A gente tem que se manter vivo: narrativas audiovisíveis de corpos trans e gêneros dissidentes no centro de São Paulo
Autor(a) principal: | |
---|---|
Data de Publicação: | 2023 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da ESPM |
Texto Completo: | http://tede2.espm.br/handle/tede/679 |
Resumo: | The main objective of this research was to understand how the audiovisible narratives of people of dissident genders, transvestites and “desertores de gênero”, in a slam poetry allowed the subjective construction of other possibilities, ways of creating a world and a queer reality (Esteban MUÑOZ, 1998), especially in the center of São Paulo (Brazil). “Corporacidades”, micro-resistances and profanation of this public space were observed (Paola JACQUES, 2010). The methodological contribution was participant observation, digital ethnography (2019-2022), documentary research and narrative investigation (Ana María CARDONA and Sara ALVARADO, 2015). The collective and spoken poetry competition of trans, non-binary and dissident genders Slam Marginália, is configured in the urban imaginary, also reordered according to its media images on digital social networking sites, especially Instagram and Facebook. The dissident bodies of the collective (boycetas, non-binary, transmasculine, transvestites, transracialized bodies) move from a visual presence to the visible, configuring policies of audiovisibility (Rose de Melo ROCHA, 2016) and elaborate policies (Pedro DEMO, 2002) of their realities. It was found that face-to-face and digital “transmarginal” experimentations, while audiovisibility policies, collaborate to build a network of affection, confrontation, resistance and survival for “desertores de gênero” (abigail LEAL, 2021), they also constitute counterpublicity and disidentification (MUÑOZ, 1998). Furthermore, themes such as life and death were recognized from the observation of the everyday poetic practices of this community. These practices appear in their “escrevivências” (Conceição EVARISTO, 1998) on their poetic writings. In addition, these people shared and elaborated meanings of their gender crossings (Paul PRECIADO, 2020), such as self-care processes and ways of doing politics, based on their actions of cultural and symbolic production and consumption in their social and face-to-face networks. |
id |
ESPM_cb3fe458f3cf3f35451c13e099eec76b |
---|---|
oai_identifier_str |
oai:tede2.espm.br:tede/679 |
network_acronym_str |
ESPM |
network_name_str |
Biblioteca Digital de Teses e Dissertações da ESPM |
repository_id_str |
|
spelling |
Rocha, Rosamaria de MeloNunes, Monica Rebecca FerrariAlmeida , Gabriela Machado Ramos deCapibaribe, FernandaBudag , Fernanda Elouise18.490.400-52https://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4337286A6&tokenCaptchar=03AAYGu2TzkcjgAeTsTXoDSzjbZR3ymZofNIxeYQfgc-uS89sEqU2p43oKsTkYbARAtO6x25NEoWFFS7Fsem3-SFFedwwaxwZZhjUFaCygZfXLJXAKeRFJX80tHn2yv_z1cAqjA6Aook7a78O0nY5YmzLf9jTSk1B3QOpko3T3t3aMXSXmnRPlPdkk-DTDKmLxS_iGfpBBzcyyr1u_UVy8bq9PtCZhYY2uwyS_LQ5fOPgtNYEV1Vg_fNRG_4lTNTarRUAYcs5aMSHDCi1wT5HhXi5A1L2cxfTVS1sw1oLL_Amvi5X08YgK6sGDNVFffC4WxeyriSLjipHAyGwPmutWHltzSFgvWXycpCUXIe2dtqSWSB8VNmxPWiM3D9wv99HyOa1x3807VQo5UbjD460OSkYKAxPCmpswRCvpxlITV1vNTlgm6DQ9UvGPwOslaFaU7tXfX2Ldx6qrGpfc8TOK_4MjnDup-xQNcPsX__1JUcliVEdD5FXKIvr-MM-1YxZxm9Pr4QMn0v5RfEJP7yic0XCKtnviivdv8N7UznluAY76QE6cDM67pKJOY8oSKUUECtneNTov01vMGelain, Gabriela Cleveston2023-07-10T13:41:20Z2023-03-31Gelain, Gabriela Cleveston. A gente tem que se manter vivo: narrativas audiovisíveis de corpos trans e gêneros dissidentes no centro de São Paulo. 2023. [202 f.]. Tese (Programa de Doutorado em Comunicação e Práticas de Consumo) - Escola Superior de Propaganda e Marketing, [São Paulo] .http://tede2.espm.br/handle/tede/679The main objective of this research was to understand how the audiovisible narratives of people of dissident genders, transvestites and “desertores de gênero”, in a slam poetry allowed the subjective construction of other possibilities, ways of creating a world and a queer reality (Esteban MUÑOZ, 1998), especially in the center of São Paulo (Brazil). “Corporacidades”, micro-resistances and profanation of this public space were observed (Paola JACQUES, 2010). The methodological contribution was participant observation, digital ethnography (2019-2022), documentary research and narrative investigation (Ana María CARDONA and Sara ALVARADO, 2015). The collective and spoken poetry competition of trans, non-binary and dissident genders Slam Marginália, is configured in the urban imaginary, also reordered according to its media images on digital social networking sites, especially Instagram and Facebook. The dissident bodies of the collective (boycetas, non-binary, transmasculine, transvestites, transracialized bodies) move from a visual presence to the visible, configuring policies of audiovisibility (Rose de Melo ROCHA, 2016) and elaborate policies (Pedro DEMO, 2002) of their realities. It was found that face-to-face and digital “transmarginal” experimentations, while audiovisibility policies, collaborate to build a network of affection, confrontation, resistance and survival for “desertores de gênero” (abigail LEAL, 2021), they also constitute counterpublicity and disidentification (MUÑOZ, 1998). Furthermore, themes such as life and death were recognized from the observation of the everyday poetic practices of this community. These practices appear in their “escrevivências” (Conceição EVARISTO, 1998) on their poetic writings. In addition, these people shared and elaborated meanings of their gender crossings (Paul PRECIADO, 2020), such as self-care processes and ways of doing politics, based on their actions of cultural and symbolic production and consumption in their social and face-to-face networks.O objetivo central desta pesquisa foi compreender como as narrativas audiovisíveis de pessoas de gêneros dissidentes, transvestigêneres e desertoras de gênero, em um coletivo de slam poetry, o Slam Marginália, permitiram a construção subjetiva de outras possibilidades, modos de criação de um mundo e uma realidade queer (Esteban MUÑOZ, 1998), especialmente no centro de São Paulo, onde foram observadas corporacidades, microrresistências e profanação deste espaço público (Paola JACQUES, 2010). O aporte metodológico empregado neste trabalho foi composto pela observação participante, etnografia digital (2019-2022), a pesquisa documental e a investigação narrativa (Ana María CARDONA e Sara ALVARADO, 2015). O coletivo e competição de poesia falada de pessoas trans, não-bináries e gêneros dissidentes Slam Marginália, configura-se no imaginário urbano, também reordenado segundo suas imagens midiáticas em sites de redes sociais digitais, sobretudo o Instagram e o Facebook, especialmente a partir do início da pandemia de Covid-19. Os corpos dissidentes do coletivo (boycetas, não-bináries, transmasculinos, travestis, trans racializados) transitam de uma presença visual para o visível, configurando políticas de audiovisibilidade (Rose de Melo ROCHA, 2016) e elaboram politicidades (Pedro DEMO, 2002) de suas realidades. Foi constatada que as experimentações transmarginais presenciais e digitais, enquanto políticas de audiovisibilidade, colaboram para a construção de uma rede de afeto, enfrentamento, resistência e sobrevivência para pessoas desertoras de gênero (abigail LEAL, 2021), também constituem contrapublicidades e desidentificações (MUÑOZ, 1998). Ademais, temáticas como vida e morte foram reconhecidas a partir da observação da cotidianidade das práticas poéticas desta comunidade, práticas que reverberaram em suas escrevivências (Conceição EVARISTO, 1998). Além disso, as pessoas participantes deste coletivo compartilharam e elaboraram significados de suas travessias de gênero (Paul PRECIADO, 2020), como os processos de autocuidado e os modos de fazer política, alicerçados em suas práticas de produção e consumo cultural e simbólico em suas redes.Submitted by Débora Silva (deborasilva@espm.br) on 2023-07-07T14:36:00Z No. of bitstreams: 1 Gabriela_Cleveston_Gelain.pdf: 5581102 bytes, checksum: e326d08af54dd487bd142a02e4f88cf5 (MD5)Approved for entry into archive by Débora Silva (deborasilva@espm.br) on 2023-07-10T13:37:45Z (GMT) No. of bitstreams: 1 Gabriela_Cleveston_Gelain.pdf: 5581102 bytes, checksum: e326d08af54dd487bd142a02e4f88cf5 (MD5)Approved for entry into archive by Débora Silva (deborasilva@espm.br) on 2023-07-10T13:41:00Z (GMT) No. of bitstreams: 1 Gabriela_Cleveston_Gelain.pdf: 5581102 bytes, checksum: e326d08af54dd487bd142a02e4f88cf5 (MD5)Made available in DSpace on 2023-07-10T13:41:20Z (GMT). No. of bitstreams: 1 Gabriela_Cleveston_Gelain.pdf: 5581102 bytes, checksum: e326d08af54dd487bd142a02e4f88cf5 (MD5) Previous issue date: 2023-03-31application/pdfhttp://tede2.espm.br/retrieve/2404/Gabriela_Cleveston_Gelain.pdf.jpgporEscola Superior de Propaganda e MarketingPrograma de Doutorado em Comunicação e Práticas de ConsumoESPMBrasilESPM::Pós-Graduação Stricto Sensucomunicação e consumo; gêneros dissidentes; audiovisibilidades; investigação narrativa; slam poetrycommunication and consumption; dissident genres; audiovisibilities; narrative investigation; slam poetryCIENCIAS SOCIAIS APLICADAS::COMUNICACAOA gente tem que se manter vivo: narrativas audiovisíveis de corpos trans e gêneros dissidentes no centro de São PauloPeople have to stay alive: audiovisible narratives of trans bodies and dissident genders in downtown São Pauloinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis-1937750628528865106500500600-4455193753091852328-4056021055502874573info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da ESPMinstname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMTHUMBNAILGabriela_Cleveston_Gelain.pdf.jpgGabriela_Cleveston_Gelain.pdf.jpgimage/jpeg2709http://tede2.espm.br:8080/tede/bitstream/tede/679/4/Gabriela_Cleveston_Gelain.pdf.jpgb2382db9ce99cf0b7284a8e1da2910ccMD54TEXTGabriela_Cleveston_Gelain.pdf.txtGabriela_Cleveston_Gelain.pdf.txttext/plain456750http://tede2.espm.br:8080/tede/bitstream/tede/679/3/Gabriela_Cleveston_Gelain.pdf.txt610e5b48e746152a5b926adf7f9d9a0cMD53ORIGINALGabriela_Cleveston_Gelain.pdfGabriela_Cleveston_Gelain.pdfapplication/pdf5581102http://tede2.espm.br:8080/tede/bitstream/tede/679/2/Gabriela_Cleveston_Gelain.pdfe326d08af54dd487bd142a02e4f88cf5MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81912http://tede2.espm.br:8080/tede/bitstream/tede/679/1/license.txt652c58b294e08ded719d10bdbc42f8ceMD51tede/6792024-03-12 11:10:23.953oai:tede2.espm.br:tede/679TElDRU7Dh0EgREUgRElTVFJJQlVJw4dBTyBOw4NPLUVYQ0xVU0lWQQpDb20gYSBhcHJlc2VudGHDp8OjbyBkZXN0YSBsaWNlbsOnYSwgdm9jw6ogKG8gYXV0b3IgKGVzKSBvdSBvIHRpdHVsYXIgZG9zIGRpcmVpdG9zIGRlIGF1dG9yKSBjb25jZWRlIEVTUE0gbyBkaXJlaXRvIG5vLWV4Y2x1c2l2byBkZSByZXByb2R1emlyLCB0cmFkdXppciAoY29uZm9ybWUgZGVmaW5pZG8gYWJhaXhvKSwgZS9vdSBkaXN0cmlidWlyIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyAoaW5jbHVpbmRvIG8gcmVzdW1vKSBwb3IgdG9kbyBvIG11bmRvIG5vIGZvcm1hdG8gaW1wcmVzc28gZSBlbGV0csO0bmljbyBlIGVtIHF1YWxxdWVyIG1laW8sIGluY2x1aW5kbyBvcyBmb3JtYXRvcyDDoXVkaW8gb3UgdsOtZGVvLgoKVm9jw6ogY29uY29yZGEgcXVlIGEgRVNQTSBwb2RlLCBzZW0gYWx0ZXJhciBvIGNvbnRlw7pkbywgdHJhbnNwb3IgYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIHBhcmEgcXVhbHF1ZXIgbWVpbyBvdSBmb3JtYXRvIHBhcmEgZmlucyBkZSBwcmVzZXJ2YcOnw6NvLgoKVm9jw6ogdGFtYsOpbSBjb25jb3JkYSBxdWUgYSBFU1BNIHBvZGUgbWFudGVyIG1haXMgZGUgdW1hIGPDs3BpYSBhIHN1YSB0ZXNlIG91IGRpc3NlcnRhw6fDo28gcGFyYSBmaW5zIGRlIHNlZ3VyYW7Dp2EsIGJhY2stdXAgZSBwcmVzZXJ2YcOnw6NvLgoKVm9jw6ogZGVjbGFyYSBxdWUgYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIMOpIG9yaWdpbmFsIGUgcXVlIHZvY8OqIHRlbSBvIHBvZGVyIGRlIGNvbmNlZGVyIG9zIGRpcmVpdG9zIGNvbnRpZG9zIG5lc3RhIGxpY2Vuw6dhLiBWb2PDqiB0YW1iw6ltIGRlY2xhcmEgcXVlIG8gZGVww7NzaXRvIGRhIHN1YSB0ZXNlIG91IGRpc3NlcnRhw6fDo28sIHF1ZSBzZWphIGRlIHNldSBjb25oZWNpbWVudG8sIG7Do28gaW5mcmluZ2UgZGlyZWl0b3MgYXV0b3JhaXMgZGUgbmluZ3XDqW0uCgpDYXNvIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyBjb250ZW5oYSBtYXRlcmlhbCBxdWUgdm9jw6ogbsOjbyBwb3NzdWkgYSB0aXR1bGFyaWRhZGUgZG9zIGRpcmVpdG9zIGF1dG9yYWlzLCB2b2PDqiBkZWNsYXJhIHF1ZSBvYnRldmUgYSBwZXJtaXNzw6NvIGlycmVzdHJpdGEgZG8gZGV0ZW50b3IgZG9zIGRpcmVpdG9zIGF1dG9yYWlzIHBhcmEgY29uY2VkZXIgw6AgRVNQTSBvcyBkaXJlaXRvcyBhcHJlc2VudGFkb3MgbmVzdGEgbGljZW7Dp2EsIGUgcXVlIGVzc2UgbWF0ZXJpYWwgZGUgcHJvcHJpZWRhZGUgZGUgdGVyY2Vpcm9zIGVzdMOhIGNsYXJhbWVudGUgaWRlbnRpZmljYWRvIGUgcmVjb25oZWNpZG8gbm8gdGV4dG8gb3Ugbm8gY29udGXDumRvIGRhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyBvcmEgZGVwb3NpdGFkYS4KCkNBU08gQSBURVNFIE9VIERJU1NFUlRBw4fDg08gT1JBIERFUE9TSVRBREEgVEVOSEEgU0lETyBSRVNVTFRBRE8gREUgVU0gUEFUUk9Dw41OSU8gT1UgQVBPSU8gREUgVU1BIEFHw4pOQ0lBIERFIEZPTUVOVE8gT1UgT1VUUk8gT1JHQU5JU01PIFFVRSBOw4NPTyBTRUpBIEEgRVNQTSwgVk9Dw4ogREVDTEFSQSBRVUUgUkVTUEVJVE9VIFRPRE9TIEUgUVVBSVNRVUVSIERJUkVJVE9TIERFIFJFVklTw4NPIENPTU8gVEFNQsOJTSBBUyBERU1BSVMgT0JSSUdBw4fDlUVTIEVYSUdJREFTIFBPUiBDT05UUkFUTyBPVSBBQ09SRE8uCgpBIEVTUE0gc2UgY29tcHJvbWV0ZSBhIGlkZW50aWZpY2FyIGNsYXJhbWVudGUgbyBzZXUgbm9tZSAocykgb3UgbyAocykgbm9tZSAocykgZG8gKHMpIGRldGVudG9yIChlcykgZG9zIGRpcmVpdG9zIGF1dG9yYWlzIGRhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbywgZSBuw6NvIGZhcmEgcXVhbHF1ZXIgYWx0ZXJhw6fDo28sIGFsw6ltIGRhcXVlbGFzIGNvbmNlZGlkYXMgcG9yIGVzdGEgbGljZW7Dp2EuCg==Biblioteca Digital de Teses e Dissertaçõeshttps://tede2.espm.br/http://tede2.espm.br/oai/requestacervodigital@espm.br||hribeiro@espm.bropendoar:2024-03-12T14:10:23Biblioteca Digital de Teses e Dissertações da ESPM - Escola Superior de Propaganda e Marketing (ESPM)false |
dc.title.por.fl_str_mv |
A gente tem que se manter vivo: narrativas audiovisíveis de corpos trans e gêneros dissidentes no centro de São Paulo |
dc.title.alternative.eng.fl_str_mv |
People have to stay alive: audiovisible narratives of trans bodies and dissident genders in downtown São Paulo |
title |
A gente tem que se manter vivo: narrativas audiovisíveis de corpos trans e gêneros dissidentes no centro de São Paulo |
spellingShingle |
A gente tem que se manter vivo: narrativas audiovisíveis de corpos trans e gêneros dissidentes no centro de São Paulo Gelain, Gabriela Cleveston comunicação e consumo; gêneros dissidentes; audiovisibilidades; investigação narrativa; slam poetry communication and consumption; dissident genres; audiovisibilities; narrative investigation; slam poetry CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
A gente tem que se manter vivo: narrativas audiovisíveis de corpos trans e gêneros dissidentes no centro de São Paulo |
title_full |
A gente tem que se manter vivo: narrativas audiovisíveis de corpos trans e gêneros dissidentes no centro de São Paulo |
title_fullStr |
A gente tem que se manter vivo: narrativas audiovisíveis de corpos trans e gêneros dissidentes no centro de São Paulo |
title_full_unstemmed |
A gente tem que se manter vivo: narrativas audiovisíveis de corpos trans e gêneros dissidentes no centro de São Paulo |
title_sort |
A gente tem que se manter vivo: narrativas audiovisíveis de corpos trans e gêneros dissidentes no centro de São Paulo |
author |
Gelain, Gabriela Cleveston |
author_facet |
Gelain, Gabriela Cleveston |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Rocha, Rosamaria de Melo |
dc.contributor.referee1.fl_str_mv |
Nunes, Monica Rebecca Ferrari |
dc.contributor.referee2.fl_str_mv |
Almeida , Gabriela Machado Ramos de |
dc.contributor.referee3.fl_str_mv |
Capibaribe, Fernanda |
dc.contributor.referee4.fl_str_mv |
Budag , Fernanda Elouise |
dc.contributor.authorID.fl_str_mv |
18.490.400-52 |
dc.contributor.authorLattes.fl_str_mv |
https://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4337286A6&tokenCaptchar=03AAYGu2TzkcjgAeTsTXoDSzjbZR3ymZofNIxeYQfgc-uS89sEqU2p43oKsTkYbARAtO6x25NEoWFFS7Fsem3-SFFedwwaxwZZhjUFaCygZfXLJXAKeRFJX80tHn2yv_z1cAqjA6Aook7a78O0nY5YmzLf9jTSk1B3QOpko3T3t3aMXSXmnRPlPdkk-DTDKmLxS_iGfpBBzcyyr1u_UVy8bq9PtCZhYY2uwyS_LQ5fOPgtNYEV1Vg_fNRG_4lTNTarRUAYcs5aMSHDCi1wT5HhXi5A1L2cxfTVS1sw1oLL_Amvi5X08YgK6sGDNVFffC4WxeyriSLjipHAyGwPmutWHltzSFgvWXycpCUXIe2dtqSWSB8VNmxPWiM3D9wv99HyOa1x3807VQo5UbjD460OSkYKAxPCmpswRCvpxlITV1vNTlgm6DQ9UvGPwOslaFaU7tXfX2Ldx6qrGpfc8TOK_4MjnDup-xQNcPsX__1JUcliVEdD5FXKIvr-MM-1YxZxm9Pr4QMn0v5RfEJP7yic0XCKtnviivdv8N7UznluAY76QE6cDM67pKJOY8oSKUUECtneNTov01vM |
dc.contributor.author.fl_str_mv |
Gelain, Gabriela Cleveston |
contributor_str_mv |
Rocha, Rosamaria de Melo Nunes, Monica Rebecca Ferrari Almeida , Gabriela Machado Ramos de Capibaribe, Fernanda Budag , Fernanda Elouise |
dc.subject.por.fl_str_mv |
comunicação e consumo; gêneros dissidentes; audiovisibilidades; investigação narrativa; slam poetry |
topic |
comunicação e consumo; gêneros dissidentes; audiovisibilidades; investigação narrativa; slam poetry communication and consumption; dissident genres; audiovisibilities; narrative investigation; slam poetry CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
communication and consumption; dissident genres; audiovisibilities; narrative investigation; slam poetry |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
The main objective of this research was to understand how the audiovisible narratives of people of dissident genders, transvestites and “desertores de gênero”, in a slam poetry allowed the subjective construction of other possibilities, ways of creating a world and a queer reality (Esteban MUÑOZ, 1998), especially in the center of São Paulo (Brazil). “Corporacidades”, micro-resistances and profanation of this public space were observed (Paola JACQUES, 2010). The methodological contribution was participant observation, digital ethnography (2019-2022), documentary research and narrative investigation (Ana María CARDONA and Sara ALVARADO, 2015). The collective and spoken poetry competition of trans, non-binary and dissident genders Slam Marginália, is configured in the urban imaginary, also reordered according to its media images on digital social networking sites, especially Instagram and Facebook. The dissident bodies of the collective (boycetas, non-binary, transmasculine, transvestites, transracialized bodies) move from a visual presence to the visible, configuring policies of audiovisibility (Rose de Melo ROCHA, 2016) and elaborate policies (Pedro DEMO, 2002) of their realities. It was found that face-to-face and digital “transmarginal” experimentations, while audiovisibility policies, collaborate to build a network of affection, confrontation, resistance and survival for “desertores de gênero” (abigail LEAL, 2021), they also constitute counterpublicity and disidentification (MUÑOZ, 1998). Furthermore, themes such as life and death were recognized from the observation of the everyday poetic practices of this community. These practices appear in their “escrevivências” (Conceição EVARISTO, 1998) on their poetic writings. In addition, these people shared and elaborated meanings of their gender crossings (Paul PRECIADO, 2020), such as self-care processes and ways of doing politics, based on their actions of cultural and symbolic production and consumption in their social and face-to-face networks. |
publishDate |
2023 |
dc.date.accessioned.fl_str_mv |
2023-07-10T13:41:20Z |
dc.date.issued.fl_str_mv |
2023-03-31 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Gelain, Gabriela Cleveston. A gente tem que se manter vivo: narrativas audiovisíveis de corpos trans e gêneros dissidentes no centro de São Paulo. 2023. [202 f.]. Tese (Programa de Doutorado em Comunicação e Práticas de Consumo) - Escola Superior de Propaganda e Marketing, [São Paulo] . |
dc.identifier.uri.fl_str_mv |
http://tede2.espm.br/handle/tede/679 |
identifier_str_mv |
Gelain, Gabriela Cleveston. A gente tem que se manter vivo: narrativas audiovisíveis de corpos trans e gêneros dissidentes no centro de São Paulo. 2023. [202 f.]. Tese (Programa de Doutorado em Comunicação e Práticas de Consumo) - Escola Superior de Propaganda e Marketing, [São Paulo] . |
url |
http://tede2.espm.br/handle/tede/679 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
-1937750628528865106 |
dc.relation.confidence.fl_str_mv |
500 500 600 |
dc.relation.department.fl_str_mv |
-4455193753091852328 |
dc.relation.cnpq.fl_str_mv |
-4056021055502874573 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
dc.publisher.program.fl_str_mv |
Programa de Doutorado em Comunicação e Práticas de Consumo |
dc.publisher.initials.fl_str_mv |
ESPM |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
ESPM::Pós-Graduação Stricto Sensu |
publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações da ESPM instname:Escola Superior de Propaganda e Marketing (ESPM) instacron:ESPM |
instname_str |
Escola Superior de Propaganda e Marketing (ESPM) |
instacron_str |
ESPM |
institution |
ESPM |
reponame_str |
Biblioteca Digital de Teses e Dissertações da ESPM |
collection |
Biblioteca Digital de Teses e Dissertações da ESPM |
bitstream.url.fl_str_mv |
http://tede2.espm.br:8080/tede/bitstream/tede/679/4/Gabriela_Cleveston_Gelain.pdf.jpg http://tede2.espm.br:8080/tede/bitstream/tede/679/3/Gabriela_Cleveston_Gelain.pdf.txt http://tede2.espm.br:8080/tede/bitstream/tede/679/2/Gabriela_Cleveston_Gelain.pdf http://tede2.espm.br:8080/tede/bitstream/tede/679/1/license.txt |
bitstream.checksum.fl_str_mv |
b2382db9ce99cf0b7284a8e1da2910cc 610e5b48e746152a5b926adf7f9d9a0c e326d08af54dd487bd142a02e4f88cf5 652c58b294e08ded719d10bdbc42f8ce |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações da ESPM - Escola Superior de Propaganda e Marketing (ESPM) |
repository.mail.fl_str_mv |
acervodigital@espm.br||hribeiro@espm.br |
_version_ |
1809112866810232832 |