Japanese animation and its mark of distinction in the West
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Diálogo com a Economia Criativa |
Texto Completo: | https://dialogo.espm.br/revistadcec-rj/article/view/467 |
Resumo: | This article discusses how Japanese animation acquired a distinctive mark in the West based on a historical construction. Therefore, it is discussed how the understanding of Japanese animation in the West was influenced by the images constructed and propagated from a pre-existing limiting and orientalist vision about Japan, since stereotyped constructions can challenge the way in which populations from different localities interpreted the productions of this country. Then, the trajectory of the reception and distribution of Japanese animation in western contexts is outlined, using the United States as the central point of analysis, which is historically the largest consumer of Japanese animation in the western bloc. With this, we emphasize that the term anime has been consolidated in the West as a label that represents a series of added values related to the notion of difference, but that in recent years, with the increase in animations produced outside Japan that incorporate stylistic schemes that for a long time were related to productions in this country, this notion established around Japanese animation is being strained. |
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Japanese animation and its mark of distinction in the WestA animação japonesa e a sua marca de distinção no OcidenteOrientalismDistinctionJapanese animationOrientalismoDistinçãoAnimação japonesaThis article discusses how Japanese animation acquired a distinctive mark in the West based on a historical construction. Therefore, it is discussed how the understanding of Japanese animation in the West was influenced by the images constructed and propagated from a pre-existing limiting and orientalist vision about Japan, since stereotyped constructions can challenge the way in which populations from different localities interpreted the productions of this country. Then, the trajectory of the reception and distribution of Japanese animation in western contexts is outlined, using the United States as the central point of analysis, which is historically the largest consumer of Japanese animation in the western bloc. With this, we emphasize that the term anime has been consolidated in the West as a label that represents a series of added values related to the notion of difference, but that in recent years, with the increase in animations produced outside Japan that incorporate stylistic schemes that for a long time were related to productions in this country, this notion established around Japanese animation is being strained.Este artigo aborda o modo como a animação japonesa adquiriu uma marca distintiva no Ocidente a partir de toda uma construção histórica. Assim, é discutido como a compreensão sobre a animação japonesa no Ocidente foi influenciada pelas imagens construídas e propagadas a partir de uma visão limitadora e orientalista preexistente acerca do Japão, uma vez que construções estereotipadas podem interpelar o modo como as populações de diferentes localidades interpretaram as produções desse país. Em seguida, é delineada a trajetória da recepção e da distribuição da animação japonesa em contextos ocidentais, utilizando como ponto central de análise os Estados Unidos, que é historicamente o maior consumidor de animação japonesa do bloco ocidental. Com isso, destacamos que o termo “anime” se consolidou no Ocidente como um rótulo que representa uma série de valores agregados relacionados à noção de diferença, mas que, nos últimos anos, com o aumento de animações produzidas fora do Japão que incorporam esquemas estilísticos que durante muito tempo foram relacionados às produções desse país, essa noção estabelecida em torno da animação japonesa está sendo tensionada.Escola Superior de Propaganda e Marketing2023-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://dialogo.espm.br/revistadcec-rj/article/view/46710.22398/2525-2828.82410-24Journal Dialogue with Creative Economy; Vol. 8 No. 24 (2023): Dossier SEANIMA#3 ; 10-24Diálogo com a Economia Criativa; v. 8 n. 24 (2023): Dossiê SEANIMA#3; 10-242525-2828reponame:Diálogo com a Economia Criativainstname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporenghttps://dialogo.espm.br/revistadcec-rj/article/view/467/394https://dialogo.espm.br/revistadcec-rj/article/view/467/395Copyright (c) 2023 Gustavo de Melo Françahttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessFrança, Gustavo de Melo2024-03-27T12:18:54Zoai:ojs.dialogo.espm.br:article/467Revistahttps://dialogo.espm.br/revistadcec-rj/ONGhttps://dialogo.espm.br/revistadcec-rj/oai||revistadcec-rj@espm.br2525-28282525-2828opendoar:2024-03-27T12:18:54Diálogo com a Economia Criativa - Escola Superior de Propaganda e Marketing (ESPM)false |
dc.title.none.fl_str_mv |
Japanese animation and its mark of distinction in the West A animação japonesa e a sua marca de distinção no Ocidente |
title |
Japanese animation and its mark of distinction in the West |
spellingShingle |
Japanese animation and its mark of distinction in the West França, Gustavo de Melo Orientalism Distinction Japanese animation Orientalismo Distinção Animação japonesa |
title_short |
Japanese animation and its mark of distinction in the West |
title_full |
Japanese animation and its mark of distinction in the West |
title_fullStr |
Japanese animation and its mark of distinction in the West |
title_full_unstemmed |
Japanese animation and its mark of distinction in the West |
title_sort |
Japanese animation and its mark of distinction in the West |
author |
França, Gustavo de Melo |
author_facet |
França, Gustavo de Melo |
author_role |
author |
dc.contributor.author.fl_str_mv |
França, Gustavo de Melo |
dc.subject.por.fl_str_mv |
Orientalism Distinction Japanese animation Orientalismo Distinção Animação japonesa |
topic |
Orientalism Distinction Japanese animation Orientalismo Distinção Animação japonesa |
description |
This article discusses how Japanese animation acquired a distinctive mark in the West based on a historical construction. Therefore, it is discussed how the understanding of Japanese animation in the West was influenced by the images constructed and propagated from a pre-existing limiting and orientalist vision about Japan, since stereotyped constructions can challenge the way in which populations from different localities interpreted the productions of this country. Then, the trajectory of the reception and distribution of Japanese animation in western contexts is outlined, using the United States as the central point of analysis, which is historically the largest consumer of Japanese animation in the western bloc. With this, we emphasize that the term anime has been consolidated in the West as a label that represents a series of added values related to the notion of difference, but that in recent years, with the increase in animations produced outside Japan that incorporate stylistic schemes that for a long time were related to productions in this country, this notion established around Japanese animation is being strained. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://dialogo.espm.br/revistadcec-rj/article/view/467 10.22398/2525-2828.82410-24 |
url |
https://dialogo.espm.br/revistadcec-rj/article/view/467 |
identifier_str_mv |
10.22398/2525-2828.82410-24 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://dialogo.espm.br/revistadcec-rj/article/view/467/394 https://dialogo.espm.br/revistadcec-rj/article/view/467/395 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Gustavo de Melo França http://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Gustavo de Melo França http://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
dc.source.none.fl_str_mv |
Journal Dialogue with Creative Economy; Vol. 8 No. 24 (2023): Dossier SEANIMA#3 ; 10-24 Diálogo com a Economia Criativa; v. 8 n. 24 (2023): Dossiê SEANIMA#3; 10-24 2525-2828 reponame:Diálogo com a Economia Criativa instname:Escola Superior de Propaganda e Marketing (ESPM) instacron:ESPM |
instname_str |
Escola Superior de Propaganda e Marketing (ESPM) |
instacron_str |
ESPM |
institution |
ESPM |
reponame_str |
Diálogo com a Economia Criativa |
collection |
Diálogo com a Economia Criativa |
repository.name.fl_str_mv |
Diálogo com a Economia Criativa - Escola Superior de Propaganda e Marketing (ESPM) |
repository.mail.fl_str_mv |
||revistadcec-rj@espm.br |
_version_ |
1797231688772747264 |