The Hobbit in Brazil: the reception of cinematographic trilogy

Detalhes bibliográficos
Autor(a) principal: Jacks, Nilda
Data de Publicação: 2020
Outros Autores: John, Valquiria, Schmitz, Daniela, Seligman, Laura
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Comunicação, Mídia e Consumo (Online)
Texto Completo: https://revistacmc.espm.br/revistacmc/article/view/2123
Resumo: In this article are presented the Brazilian results referring to the research The Hobbit Project which involved 46 countries and that investigated the audience’s perception about one or more films in the trilogy. Two dimensions are explored in this article: the quantitative data related to the 12 closed questions of the world questionnaire, as well as the discussion of one of the open questions, which highlights why Brazilian audience chooses the cinematographic genre. The objective is to evidence, looking to the closed questions, the characteristics of the Brazilian data to then treat some of these aspects in a qualitative way from the open question emphasized. It is understood that with these data, we can evidence the particularities that Brazil can present in relation to the trilogy, besides the perception of the receivers about it.
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spelling The Hobbit in Brazil: the reception of cinematographic trilogyO Hobbit no Brasil: a recepção da trilogia cinematográficaO HobbitRecepçãoAudiência brasileiraIn this article are presented the Brazilian results referring to the research The Hobbit Project which involved 46 countries and that investigated the audience’s perception about one or more films in the trilogy. Two dimensions are explored in this article: the quantitative data related to the 12 closed questions of the world questionnaire, as well as the discussion of one of the open questions, which highlights why Brazilian audience chooses the cinematographic genre. The objective is to evidence, looking to the closed questions, the characteristics of the Brazilian data to then treat some of these aspects in a qualitative way from the open question emphasized. It is understood that with these data, we can evidence the particularities that Brazil can present in relation to the trilogy, besides the perception of the receivers about it.Apresentação dos resultados brasileiros referentes à pesquisa The Hobbit Project, que envolveu 46 países e que investigou junto à audiência qual a sua percepção sobre um ou mais filmes da trilogia. São exploradas duas dimensões: os dados quantitativos relacionados às 12 questões fechadas do questionário mundial, bem como a discussão de uma das questões abertas, que destaca a justificativa dos brasileiros quanto à definição do gênero cinematográfico. O objetivo é evidenciar a partir das questões fechadas, as características dos dados brasileiros para então tratar alguns desses aspectos de forma qualitativa a partir da questão aberta. Entende-se que com isso entram em relevo as principais particularidades que o Brasil apresenta em relação à percepção dos receptores sobre ela.Escola Superior de Propaganda e Marketing2020-11-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistacmc.espm.br/revistacmc/article/view/212310.18568/cmc.v17i50.2123Comunicação Mídia e Consumo; Vol. 17 No. 50 (2020): SETEMBRO/DEZEMBRO; 579-601Comunicação Mídia e Consumo; Vol. 17 Núm. 50 (2020): SETEMBRO/DEZEMBRO; 579-601Comunicação Mídia e Consumo; v. 17 n. 50 (2020): SETEMBRO/DEZEMBRO; 579-6011983-707010.18568/cmc.v17i50reponame:Comunicação, Mídia e Consumo (Online)instname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporenghttps://revistacmc.espm.br/revistacmc/article/view/2123/pdfhttps://revistacmc.espm.br/revistacmc/article/view/2123/pdf_1Copyright (c) 2020 Comunicação Mídia e Consumoinfo:eu-repo/semantics/openAccessJacks, NildaJohn, ValquiriaSchmitz, DanielaSeligman, Laura2021-03-11T12:45:16Zoai:ojs.revistacmc.espm.br:article/2123Revistahttps://revistacmc.espm.br/revistacmc/oaiPRIhttp://revistacmc.espm.br/index.php/revistacmc/oaithoff@espm.br||revistacmc@espm.br1983-70701806-4981opendoar:2021-03-11T12:45:16Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM)false
dc.title.none.fl_str_mv The Hobbit in Brazil: the reception of cinematographic trilogy
O Hobbit no Brasil: a recepção da trilogia cinematográfica
title The Hobbit in Brazil: the reception of cinematographic trilogy
spellingShingle The Hobbit in Brazil: the reception of cinematographic trilogy
Jacks, Nilda
O Hobbit
Recepção
Audiência brasileira
title_short The Hobbit in Brazil: the reception of cinematographic trilogy
title_full The Hobbit in Brazil: the reception of cinematographic trilogy
title_fullStr The Hobbit in Brazil: the reception of cinematographic trilogy
title_full_unstemmed The Hobbit in Brazil: the reception of cinematographic trilogy
title_sort The Hobbit in Brazil: the reception of cinematographic trilogy
author Jacks, Nilda
author_facet Jacks, Nilda
John, Valquiria
Schmitz, Daniela
Seligman, Laura
author_role author
author2 John, Valquiria
Schmitz, Daniela
Seligman, Laura
author2_role author
author
author
dc.contributor.author.fl_str_mv Jacks, Nilda
John, Valquiria
Schmitz, Daniela
Seligman, Laura
dc.subject.por.fl_str_mv O Hobbit
Recepção
Audiência brasileira
topic O Hobbit
Recepção
Audiência brasileira
description In this article are presented the Brazilian results referring to the research The Hobbit Project which involved 46 countries and that investigated the audience’s perception about one or more films in the trilogy. Two dimensions are explored in this article: the quantitative data related to the 12 closed questions of the world questionnaire, as well as the discussion of one of the open questions, which highlights why Brazilian audience chooses the cinematographic genre. The objective is to evidence, looking to the closed questions, the characteristics of the Brazilian data to then treat some of these aspects in a qualitative way from the open question emphasized. It is understood that with these data, we can evidence the particularities that Brazil can present in relation to the trilogy, besides the perception of the receivers about it.
publishDate 2020
dc.date.none.fl_str_mv 2020-11-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistacmc.espm.br/revistacmc/article/view/2123
10.18568/cmc.v17i50.2123
url https://revistacmc.espm.br/revistacmc/article/view/2123
identifier_str_mv 10.18568/cmc.v17i50.2123
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://revistacmc.espm.br/revistacmc/article/view/2123/pdf
https://revistacmc.espm.br/revistacmc/article/view/2123/pdf_1
dc.rights.driver.fl_str_mv Copyright (c) 2020 Comunicação Mídia e Consumo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Comunicação Mídia e Consumo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
dc.source.none.fl_str_mv Comunicação Mídia e Consumo; Vol. 17 No. 50 (2020): SETEMBRO/DEZEMBRO; 579-601
Comunicação Mídia e Consumo; Vol. 17 Núm. 50 (2020): SETEMBRO/DEZEMBRO; 579-601
Comunicação Mídia e Consumo; v. 17 n. 50 (2020): SETEMBRO/DEZEMBRO; 579-601
1983-7070
10.18568/cmc.v17i50
reponame:Comunicação, Mídia e Consumo (Online)
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reponame_str Comunicação, Mídia e Consumo (Online)
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repository.name.fl_str_mv Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM)
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