“Deixe-me ser teu templo de promiscuidade”: consumo escópico do excesso nas performance-vida e performance post mortem de Hija de Perra
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da ESPM |
Texto Completo: | http://tede2.espm.br/handle/tede/500 |
Resumo: | This research investigates the audiovisualities of the bizarre Chilean performer Hija de Perra (1980-2014). The general objective is to analyze, through a communication and consumption perspective, the public performance of that artist and to understand the consumption-related and expressive contexts of her digital tracks, with a specific focus on the audiovisualites available on the YouTube video platform. The specific objectives are: a) to build a method that uses digital traces and their circulation and consumption dynamics to research contemporary objects/subjects in the urban and post-mass interstitial areas; b) to describe some different dimensions of the archived video performances and their specificities; c) to identify the aesthetic-political bricolages of the archived performances’ audiovisual poetics, as well as problematizing their configurations and characteristics; d) to investigate the consumption of audiovisualities in the post-massive socio-cultural context and how it occurs, specifically, with regard to the Hija de Perra archive. The method utilized for such purpose was cartography, which was led by this researcher's gaze and the traumatic encounters between him and Hija de Perra’s audiovisualities. Under a category named “theoretical orgies”, the multidisciplinary character of Communication is employed to compare authors from different fields, such as communication, psychoanalysis, sociology and performance and consumption studies. As a result, we find that Hija de Perra's performance of audiovisualities can be divided into two interconnected dimensions: performance-life and post-mortem performance. The first one refers to the inseparability of art and life, as articulated by the artist's performance during her incarnated time in this world. Among the specificities of this performative dimension, we identified the the liminality of self-narrative, mobilization of abject affections and the symbolic exorcism of coloniality. The post-mortem performance, in turn, is composed by the artist’s digital tracks left in the world, her communicational materialities. Given their capacity to affect, especially in the audiovisualities field, they constitute performances in themselves and, once considered altogether as a whole audiovisual body, they can be considered yet another performance which we name post-mortem. Its particularities include deadly virality, death transgressions, reactions through videoclip and presence production. Finally, the "excess" is seen as a category of experimentation, which allows us to connect this artist's performances to the consumption of excess in its audiovisual and symbolic dimensions. For it occurs exclusively through the gaze, we name it “scopic consumption of excess”. Shards of excess and their produced modes of presence, when articulated in different intensities, are described and analyzed to compose Hija de Perra’s trans-aesthetic of the excess in a camp and grotesque bricolage. Finally, we argue that this artist's performance-life and post-mortem performance are mobilizers of an eroptic communication, linking at once the seer to the image, and going through them by self-dissolving energy flows, and also external to the contentional barriers of language and all attempts at interpretation. An experience of feeling, not of attributing meaning. |
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Rocha, Rosamaria Luiza de MeloLyra, Maria Bernadette Cunha deGonzaga, Milene Migliano33162664888http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8471172D8&tokenCaptchar=03AGdBq25RdWjaWKlMkyfQ150dUu2sxLZW21sLyvY40w-nYXJEstsAx5kGjQtWYgeYeFiPgAetbwX9dns5IGi_T9k4hLvAFeVFxCBhMbGM7D1KjRcc27YpdZItZ26P_4BiQnXeWbmThVmFiq9ZoYBopR9eqp1awJKDtFT-iQzZSTJ1b8d93waVxirUPkMSbdloplMsRnyUgxcwB_kxQAsDJ5qHK739qAjuUyiKhPTPSMwv42j-tdCEQBo9GMynRMHIjVOLs6Pj8EjC01afxDFWYlrRybHqozkGzYsBUC07GQ319BzLo6tP4D8UQmH4mY-Xi96URDgLWFM0j7vAcSfje9A8xFHeUF2qroDzGI1thb1gDaHIeYQWBIGY-HugQSaF2_r532xKjrGU1CwJmLiRqseshnrNi0gA0oClzHFsMpqKRae81lBk9QOTH1v9uoXbtz83g8so_T4V3sCfIDWSCo1fQnRo0oFiagSantos, Thiago Henrique Ribeiro dos2020-10-27T14:09:10Z2020-03-20Santos, Thiago Henrique Ribeiro dos. “Deixe-me ser teu templo de promiscuidade”: consumo escópico do excesso nas performance-vida e performance post mortem de Hija de Perra. 2020. [230 f.]. Dissertação ( Programa de Mestrado em Comunicação e Práticas de Consumo) - Escola Superior de Propaganda e Marketing, [São Paulo] .http://tede2.espm.br/handle/tede/500This research investigates the audiovisualities of the bizarre Chilean performer Hija de Perra (1980-2014). The general objective is to analyze, through a communication and consumption perspective, the public performance of that artist and to understand the consumption-related and expressive contexts of her digital tracks, with a specific focus on the audiovisualites available on the YouTube video platform. The specific objectives are: a) to build a method that uses digital traces and their circulation and consumption dynamics to research contemporary objects/subjects in the urban and post-mass interstitial areas; b) to describe some different dimensions of the archived video performances and their specificities; c) to identify the aesthetic-political bricolages of the archived performances’ audiovisual poetics, as well as problematizing their configurations and characteristics; d) to investigate the consumption of audiovisualities in the post-massive socio-cultural context and how it occurs, specifically, with regard to the Hija de Perra archive. The method utilized for such purpose was cartography, which was led by this researcher's gaze and the traumatic encounters between him and Hija de Perra’s audiovisualities. Under a category named “theoretical orgies”, the multidisciplinary character of Communication is employed to compare authors from different fields, such as communication, psychoanalysis, sociology and performance and consumption studies. As a result, we find that Hija de Perra's performance of audiovisualities can be divided into two interconnected dimensions: performance-life and post-mortem performance. The first one refers to the inseparability of art and life, as articulated by the artist's performance during her incarnated time in this world. Among the specificities of this performative dimension, we identified the the liminality of self-narrative, mobilization of abject affections and the symbolic exorcism of coloniality. The post-mortem performance, in turn, is composed by the artist’s digital tracks left in the world, her communicational materialities. Given their capacity to affect, especially in the audiovisualities field, they constitute performances in themselves and, once considered altogether as a whole audiovisual body, they can be considered yet another performance which we name post-mortem. Its particularities include deadly virality, death transgressions, reactions through videoclip and presence production. Finally, the "excess" is seen as a category of experimentation, which allows us to connect this artist's performances to the consumption of excess in its audiovisual and symbolic dimensions. For it occurs exclusively through the gaze, we name it “scopic consumption of excess”. Shards of excess and their produced modes of presence, when articulated in different intensities, are described and analyzed to compose Hija de Perra’s trans-aesthetic of the excess in a camp and grotesque bricolage. Finally, we argue that this artist's performance-life and post-mortem performance are mobilizers of an eroptic communication, linking at once the seer to the image, and going through them by self-dissolving energy flows, and also external to the contentional barriers of language and all attempts at interpretation. An experience of feeling, not of attributing meaning.Esta pesquisa investiga as audiovisualidades da performer bizarra chilena Hija de Perra (1980- 2014). O objetivo geral é analisar, em uma perspectiva comunicacional e do consumo, a performance pública da artista e compreender os contextos expressivos e de consumo de seus rastros digitais, com recorte específico para as audiovisualidades disponibilizadas na plataforma de vídeos YouTube. Entre os objetivos específicos, estão: a) construir um método que se valha de rastros digitais e de suas dinâmicas de circulação e consumo, para pesquisar objetos/sujeitos contemporâneos atuantes em zonas intersticiais do urbano e do pósmassivo; b) descrever as diferentes dimensões das performances arquivadas em vídeo e suas especificidades; c) identificar as bricolagens estético-políticas da poética audiovisual das performances em arquivo, problematizando suas configurações e características; d) investigar o consumo de audiovisualidades no contexto sociocultural pós-massivo e como ele se dá, especificamente, no tocante ao arquivo de Hija de Perra. Para tanto, o método utilizado é a cartografia conduzida pelo olhar e pelos encontros traumáticos do pesquisador com as audiovisualidades de Hija de Perra. Com o auxílio de uma categoria denominada “orgias teóricas”, vale-se do caráter multidisciplinar da Comunicação para cotejar autores oriundos de diferentes campos, como comunicação, psicanálise, sociologia e estudos da performance e do consumo. Observou-se que a performance das audiovisualidades de Hija de Perra podem ser clivadas em duas dimensões interconectadas: a performance-vida e a performance post mortem. A primeira refere-se à indissociabilidade entre arte e vida articulada pela performance da artista quando em seu tempo encarnada neste mundo. Entre as especificidades desta dimensão performática, identificou-se a liminaridade da narrativa de si, os afetos abjetos mobilizados e o exorcismo simbólico da colonialidade. A performance post mortem, por sua vez, é composta pelos rastros digitais que a artista deixou no mundo, suas materialidades comunicacionais. Dada a capacidade de afetação deles, principalmente no âmbito das audiovisualidades, eles se configuram enquanto performances em si e, quando em conjunto e compondo um corpo audiovisual, outra performance, denominada post mortem. Suas particularidades incluem viralidade mortífera, transgressões da morte, videoclipicização das reações e produção de presença. Finalmente, a chave de experimentação do excesso é o que permite conectar as performances ao consumo do excesso em sua dimensão audiovisual e simbólica. Por ocorrer exclusivamente pela via do olhar, deu-se a denominação de consumo escópico do excesso. Estilhaços desse excesso e os modos de presença por eles produzidos, quando articulados em diferentes intensidades, são descritos e analisados para compor a trans-estética do excesso de Hija de Perra. Por fim, apreendeu-se que as performance-vida e performance post mortem da artista são mobilizadoras de uma comunicação eróptica, a um só tempo vincular de vidente e imagem, atravessando-os por correntes de energia diluidoras do eu, e exteriores às barreiras de contenção da linguagem e das tentativas de interpretação. Uma experiência de fazer sentir, e não de dar sentidos.Submitted by Adriana Alves Rodrigues (aalves@espm.br) on 2020-10-26T15:54:09Z No. of bitstreams: 1 Thiago Henrique Ribeiro dos Santos.pdf: 3102126 bytes, checksum: b90f1794d3c93bf042c89f1da823b6e5 (MD5)Approved for entry into archive by Adriana Alves Rodrigues (aalves@espm.br) on 2020-10-26T15:55:17Z (GMT) No. of bitstreams: 1 Thiago Henrique Ribeiro dos Santos.pdf: 3102126 bytes, checksum: b90f1794d3c93bf042c89f1da823b6e5 (MD5)Approved for entry into archive by Ana Cristina Ropero (ana@espm.br) on 2020-10-27T14:07:05Z (GMT) No. of bitstreams: 1 Thiago Henrique Ribeiro dos Santos.pdf: 3102126 bytes, checksum: b90f1794d3c93bf042c89f1da823b6e5 (MD5)Made available in DSpace on 2020-10-27T14:09:10Z (GMT). No. of bitstreams: 1 Thiago Henrique Ribeiro dos Santos.pdf: 3102126 bytes, checksum: b90f1794d3c93bf042c89f1da823b6e5 (MD5) Previous issue date: 2020-03-20application/pdfhttp://tede2.espm.br/retrieve/1663/Thiago%20Henrique%20Ribeiro%20dos%20Santos.pdf.jpgporEscola Superior de Propaganda e MarketingPrograma de Mestrado em Comunicação e Práticas de ConsumoESPMBrasilESPM::Pós-Graduação Stricto Sensucomunicação e consumo; performance; audiovisualidades; excesso; Hija de Perracommunication and consumption; performance; audiovisualities; excess; Hija de PerraCIENCIAS SOCIAIS APLICADAS::COMUNICACAO“Deixe-me ser teu templo de promiscuidade”: consumo escópico do excesso nas performance-vida e performance post mortem de Hija de Perra“Let me be your temple of promiscuity”: scopic consumption of excess in performance-life and post-mortem performance by Hija de Perrainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis1478719854366591830500500600-4455193753091852328-4056021055502874573info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da ESPMinstname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMTHUMBNAILThiago Henrique Ribeiro dos Santos.pdf.jpgThiago Henrique Ribeiro dos Santos.pdf.jpgimage/jpeg4178http://tede2.espm.br:8080/tede/bitstream/tede/500/4/Thiago+Henrique+Ribeiro+dos+Santos.pdf.jpgb3fe7cfbda0a6d726b3dc29cf1a75216MD54TEXTThiago Henrique Ribeiro dos Santos.pdf.txtThiago Henrique Ribeiro dos Santos.pdf.txttext/plain570869http://tede2.espm.br:8080/tede/bitstream/tede/500/3/Thiago+Henrique+Ribeiro+dos+Santos.pdf.txt682ae1df55a85a25ae0b54d52b43c453MD53ORIGINALThiago Henrique Ribeiro dos Santos.pdfThiago Henrique Ribeiro dos Santos.pdfapplication/pdf3102126http://tede2.espm.br:8080/tede/bitstream/tede/500/2/Thiago+Henrique+Ribeiro+dos+Santos.pdfb90f1794d3c93bf042c89f1da823b6e5MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81912http://tede2.espm.br:8080/tede/bitstream/tede/500/1/license.txt652c58b294e08ded719d10bdbc42f8ceMD51tede/5002020-10-28 02:00:29.76oai:tede2.espm.br: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Biblioteca Digital de Teses e Dissertaçõeshttps://tede2.espm.br/http://tede2.espm.br/oai/requestacervodigital@espm.br||hribeiro@espm.bropendoar:2020-10-28T04:00:29Biblioteca Digital de Teses e Dissertações da ESPM - Escola Superior de Propaganda e Marketing (ESPM)false |
dc.title.por.fl_str_mv |
“Deixe-me ser teu templo de promiscuidade”: consumo escópico do excesso nas performance-vida e performance post mortem de Hija de Perra |
dc.title.alternative.eng.fl_str_mv |
“Let me be your temple of promiscuity”: scopic consumption of excess in performance-life and post-mortem performance by Hija de Perra |
title |
“Deixe-me ser teu templo de promiscuidade”: consumo escópico do excesso nas performance-vida e performance post mortem de Hija de Perra |
spellingShingle |
“Deixe-me ser teu templo de promiscuidade”: consumo escópico do excesso nas performance-vida e performance post mortem de Hija de Perra Santos, Thiago Henrique Ribeiro dos comunicação e consumo; performance; audiovisualidades; excesso; Hija de Perra communication and consumption; performance; audiovisualities; excess; Hija de Perra CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
“Deixe-me ser teu templo de promiscuidade”: consumo escópico do excesso nas performance-vida e performance post mortem de Hija de Perra |
title_full |
“Deixe-me ser teu templo de promiscuidade”: consumo escópico do excesso nas performance-vida e performance post mortem de Hija de Perra |
title_fullStr |
“Deixe-me ser teu templo de promiscuidade”: consumo escópico do excesso nas performance-vida e performance post mortem de Hija de Perra |
title_full_unstemmed |
“Deixe-me ser teu templo de promiscuidade”: consumo escópico do excesso nas performance-vida e performance post mortem de Hija de Perra |
title_sort |
“Deixe-me ser teu templo de promiscuidade”: consumo escópico do excesso nas performance-vida e performance post mortem de Hija de Perra |
author |
Santos, Thiago Henrique Ribeiro dos |
author_facet |
Santos, Thiago Henrique Ribeiro dos |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Rocha, Rosamaria Luiza de Melo |
dc.contributor.referee1.fl_str_mv |
Lyra, Maria Bernadette Cunha de |
dc.contributor.referee2.fl_str_mv |
Gonzaga, Milene Migliano |
dc.contributor.authorID.fl_str_mv |
33162664888 |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8471172D8&tokenCaptchar=03AGdBq25RdWjaWKlMkyfQ150dUu2sxLZW21sLyvY40w-nYXJEstsAx5kGjQtWYgeYeFiPgAetbwX9dns5IGi_T9k4hLvAFeVFxCBhMbGM7D1KjRcc27YpdZItZ26P_4BiQnXeWbmThVmFiq9ZoYBopR9eqp1awJKDtFT-iQzZSTJ1b8d93waVxirUPkMSbdloplMsRnyUgxcwB_kxQAsDJ5qHK739qAjuUyiKhPTPSMwv42j-tdCEQBo9GMynRMHIjVOLs6Pj8EjC01afxDFWYlrRybHqozkGzYsBUC07GQ319BzLo6tP4D8UQmH4mY-Xi96URDgLWFM0j7vAcSfje9A8xFHeUF2qroDzGI1thb1gDaHIeYQWBIGY-HugQSaF2_r532xKjrGU1CwJmLiRqseshnrNi0gA0oClzHFsMpqKRae81lBk9QOTH1v9uoXbtz83g8so_T4V3sCfIDWSCo1fQnRo0oFiag |
dc.contributor.author.fl_str_mv |
Santos, Thiago Henrique Ribeiro dos |
contributor_str_mv |
Rocha, Rosamaria Luiza de Melo Lyra, Maria Bernadette Cunha de Gonzaga, Milene Migliano |
dc.subject.por.fl_str_mv |
comunicação e consumo; performance; audiovisualidades; excesso; Hija de Perra |
topic |
comunicação e consumo; performance; audiovisualidades; excesso; Hija de Perra communication and consumption; performance; audiovisualities; excess; Hija de Perra CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
communication and consumption; performance; audiovisualities; excess; Hija de Perra |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
This research investigates the audiovisualities of the bizarre Chilean performer Hija de Perra (1980-2014). The general objective is to analyze, through a communication and consumption perspective, the public performance of that artist and to understand the consumption-related and expressive contexts of her digital tracks, with a specific focus on the audiovisualites available on the YouTube video platform. The specific objectives are: a) to build a method that uses digital traces and their circulation and consumption dynamics to research contemporary objects/subjects in the urban and post-mass interstitial areas; b) to describe some different dimensions of the archived video performances and their specificities; c) to identify the aesthetic-political bricolages of the archived performances’ audiovisual poetics, as well as problematizing their configurations and characteristics; d) to investigate the consumption of audiovisualities in the post-massive socio-cultural context and how it occurs, specifically, with regard to the Hija de Perra archive. The method utilized for such purpose was cartography, which was led by this researcher's gaze and the traumatic encounters between him and Hija de Perra’s audiovisualities. Under a category named “theoretical orgies”, the multidisciplinary character of Communication is employed to compare authors from different fields, such as communication, psychoanalysis, sociology and performance and consumption studies. As a result, we find that Hija de Perra's performance of audiovisualities can be divided into two interconnected dimensions: performance-life and post-mortem performance. The first one refers to the inseparability of art and life, as articulated by the artist's performance during her incarnated time in this world. Among the specificities of this performative dimension, we identified the the liminality of self-narrative, mobilization of abject affections and the symbolic exorcism of coloniality. The post-mortem performance, in turn, is composed by the artist’s digital tracks left in the world, her communicational materialities. Given their capacity to affect, especially in the audiovisualities field, they constitute performances in themselves and, once considered altogether as a whole audiovisual body, they can be considered yet another performance which we name post-mortem. Its particularities include deadly virality, death transgressions, reactions through videoclip and presence production. Finally, the "excess" is seen as a category of experimentation, which allows us to connect this artist's performances to the consumption of excess in its audiovisual and symbolic dimensions. For it occurs exclusively through the gaze, we name it “scopic consumption of excess”. Shards of excess and their produced modes of presence, when articulated in different intensities, are described and analyzed to compose Hija de Perra’s trans-aesthetic of the excess in a camp and grotesque bricolage. Finally, we argue that this artist's performance-life and post-mortem performance are mobilizers of an eroptic communication, linking at once the seer to the image, and going through them by self-dissolving energy flows, and also external to the contentional barriers of language and all attempts at interpretation. An experience of feeling, not of attributing meaning. |
publishDate |
2020 |
dc.date.accessioned.fl_str_mv |
2020-10-27T14:09:10Z |
dc.date.issued.fl_str_mv |
2020-03-20 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Santos, Thiago Henrique Ribeiro dos. “Deixe-me ser teu templo de promiscuidade”: consumo escópico do excesso nas performance-vida e performance post mortem de Hija de Perra. 2020. [230 f.]. Dissertação ( Programa de Mestrado em Comunicação e Práticas de Consumo) - Escola Superior de Propaganda e Marketing, [São Paulo] . |
dc.identifier.uri.fl_str_mv |
http://tede2.espm.br/handle/tede/500 |
identifier_str_mv |
Santos, Thiago Henrique Ribeiro dos. “Deixe-me ser teu templo de promiscuidade”: consumo escópico do excesso nas performance-vida e performance post mortem de Hija de Perra. 2020. [230 f.]. Dissertação ( Programa de Mestrado em Comunicação e Práticas de Consumo) - Escola Superior de Propaganda e Marketing, [São Paulo] . |
url |
http://tede2.espm.br/handle/tede/500 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
1478719854366591830 |
dc.relation.confidence.fl_str_mv |
500 500 600 |
dc.relation.department.fl_str_mv |
-4455193753091852328 |
dc.relation.cnpq.fl_str_mv |
-4056021055502874573 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
dc.publisher.program.fl_str_mv |
Programa de Mestrado em Comunicação e Práticas de Consumo |
dc.publisher.initials.fl_str_mv |
ESPM |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
ESPM::Pós-Graduação Stricto Sensu |
publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações da ESPM instname:Escola Superior de Propaganda e Marketing (ESPM) instacron:ESPM |
instname_str |
Escola Superior de Propaganda e Marketing (ESPM) |
instacron_str |
ESPM |
institution |
ESPM |
reponame_str |
Biblioteca Digital de Teses e Dissertações da ESPM |
collection |
Biblioteca Digital de Teses e Dissertações da ESPM |
bitstream.url.fl_str_mv |
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repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações da ESPM - Escola Superior de Propaganda e Marketing (ESPM) |
repository.mail.fl_str_mv |
acervodigital@espm.br||hribeiro@espm.br |
_version_ |
1800213281873330176 |