From montage to collage: found footage, voice-over and essay-film
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Comunicação, Mídia e Consumo (Online) |
Texto Completo: | https://revistacmc.espm.br/revistacmc/article/view/1912 |
Resumo: | The objective is to investigate, in the light of Seams (Karim Aïnouz, 1993), how voice-over, found footage and film-essay are put in relation as well as behave as autonomous creative practices in works that reuse archival footage. Our hypothesis is that the approximation between these elements occurs mainly through the editing procedure, being often connected with the notion of collage. We intend to analyze the editing procedures of the film, to finally signal that the collage is responsible not only for putting in a creative relation the voice-over, the found footage and the film-essay, but for ensuring that these elements enhance their narrative roles before the discursive and critical textual construction, about Brazilian machismo, intended by the short film. |
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From montage to collage: found footage, voice-over and essay-filmDa montagem ao collage: found footage, voz-over e filme-ensaiofound footagevoz-over metacríticafilme-ensaiocollageSeams (filme).The objective is to investigate, in the light of Seams (Karim Aïnouz, 1993), how voice-over, found footage and film-essay are put in relation as well as behave as autonomous creative practices in works that reuse archival footage. Our hypothesis is that the approximation between these elements occurs mainly through the editing procedure, being often connected with the notion of collage. We intend to analyze the editing procedures of the film, to finally signal that the collage is responsible not only for putting in a creative relation the voice-over, the found footage and the film-essay, but for ensuring that these elements enhance their narrative roles before the discursive and critical textual construction, about Brazilian machismo, intended by the short film.Objetiva-se investigar, à luz de Seams (Karim Aïnouz, 1993), como a voz-over, o found footage e o filme-ensaio são colocados em relação, bem como comportam-se enquanto práticas criativas autônomas, em obras que reutilizem imagens de arquivo. Partimos da hipótese de que a aproximação entre esses elementos se dá sobretudo por meio do procedimento de montagem, encontrando-se frequentemente conectado com a noção de collage. Pretende-se analisar os procedimentos de montagem do filme, para por fim sinalizar que o collage é o responsável não apenas por colocar em relação criativa a voz-over, o found footage e o filme-ensaio, mas por garantir que esses elementos potencializem seus papeis narrativos diante da construção textual discursiva e crítica, sobre o machismo brasileiro, pretendida pelo curta-metragem.Escola Superior de Propaganda e Marketing2020-04-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistacmc.espm.br/revistacmc/article/view/191210.18568/cmc.v17i48.1912Comunicação Mídia e Consumo; Vol. 17 No. 48 (2020): JANEIRO/ABRIL; 148-168Comunicação Mídia e Consumo; Vol. 17 Núm. 48 (2020): JANEIRO/ABRIL; 148-168Comunicação Mídia e Consumo; v. 17 n. 48 (2020): JANEIRO/ABRIL; 148-1681983-707010.18568/cmc.v17i48reponame:Comunicação, Mídia e Consumo (Online)instname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporenghttps://revistacmc.espm.br/revistacmc/article/view/1912/pdfhttps://revistacmc.espm.br/revistacmc/article/view/1912/pdf_1Copyright (c) 2020 Comunicação Mídia e Consumoinfo:eu-repo/semantics/openAccessde Almeida, Rafael2022-10-24T17:43:22Zoai:ojs.revistacmc.espm.br:article/1912Revistahttps://revistacmc.espm.br/revistacmc/oaiPRIhttp://revistacmc.espm.br/index.php/revistacmc/oaithoff@espm.br||revistacmc@espm.br1983-70701806-4981opendoar:2022-10-24T17:43:22Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM)false |
dc.title.none.fl_str_mv |
From montage to collage: found footage, voice-over and essay-film Da montagem ao collage: found footage, voz-over e filme-ensaio |
title |
From montage to collage: found footage, voice-over and essay-film |
spellingShingle |
From montage to collage: found footage, voice-over and essay-film de Almeida, Rafael found footage voz-over metacrítica filme-ensaio collage Seams (filme). |
title_short |
From montage to collage: found footage, voice-over and essay-film |
title_full |
From montage to collage: found footage, voice-over and essay-film |
title_fullStr |
From montage to collage: found footage, voice-over and essay-film |
title_full_unstemmed |
From montage to collage: found footage, voice-over and essay-film |
title_sort |
From montage to collage: found footage, voice-over and essay-film |
author |
de Almeida, Rafael |
author_facet |
de Almeida, Rafael |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Almeida, Rafael |
dc.subject.por.fl_str_mv |
found footage voz-over metacrítica filme-ensaio collage Seams (filme). |
topic |
found footage voz-over metacrítica filme-ensaio collage Seams (filme). |
description |
The objective is to investigate, in the light of Seams (Karim Aïnouz, 1993), how voice-over, found footage and film-essay are put in relation as well as behave as autonomous creative practices in works that reuse archival footage. Our hypothesis is that the approximation between these elements occurs mainly through the editing procedure, being often connected with the notion of collage. We intend to analyze the editing procedures of the film, to finally signal that the collage is responsible not only for putting in a creative relation the voice-over, the found footage and the film-essay, but for ensuring that these elements enhance their narrative roles before the discursive and critical textual construction, about Brazilian machismo, intended by the short film. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-04-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistacmc.espm.br/revistacmc/article/view/1912 10.18568/cmc.v17i48.1912 |
url |
https://revistacmc.espm.br/revistacmc/article/view/1912 |
identifier_str_mv |
10.18568/cmc.v17i48.1912 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://revistacmc.espm.br/revistacmc/article/view/1912/pdf https://revistacmc.espm.br/revistacmc/article/view/1912/pdf_1 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Comunicação Mídia e Consumo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Comunicação Mídia e Consumo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
dc.source.none.fl_str_mv |
Comunicação Mídia e Consumo; Vol. 17 No. 48 (2020): JANEIRO/ABRIL; 148-168 Comunicação Mídia e Consumo; Vol. 17 Núm. 48 (2020): JANEIRO/ABRIL; 148-168 Comunicação Mídia e Consumo; v. 17 n. 48 (2020): JANEIRO/ABRIL; 148-168 1983-7070 10.18568/cmc.v17i48 reponame:Comunicação, Mídia e Consumo (Online) instname:Escola Superior de Propaganda e Marketing (ESPM) instacron:ESPM |
instname_str |
Escola Superior de Propaganda e Marketing (ESPM) |
instacron_str |
ESPM |
institution |
ESPM |
reponame_str |
Comunicação, Mídia e Consumo (Online) |
collection |
Comunicação, Mídia e Consumo (Online) |
repository.name.fl_str_mv |
Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM) |
repository.mail.fl_str_mv |
thoff@espm.br||revistacmc@espm.br |
_version_ |
1793890300599468033 |