Curadoria remix: reflexões sobre circulação e consumo de arte na 33ª Bienal de São Paulo
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da ESPM |
Texto Completo: | http://tede2.espm.br/handle/tede/493 |
Resumo: | This dissertation comments on consumption and circulation of art in the context of large-scale art events, having the 33rd Bienal de São Paulo as its empirical object. For this discussion, Remix is used as an interpretive key, as we understand it both as a creative practice and as a variable that permeates culture. Therefore, we put forward a theoretical discussion about the concept of remix, its premises and developments, also discussing its politicity. Following this topic, we analyze the concept of curating and the characteristics of major exhibition events, based on a historical account of such concepts and some of their more pressing issues, also exploring the relations between art and consumption. Finally, we examine the curatorial project of the 33rd Bienal, dissecting it under the Remix lens, in order to understand how large exhibition models could benefit from some of its elements. We also scrutinize the exhibited works based on an experience of dérive, from which we propose themes pertaining to the interface between art and remix, thus giving materiality to the proposed theoretical discussion. |
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Rocha, Rosamaria Luiza de MeloCarrascoza, João Luís AnzanelloAnjos, Moacir Tavares Rodrigues dos37075251805http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8331647P4&tokenCaptchar=03AGdBq26Cxf_67iuFMXsno1gfW61DN3dS3bgkEDxKBaAMnjWBpyAPdBhpbnjXwhDIz6whkxsthvbPdQ1e445jZtDX35w1dC0tNIc-LR_jMnUqko80kGgbBlEeSHm2fbIHaqNRp02e-5MrnYAd-wPobyPi9BEnpf5ZMePnx1R5E3BJ3IPYOSGzDVZ1_f1nA4QXOWznHN5lzx3cAGrnnzJQ7t6_6buHT9xCeWGFzhqTs6mxInEbvQXd5xba6l7m3fN-q8bg9eTY-dySJ-lUgPnTb55LR3y_GrUM6FPSjZbHnbdFdZuuwS-a2aPYKR_XG8rXdsSaKGXgrm1p2LSicgRZRvGrkfLn8bw0cyYF4XyAVTu0WTyz1FmHJsg6CyAwX19BOe9g3KTB7BdBAdvn-O9V76qUQV2CWdbR-P52Qilb1Z5ffbLVJNKVo5yTUuOg3lxFlTaiCXx_xSOzgiYFluzjYjitPjPHnBsD-QScudeller, Pedro de Assis Pereira2020-10-26T11:42:26Z2020-02-07Scudeller, Pedro de Assis Pereira. Curadoria remix: reflexões sobre circulação e consumo de arte na 33ª Bienal de São Paulo. 2020. [213 f.]. Dissertação ( Programa de Mestrado em Comunicação e Práticas de Consumo) - Escola Superior de Propaganda e Marketing, [São Paulo] .http://tede2.espm.br/handle/tede/493This dissertation comments on consumption and circulation of art in the context of large-scale art events, having the 33rd Bienal de São Paulo as its empirical object. For this discussion, Remix is used as an interpretive key, as we understand it both as a creative practice and as a variable that permeates culture. Therefore, we put forward a theoretical discussion about the concept of remix, its premises and developments, also discussing its politicity. Following this topic, we analyze the concept of curating and the characteristics of major exhibition events, based on a historical account of such concepts and some of their more pressing issues, also exploring the relations between art and consumption. Finally, we examine the curatorial project of the 33rd Bienal, dissecting it under the Remix lens, in order to understand how large exhibition models could benefit from some of its elements. We also scrutinize the exhibited works based on an experience of dérive, from which we propose themes pertaining to the interface between art and remix, thus giving materiality to the proposed theoretical discussion.Este trabalho tece considerações acerca do consumo da arte no contexto dos grandes eventos expositivos, tendo como objeto empírico a 33ª Bienal de São Paulo. Utiliza-se, como chave interpretativa, o remix, aqui compreendido tanto como prática criativa quanto como variável que permeia a cultura. Assim, faz-se uma discussão teórica acerca deste conceito de remix e de seus pressupostos e desdobramentos, discutindo ainda sua politicidade. A seguir, passa-se a analisar a curadoria e as exposições de arte, a partir de uma recuperação histórica destes conceitos e suas problemáticas, discutindo ainda as relações entre arte e consumo. Por fim, examinamos o projeto curatorial da Bienal 33, dissecando-o sob a lente da remixagem, a fim de compreender como os modelos de grandes eventos expositivos se podem beneficiar de alguns de seus elementos. Fazemos, ainda, uma leitura das obras expostas com base em uma experiência de deriva, a partir da qual se propõem temáticas que circulam na interface arte e remix, conferindo-se, assim, materialidade à discussão teórica proposta.Submitted by Adriana Alves Rodrigues (aalves@espm.br) on 2020-10-26T11:39:31Z No. of bitstreams: 1 PEDRO DE ASSIS PEREIRA SCUDELLER.pdf: 8765775 bytes, checksum: 737d7b5ccdf70cdaab57f74e43ccfdd1 (MD5)Approved for entry into archive by Adriana Alves Rodrigues (aalves@espm.br) on 2020-10-26T11:42:01Z (GMT) No. of bitstreams: 1 PEDRO DE ASSIS PEREIRA SCUDELLER.pdf: 8765775 bytes, checksum: 737d7b5ccdf70cdaab57f74e43ccfdd1 (MD5)Approved for entry into archive by Adriana Alves Rodrigues (aalves@espm.br) on 2020-10-26T11:42:16Z (GMT) No. of bitstreams: 1 PEDRO DE ASSIS PEREIRA SCUDELLER.pdf: 8765775 bytes, checksum: 737d7b5ccdf70cdaab57f74e43ccfdd1 (MD5)Made available in DSpace on 2020-10-26T11:42:26Z (GMT). No. of bitstreams: 1 PEDRO DE ASSIS PEREIRA SCUDELLER.pdf: 8765775 bytes, checksum: 737d7b5ccdf70cdaab57f74e43ccfdd1 (MD5) Previous issue date: 2020-02-07application/pdfhttp://tede2.espm.br/retrieve/1647/PEDRO%20DE%20ASSIS%20PEREIRA%20SCUDELLER.pdf.jpgporEscola Superior de Propaganda e MarketingPrograma de Mestrado em Comunicação e Práticas de ConsumoESPMBrasilESPM::Pós-Graduação Stricto Sensucomunicação e consumo; arte; curadoria; remix; Bienal de São Paulocommunication and consumption; art; curating; remix, São Paulo BiennialCIENCIAS SOCIAIS APLICADAS::COMUNICACAOCuradoria remix: reflexões sobre circulação e consumo de arte na 33ª Bienal de São PauloRemix curation: reflections on circulation and consumption of art at the 33rd Bienal de São Pauloinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis1478719854366591830500500600-4455193753091852328-4056021055502874573info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da ESPMinstname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMTHUMBNAILPEDRO DE ASSIS PEREIRA SCUDELLER.pdf.jpgPEDRO DE ASSIS PEREIRA SCUDELLER.pdf.jpgimage/jpeg5525http://tede2.espm.br:8080/tede/bitstream/tede/493/4/PEDRO+DE+ASSIS+PEREIRA+SCUDELLER.pdf.jpg42d7d2acee3c77d9d9d23acafe9f6b6bMD54TEXTPEDRO DE ASSIS PEREIRA SCUDELLER.pdf.txtPEDRO DE ASSIS PEREIRA SCUDELLER.pdf.txttext/plain486591http://tede2.espm.br:8080/tede/bitstream/tede/493/3/PEDRO+DE+ASSIS+PEREIRA+SCUDELLER.pdf.txt5238a242ec5747051724499ccb4450aaMD53ORIGINALPEDRO DE ASSIS PEREIRA SCUDELLER.pdfPEDRO DE ASSIS PEREIRA SCUDELLER.pdfapplication/pdf8765775http://tede2.espm.br:8080/tede/bitstream/tede/493/2/PEDRO+DE+ASSIS+PEREIRA+SCUDELLER.pdf737d7b5ccdf70cdaab57f74e43ccfdd1MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81912http://tede2.espm.br:8080/tede/bitstream/tede/493/1/license.txt652c58b294e08ded719d10bdbc42f8ceMD51tede/4932020-10-27 02:00:42.134oai:tede2.espm.br: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Biblioteca Digital de Teses e Dissertaçõeshttps://tede2.espm.br/http://tede2.espm.br/oai/requestacervodigital@espm.br||hribeiro@espm.bropendoar:2020-10-27T04:00:42Biblioteca Digital de Teses e Dissertações da ESPM - Escola Superior de Propaganda e Marketing (ESPM)false |
dc.title.por.fl_str_mv |
Curadoria remix: reflexões sobre circulação e consumo de arte na 33ª Bienal de São Paulo |
dc.title.alternative.eng.fl_str_mv |
Remix curation: reflections on circulation and consumption of art at the 33rd Bienal de São Paulo |
title |
Curadoria remix: reflexões sobre circulação e consumo de arte na 33ª Bienal de São Paulo |
spellingShingle |
Curadoria remix: reflexões sobre circulação e consumo de arte na 33ª Bienal de São Paulo Scudeller, Pedro de Assis Pereira comunicação e consumo; arte; curadoria; remix; Bienal de São Paulo communication and consumption; art; curating; remix, São Paulo Biennial CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
Curadoria remix: reflexões sobre circulação e consumo de arte na 33ª Bienal de São Paulo |
title_full |
Curadoria remix: reflexões sobre circulação e consumo de arte na 33ª Bienal de São Paulo |
title_fullStr |
Curadoria remix: reflexões sobre circulação e consumo de arte na 33ª Bienal de São Paulo |
title_full_unstemmed |
Curadoria remix: reflexões sobre circulação e consumo de arte na 33ª Bienal de São Paulo |
title_sort |
Curadoria remix: reflexões sobre circulação e consumo de arte na 33ª Bienal de São Paulo |
author |
Scudeller, Pedro de Assis Pereira |
author_facet |
Scudeller, Pedro de Assis Pereira |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Rocha, Rosamaria Luiza de Melo |
dc.contributor.referee1.fl_str_mv |
Carrascoza, João Luís Anzanello |
dc.contributor.referee2.fl_str_mv |
Anjos, Moacir Tavares Rodrigues dos |
dc.contributor.authorID.fl_str_mv |
37075251805 |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8331647P4&tokenCaptchar=03AGdBq26Cxf_67iuFMXsno1gfW61DN3dS3bgkEDxKBaAMnjWBpyAPdBhpbnjXwhDIz6whkxsthvbPdQ1e445jZtDX35w1dC0tNIc-LR_jMnUqko80kGgbBlEeSHm2fbIHaqNRp02e-5MrnYAd-wPobyPi9BEnpf5ZMePnx1R5E3BJ3IPYOSGzDVZ1_f1nA4QXOWznHN5lzx3cAGrnnzJQ7t6_6buHT9xCeWGFzhqTs6mxInEbvQXd5xba6l7m3fN-q8bg9eTY-dySJ-lUgPnTb55LR3y_GrUM6FPSjZbHnbdFdZuuwS-a2aPYKR_XG8rXdsSaKGXgrm1p2LSicgRZRvGrkfLn8bw0cyYF4XyAVTu0WTyz1FmHJsg6CyAwX19BOe9g3KTB7BdBAdvn-O9V76qUQV2CWdbR-P52Qilb1Z5ffbLVJNKVo5yTUuOg3lxFlTaiCXx_xSOzgiYFluzjYjitPjPHnBsD-Q |
dc.contributor.author.fl_str_mv |
Scudeller, Pedro de Assis Pereira |
contributor_str_mv |
Rocha, Rosamaria Luiza de Melo Carrascoza, João Luís Anzanello Anjos, Moacir Tavares Rodrigues dos |
dc.subject.por.fl_str_mv |
comunicação e consumo; arte; curadoria; remix; Bienal de São Paulo |
topic |
comunicação e consumo; arte; curadoria; remix; Bienal de São Paulo communication and consumption; art; curating; remix, São Paulo Biennial CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
communication and consumption; art; curating; remix, São Paulo Biennial |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
This dissertation comments on consumption and circulation of art in the context of large-scale art events, having the 33rd Bienal de São Paulo as its empirical object. For this discussion, Remix is used as an interpretive key, as we understand it both as a creative practice and as a variable that permeates culture. Therefore, we put forward a theoretical discussion about the concept of remix, its premises and developments, also discussing its politicity. Following this topic, we analyze the concept of curating and the characteristics of major exhibition events, based on a historical account of such concepts and some of their more pressing issues, also exploring the relations between art and consumption. Finally, we examine the curatorial project of the 33rd Bienal, dissecting it under the Remix lens, in order to understand how large exhibition models could benefit from some of its elements. We also scrutinize the exhibited works based on an experience of dérive, from which we propose themes pertaining to the interface between art and remix, thus giving materiality to the proposed theoretical discussion. |
publishDate |
2020 |
dc.date.accessioned.fl_str_mv |
2020-10-26T11:42:26Z |
dc.date.issued.fl_str_mv |
2020-02-07 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Scudeller, Pedro de Assis Pereira. Curadoria remix: reflexões sobre circulação e consumo de arte na 33ª Bienal de São Paulo. 2020. [213 f.]. Dissertação ( Programa de Mestrado em Comunicação e Práticas de Consumo) - Escola Superior de Propaganda e Marketing, [São Paulo] . |
dc.identifier.uri.fl_str_mv |
http://tede2.espm.br/handle/tede/493 |
identifier_str_mv |
Scudeller, Pedro de Assis Pereira. Curadoria remix: reflexões sobre circulação e consumo de arte na 33ª Bienal de São Paulo. 2020. [213 f.]. Dissertação ( Programa de Mestrado em Comunicação e Práticas de Consumo) - Escola Superior de Propaganda e Marketing, [São Paulo] . |
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Programa de Mestrado em Comunicação e Práticas de Consumo |
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ESPM |
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Brasil |
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Escola Superior de Propaganda e Marketing |
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