A gente tem que se manter vivo: narrativas audiovisíveis de corpos trans e gêneros dissidentes no centro de São Paulo

• Autor(a) principal: Gelain, Gabriela Cleveston
• Data de Publicação: 2023
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da ESPM
• Texto Completo: http://tede2.espm.br/handle/tede/679
• topic: comunicação e consumo; gêneros dissidentes; audiovisibilidades; investigação narrativa; slam poetry; communication and consumption; dissident genres; audiovisibilities; narrative investigation; slam poetry; CIENCIAS SOCIAIS APLICADAS::COMUNICACAO

The main objective of this research was to understand how the audiovisible narratives of people of dissident genders, transvestites and “desertores de gênero”, in a slam poetry allowed the subjective construction of other possibilities, ways of creating a world and a queer reality (Esteban MUÑOZ, 1998), especially in the center of São Paulo (Brazil). “Corporacidades”, micro-resistances and profanation of this public space were observed (Paola JACQUES, 2010). The methodological contribution was participant observation, digital ethnography (2019-2022), documentary research and narrative investigation (Ana María CARDONA and Sara ALVARADO, 2015). The collective and spoken poetry competition of trans, non-binary and dissident genders Slam Marginália, is configured in the urban imaginary, also reordered according to its media images on digital social networking sites, especially Instagram and Facebook. The dissident bodies of the collective (boycetas, non-binary, transmasculine, transvestites, transracialized bodies) move from a visual presence to the visible, configuring policies of audiovisibility (Rose de Melo ROCHA, 2016) and elaborate policies (Pedro DEMO, 2002) of their realities. It was found that face-to-face and digital “transmarginal” experimentations, while audiovisibility policies, collaborate to build a network of affection, confrontation, resistance and survival for “desertores de gênero” (abigail LEAL, 2021), they also constitute counterpublicity and disidentification (MUÑOZ, 1998). Furthermore, themes such as life and death were recognized from the observation of the everyday poetic practices of this community. These practices appear in their “escrevivências” (Conceição EVARISTO, 1998) on their poetic writings. In addition, these people shared and elaborated meanings of their gender crossings (Paul PRECIADO, 2020), such as self-care processes and ways of doing politics, based on their actions of cultural and symbolic production and consumption in their social and face-to-face networks.