WILL THEY LIVE HAPPILY EVER AFTER? (in)visibilities of LGBTs characters in Disney productions as a driving force of cyberevents

Detalhes bibliográficos
Autor(a) principal: Viero Kolinski Machado, Felipe
Data de Publicação: 2018
Outros Autores: Gonzatti, Christian, Esmitiz, Francielle
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Comunicação, Mídia e Consumo (Online)
Texto Completo: https://revistacmc.espm.br/revistacmc/article/view/1535
Resumo: From the senses that emerged on Twitteraround the possibility of Queen Elsa, from Frozen (2013) be a lesbian, from the kisses between characters of the same genre in theStar vs. the Forces of Evil(2015) and the insertion of a gay character in the film Beauty and the Beast (2017), we ask what the visibility of these subjects in Disney productions points to the articulations among pop culture, cyberevents and issues of gender and sexuality. The methodology used is the analysis of the construction of senses in digital networks (HENN, 2014) and, at the end of it, it was possible to understand, in general terms, that the insertion of these characters produced intense reverberation, between users and news portals and movements of support and deploration of the initiative.
id ESPM-3_f4796c4ca3390575c344a7859f3d5ad9
oai_identifier_str oai:ojs.revistacmc.espm.br:article/1535
network_acronym_str ESPM-3
network_name_str Comunicação, Mídia e Consumo (Online)
repository_id_str
spelling WILL THEY LIVE HAPPILY EVER AFTER? (in)visibilities of LGBTs characters in Disney productions as a driving force of cybereventsE elxs viverão felizes para sempre? (in)visibilidades de personagens LGBTs em produções da Disney como força propulsora de ciberacontecimentosDisneyGender and SexualityCybereventsTwitterPop CultureDisneyGênero e SexualidadeCiberacontecimentoTwitterCultura PopFrom the senses that emerged on Twitteraround the possibility of Queen Elsa, from Frozen (2013) be a lesbian, from the kisses between characters of the same genre in theStar vs. the Forces of Evil(2015) and the insertion of a gay character in the film Beauty and the Beast (2017), we ask what the visibility of these subjects in Disney productions points to the articulations among pop culture, cyberevents and issues of gender and sexuality. The methodology used is the analysis of the construction of senses in digital networks (HENN, 2014) and, at the end of it, it was possible to understand, in general terms, that the insertion of these characters produced intense reverberation, between users and news portals and movements of support and deploration of the initiative.A partir dos sentidos que emergiram no Twitter em torno da possibilidade da rainha Elsa, da animação Frozen (2013), ser lésbica, dos beijos entre personagens do mesmo gênero no desenho Star contra as Forças do Mal (2015) e da inserção de uma personagem gay no filme A Bela e a Fera (2017), tensiona-se o que a visibilidade dessas questões em produções da Disney aponta em relação às articulações entre cultura pop, ciberacontecimentos e questões de gênero e de sexualidade. A metodologia empreendida é a de análise de construção de sentidos em redes digitais (HENN, 2014) e, ao final dela, foi possível constatar, em linhas gerais, que a inserção dessas personagens produziu intensa reverberação, entre usuários e portais noticiosos e, ainda, movimentos de apoio e de ojeriza à iniciativa.Escola Superior de Propaganda e Marketing2018-08-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionpesquisa empíricaapplication/pdfapplication/pdfhttps://revistacmc.espm.br/revistacmc/article/view/153510.18568/cmc.v15i43.1535Comunicação Mídia e Consumo; Vol. 15 No. 43 (2018): MAIO/AGOSTO; 386-412Comunicação Mídia e Consumo; Vol. 15 Núm. 43 (2018): MAIO/AGOSTO; 386-412Comunicação Mídia e Consumo; v. 15 n. 43 (2018): MAIO/AGOSTO; 386-4121983-707010.18568/cmc.v15i43reponame:Comunicação, Mídia e Consumo (Online)instname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporenghttps://revistacmc.espm.br/revistacmc/article/view/1535/pdfhttps://revistacmc.espm.br/revistacmc/article/view/1535/pdf_1Copyright (c) 2018 Comunicação Mídia e Consumoinfo:eu-repo/semantics/openAccessViero Kolinski Machado, FelipeGonzatti, ChristianEsmitiz, Francielle2019-04-04T21:56:44Zoai:ojs.revistacmc.espm.br:article/1535Revistahttps://revistacmc.espm.br/revistacmc/oaiPRIhttp://revistacmc.espm.br/index.php/revistacmc/oaithoff@espm.br||revistacmc@espm.br1983-70701806-4981opendoar:2019-04-04T21:56:44Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM)false
dc.title.none.fl_str_mv WILL THEY LIVE HAPPILY EVER AFTER? (in)visibilities of LGBTs characters in Disney productions as a driving force of cyberevents
E elxs viverão felizes para sempre? (in)visibilidades de personagens LGBTs em produções da Disney como força propulsora de ciberacontecimentos
title WILL THEY LIVE HAPPILY EVER AFTER? (in)visibilities of LGBTs characters in Disney productions as a driving force of cyberevents
spellingShingle WILL THEY LIVE HAPPILY EVER AFTER? (in)visibilities of LGBTs characters in Disney productions as a driving force of cyberevents
Viero Kolinski Machado, Felipe
Disney
Gender and Sexuality
Cyberevents
Twitter
Pop Culture
Disney
Gênero e Sexualidade
Ciberacontecimento
Twitter
Cultura Pop
title_short WILL THEY LIVE HAPPILY EVER AFTER? (in)visibilities of LGBTs characters in Disney productions as a driving force of cyberevents
title_full WILL THEY LIVE HAPPILY EVER AFTER? (in)visibilities of LGBTs characters in Disney productions as a driving force of cyberevents
title_fullStr WILL THEY LIVE HAPPILY EVER AFTER? (in)visibilities of LGBTs characters in Disney productions as a driving force of cyberevents
title_full_unstemmed WILL THEY LIVE HAPPILY EVER AFTER? (in)visibilities of LGBTs characters in Disney productions as a driving force of cyberevents
title_sort WILL THEY LIVE HAPPILY EVER AFTER? (in)visibilities of LGBTs characters in Disney productions as a driving force of cyberevents
author Viero Kolinski Machado, Felipe
author_facet Viero Kolinski Machado, Felipe
Gonzatti, Christian
Esmitiz, Francielle
author_role author
author2 Gonzatti, Christian
Esmitiz, Francielle
author2_role author
author
dc.contributor.author.fl_str_mv Viero Kolinski Machado, Felipe
Gonzatti, Christian
Esmitiz, Francielle
dc.subject.por.fl_str_mv Disney
Gender and Sexuality
Cyberevents
Twitter
Pop Culture
Disney
Gênero e Sexualidade
Ciberacontecimento
Twitter
Cultura Pop
topic Disney
Gender and Sexuality
Cyberevents
Twitter
Pop Culture
Disney
Gênero e Sexualidade
Ciberacontecimento
Twitter
Cultura Pop
description From the senses that emerged on Twitteraround the possibility of Queen Elsa, from Frozen (2013) be a lesbian, from the kisses between characters of the same genre in theStar vs. the Forces of Evil(2015) and the insertion of a gay character in the film Beauty and the Beast (2017), we ask what the visibility of these subjects in Disney productions points to the articulations among pop culture, cyberevents and issues of gender and sexuality. The methodology used is the analysis of the construction of senses in digital networks (HENN, 2014) and, at the end of it, it was possible to understand, in general terms, that the insertion of these characters produced intense reverberation, between users and news portals and movements of support and deploration of the initiative.
publishDate 2018
dc.date.none.fl_str_mv 2018-08-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
pesquisa empírica
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistacmc.espm.br/revistacmc/article/view/1535
10.18568/cmc.v15i43.1535
url https://revistacmc.espm.br/revistacmc/article/view/1535
identifier_str_mv 10.18568/cmc.v15i43.1535
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://revistacmc.espm.br/revistacmc/article/view/1535/pdf
https://revistacmc.espm.br/revistacmc/article/view/1535/pdf_1
dc.rights.driver.fl_str_mv Copyright (c) 2018 Comunicação Mídia e Consumo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Comunicação Mídia e Consumo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
dc.source.none.fl_str_mv Comunicação Mídia e Consumo; Vol. 15 No. 43 (2018): MAIO/AGOSTO; 386-412
Comunicação Mídia e Consumo; Vol. 15 Núm. 43 (2018): MAIO/AGOSTO; 386-412
Comunicação Mídia e Consumo; v. 15 n. 43 (2018): MAIO/AGOSTO; 386-412
1983-7070
10.18568/cmc.v15i43
reponame:Comunicação, Mídia e Consumo (Online)
instname:Escola Superior de Propaganda e Marketing (ESPM)
instacron:ESPM
instname_str Escola Superior de Propaganda e Marketing (ESPM)
instacron_str ESPM
institution ESPM
reponame_str Comunicação, Mídia e Consumo (Online)
collection Comunicação, Mídia e Consumo (Online)
repository.name.fl_str_mv Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM)
repository.mail.fl_str_mv thoff@espm.br||revistacmc@espm.br
_version_ 1793890300536553472