considered as the other in the Western society, the condition of being black, category created during the slavery and colonization process for the dehumanization of Africans (GILROY, 2007), answers this genre definition. The act of being black provokes horror in whom ignores the human condition, at the same time its affected in their humanity by the racism. This essay promotes the encounter between two researches that investigates the characteristics of aesthetics experiences of horror in the contemporaneity: thinking the phenomenon beyond fear (ACKER, 2018) with that one proposes a criticism to structural racism in the media (CAMPOS, 2018). |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-04-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Pesquisa audiovisual bibliográfica problematizada por ensaios audiovisuais, |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistacmc.espm.br/revistacmc/article/view/2094 10.18568/cmc.v17i48.2094 |
url |
https://revistacmc.espm.br/revistacmc/article/view/2094 |
identifier_str_mv |
10.18568/cmc.v17i48.2094 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://revistacmc.espm.br/revistacmc/article/view/2094/pdf https://revistacmc.espm.br/revistacmc/article/view/2094/pdf_1 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Comunicação Mídia e Consumo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Comunicação Mídia e Consumo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
dc.source.none.fl_str_mv |
Comunicação Mídia e Consumo; Vol. 17 No. 48 (2020): JANEIRO/ABRIL; 169-192 Comunicação Mídia e Consumo; Vol. 17 Núm. 48 (2020): JANEIRO/ABRIL; 169-192 Comunicação Mídia e Consumo; v. 17 n. 48 (2020): JANEIRO/ABRIL; 169-192 1983-7070 10.18568/cmc.v17i48 reponame:Comunicação, Mídia e Consumo (Online) instname:Escola Superior de Propaganda e Marketing (ESPM) instacron:ESPM |
instname_str |
Escola Superior de Propaganda e Marketing (ESPM) |
instacron_str |
ESPM |
institution |
ESPM |
reponame_str |
Comunicação, Mídia e Consumo (Online) |
collection |
Comunicação, Mídia e Consumo (Online) |
repository.name.fl_str_mv |
Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM) |
repository.mail.fl_str_mv |
thoff@espm.br||revistacmc@espm.br |
_version_ |
1822179467540299776 |
dc.identifier.doi.none.fl_str_mv |
10.18568/cmc.v17i48.2094 |