Japanese animation and its mark of distinction in the West

Detalhes bibliográficos
Autor(a) principal: França, Gustavo de Melo
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Diálogo com a Economia Criativa
Texto Completo: https://dialogo.espm.br/revistadcec-rj/article/view/467
Resumo: This article discusses how Japanese animation acquired a distinctive mark in the West based on a historical construction. Therefore, it is discussed how the understanding of Japanese animation in the West was influenced by the images constructed and propagated from a pre-existing limiting and orientalist vision about Japan, since stereotyped constructions can challenge the way in which populations from different localities interpreted the productions of this country. Then, the trajectory of the reception and distribution of Japanese animation in western contexts is outlined, using the United States as the central point of analysis, which is historically the largest consumer of Japanese animation in the western bloc. With this, we emphasize that the term anime has been consolidated in the West as a label that represents a series of added values related to the notion of difference, but that in recent years, with the increase in animations produced outside Japan that incorporate stylistic schemes that for a long time were related to productions in this country, this notion established around Japanese animation is being strained.
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spelling Japanese animation and its mark of distinction in the WestA animação japonesa e a sua marca de distinção no OcidenteOrientalismDistinctionJapanese animationOrientalismoDistinçãoAnimação japonesaThis article discusses how Japanese animation acquired a distinctive mark in the West based on a historical construction. Therefore, it is discussed how the understanding of Japanese animation in the West was influenced by the images constructed and propagated from a pre-existing limiting and orientalist vision about Japan, since stereotyped constructions can challenge the way in which populations from different localities interpreted the productions of this country. Then, the trajectory of the reception and distribution of Japanese animation in western contexts is outlined, using the United States as the central point of analysis, which is historically the largest consumer of Japanese animation in the western bloc. With this, we emphasize that the term anime has been consolidated in the West as a label that represents a series of added values related to the notion of difference, but that in recent years, with the increase in animations produced outside Japan that incorporate stylistic schemes that for a long time were related to productions in this country, this notion established around Japanese animation is being strained.Este artigo aborda o modo como a animação japonesa adquiriu uma marca distintiva no Ocidente a partir de toda uma construção histórica. Assim, é discutido como a compreensão sobre a animação japonesa no Ocidente foi influenciada pelas imagens construídas e propagadas a partir de uma visão limitadora e orientalista preexistente acerca do Japão, uma vez que construções estereotipadas podem interpelar o modo como as populações de diferentes localidades interpretaram as produções desse país. Em seguida, é delineada a trajetória da recepção e da distribuição da animação japonesa em contextos ocidentais, utilizando como ponto central de análise os Estados Unidos, que é historicamente o maior consumidor de animação japonesa do bloco ocidental. Com isso, destacamos que o termo “anime” se consolidou no Ocidente como um rótulo que representa uma série de valores agregados relacionados à noção de diferença, mas que, nos últimos anos, com o aumento de animações produzidas fora do Japão que incorporam esquemas estilísticos que durante muito tempo foram relacionados às produções desse país, essa noção estabelecida em torno da animação japonesa está sendo tensionada.Escola Superior de Propaganda e Marketing2023-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://dialogo.espm.br/revistadcec-rj/article/view/46710.22398/2525-2828.82410-24Journal Dialogue with Creative Economy; Vol. 8 No. 24 (2023): Dossier SEANIMA#3 ; 10-24Diálogo com a Economia Criativa; v. 8 n. 24 (2023): Dossiê SEANIMA#3; 10-242525-2828reponame:Diálogo com a Economia Criativainstname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporenghttps://dialogo.espm.br/revistadcec-rj/article/view/467/394https://dialogo.espm.br/revistadcec-rj/article/view/467/395Copyright (c) 2023 Gustavo de Melo Françahttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessFrança, Gustavo de Melo2024-03-27T12:18:54Zoai:ojs.dialogo.espm.br:article/467Revistahttps://dialogo.espm.br/revistadcec-rj/ONGhttps://dialogo.espm.br/revistadcec-rj/oai||revistadcec-rj@espm.br2525-28282525-2828opendoar:2024-03-27T12:18:54Diálogo com a Economia Criativa - Escola Superior de Propaganda e Marketing (ESPM)false
dc.title.none.fl_str_mv Japanese animation and its mark of distinction in the West
A animação japonesa e a sua marca de distinção no Ocidente
title Japanese animation and its mark of distinction in the West
spellingShingle Japanese animation and its mark of distinction in the West
França, Gustavo de Melo
Orientalism
Distinction
Japanese animation
Orientalismo
Distinção
Animação japonesa
title_short Japanese animation and its mark of distinction in the West
title_full Japanese animation and its mark of distinction in the West
title_fullStr Japanese animation and its mark of distinction in the West
title_full_unstemmed Japanese animation and its mark of distinction in the West
title_sort Japanese animation and its mark of distinction in the West
author França, Gustavo de Melo
author_facet França, Gustavo de Melo
author_role author
dc.contributor.author.fl_str_mv França, Gustavo de Melo
dc.subject.por.fl_str_mv Orientalism
Distinction
Japanese animation
Orientalismo
Distinção
Animação japonesa
topic Orientalism
Distinction
Japanese animation
Orientalismo
Distinção
Animação japonesa
description This article discusses how Japanese animation acquired a distinctive mark in the West based on a historical construction. Therefore, it is discussed how the understanding of Japanese animation in the West was influenced by the images constructed and propagated from a pre-existing limiting and orientalist vision about Japan, since stereotyped constructions can challenge the way in which populations from different localities interpreted the productions of this country. Then, the trajectory of the reception and distribution of Japanese animation in western contexts is outlined, using the United States as the central point of analysis, which is historically the largest consumer of Japanese animation in the western bloc. With this, we emphasize that the term anime has been consolidated in the West as a label that represents a series of added values related to the notion of difference, but that in recent years, with the increase in animations produced outside Japan that incorporate stylistic schemes that for a long time were related to productions in this country, this notion established around Japanese animation is being strained.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://dialogo.espm.br/revistadcec-rj/article/view/467
10.22398/2525-2828.82410-24
url https://dialogo.espm.br/revistadcec-rj/article/view/467
identifier_str_mv 10.22398/2525-2828.82410-24
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://dialogo.espm.br/revistadcec-rj/article/view/467/394
https://dialogo.espm.br/revistadcec-rj/article/view/467/395
dc.rights.driver.fl_str_mv Copyright (c) 2023 Gustavo de Melo França
http://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Gustavo de Melo França
http://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
dc.source.none.fl_str_mv Journal Dialogue with Creative Economy; Vol. 8 No. 24 (2023): Dossier SEANIMA#3 ; 10-24
Diálogo com a Economia Criativa; v. 8 n. 24 (2023): Dossiê SEANIMA#3; 10-24
2525-2828
reponame:Diálogo com a Economia Criativa
instname:Escola Superior de Propaganda e Marketing (ESPM)
instacron:ESPM
instname_str Escola Superior de Propaganda e Marketing (ESPM)
instacron_str ESPM
institution ESPM
reponame_str Diálogo com a Economia Criativa
collection Diálogo com a Economia Criativa
repository.name.fl_str_mv Diálogo com a Economia Criativa - Escola Superior de Propaganda e Marketing (ESPM)
repository.mail.fl_str_mv ||revistadcec-rj@espm.br
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