From white to black, from elite to the popular: visual culture, photography and soccer in the early 20th century

Detalhes bibliográficos
Autor(a) principal: da Silva, Diana Mendes Machado
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Estudos Históricos (Rio de Janeiro)
Texto Completo: https://periodicos.fgv.br/reh/article/view/82113
Resumo: What kind of information can the portraits of the Andarahy, Carioca, and Mangueira clubs offer about the visual culture of Rio de Janeiro in the early 20th century and the transition from amateur to professional soccer? In contrast to images from the aristocratic team of the Fluminense Soccer Club, the portraits of the black players of these popular clubs reveal disputes for visibility in the sports field and in the urban space since the end of the 1910s. They also reveal the role of the photographic market in the co-production of signs capable of composing a new visuality for the black population. To that extent, the socio-cultural transformations of that period were more significant than is usually recognized by representing the protagonism of the black population in the negotiations around social visibility in the country’s capital.
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spelling From white to black, from elite to the popular: visual culture, photography and soccer in the early 20th centuryDel blanco al negro, de la élite a lo popular: cultura visual, fotografía y fútbol de principios des siglo XXDo branco ao negro, da elite ao popular: cultura visual, fotografia e futebol no início do século XXCultura visualfotografiafutebolvisibilidadepopulação negraVisual CulturePhotographyFootballVisibilityBlack PopulationCultura VisualFotografíaFútbolVisibilidadPoblación NegraWhat kind of information can the portraits of the Andarahy, Carioca, and Mangueira clubs offer about the visual culture of Rio de Janeiro in the early 20th century and the transition from amateur to professional soccer? In contrast to images from the aristocratic team of the Fluminense Soccer Club, the portraits of the black players of these popular clubs reveal disputes for visibility in the sports field and in the urban space since the end of the 1910s. They also reveal the role of the photographic market in the co-production of signs capable of composing a new visuality for the black population. To that extent, the socio-cultural transformations of that period were more significant than is usually recognized by representing the protagonism of the black population in the negotiations around social visibility in the country’s capital.¿Qué tipo de información pueden ofrecer los retratos de los clubes Andarahy, Carioca y Mangueira sobre la cultura visual de Río de Janeiro a principios del siglo XX y la transición del fútbol amateur al profesional? A diferencia de las imágenes del aristocrático equipo del Fluminense Football Club, los retratos de los jugadores negros de estos populares clubes revelan disputas por la visibilidad en el campo deportivo y en el espacio urbano desde finales de la década de 1910. También revelan el papel del mercado fotográfico en la coproducción de signos capaces de componer una nueva visualidad para la población negra. En esa medida, las transformaciones socioculturales de ese período fueron más significativas de lo que se suele reconocer al representar el protagonismo de la población negra en las negociaciones en torno a la visibilidad social en la capital del país.Que tipo de informação os retratos dos clubes Andarahy, Carioca e Mangueira podem oferecer sobre a cultura visual do Rio de Janeiro no início do século XX e sobre a transição do futebol amador ao profissional? Em contraste com imagens da aristocrática equipe do Fluminense Football Club, os retratos dos jogadores negros desses clubes populares revelam disputas por visibilidade no campo esportivo e no espaço urbano já a partir do fim da década de 1910. Revelam ainda o papel do mercado fotográfico na coprodução de signos capazes de compor uma nova visualidade para a população negra. Nessa medida, as transformações socioculturais desse período foram mais significativas do que se costuma reconhecer ao representarem o protagonismo da população negra nas negociações sobre a visibilidade social na capital do país.Editora FGV2021-01-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fgv.br/reh/article/view/82113Revista Estudos Históricos; Vol. 34 No. 72 (2021): Cultura Visual; 107-128Revista Estudos Históricos; v. 34 n. 72 (2021): Cultura Visual; 107-1282178-14940103-2186reponame:Estudos Históricos (Rio de Janeiro)instname:Fundação Getulio Vargas (FGV)instacron:FGVporhttps://periodicos.fgv.br/reh/article/view/82113/78956Copyright (c) 2021 Revista Estudos Históricoshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessda Silva, Diana Mendes Machado2021-01-26T15:09:41Zoai:ojs.periodicos.fgv.br:article/82113Revistahttps://periodicos.fgv.br/rehONGhttps://periodicos.fgv.br/reh/oai||biblioteca.digital@fgv.br||eh@fgv.br2178-14940103-2186opendoar:2024-03-06T13:02:17.232197Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV)true
dc.title.none.fl_str_mv From white to black, from elite to the popular: visual culture, photography and soccer in the early 20th century
Del blanco al negro, de la élite a lo popular: cultura visual, fotografía y fútbol de principios des siglo XX
Do branco ao negro, da elite ao popular: cultura visual, fotografia e futebol no início do século XX
title From white to black, from elite to the popular: visual culture, photography and soccer in the early 20th century
spellingShingle From white to black, from elite to the popular: visual culture, photography and soccer in the early 20th century
da Silva, Diana Mendes Machado
Cultura visual
fotografia
futebol
visibilidade
população negra
Visual Culture
Photography
Football
Visibility
Black Population
Cultura Visual
Fotografía
Fútbol
Visibilidad
Población Negra
title_short From white to black, from elite to the popular: visual culture, photography and soccer in the early 20th century
title_full From white to black, from elite to the popular: visual culture, photography and soccer in the early 20th century
title_fullStr From white to black, from elite to the popular: visual culture, photography and soccer in the early 20th century
title_full_unstemmed From white to black, from elite to the popular: visual culture, photography and soccer in the early 20th century
title_sort From white to black, from elite to the popular: visual culture, photography and soccer in the early 20th century
author da Silva, Diana Mendes Machado
author_facet da Silva, Diana Mendes Machado
author_role author
dc.contributor.author.fl_str_mv da Silva, Diana Mendes Machado
dc.subject.por.fl_str_mv Cultura visual
fotografia
futebol
visibilidade
população negra
Visual Culture
Photography
Football
Visibility
Black Population
Cultura Visual
Fotografía
Fútbol
Visibilidad
Población Negra
topic Cultura visual
fotografia
futebol
visibilidade
população negra
Visual Culture
Photography
Football
Visibility
Black Population
Cultura Visual
Fotografía
Fútbol
Visibilidad
Población Negra
description What kind of information can the portraits of the Andarahy, Carioca, and Mangueira clubs offer about the visual culture of Rio de Janeiro in the early 20th century and the transition from amateur to professional soccer? In contrast to images from the aristocratic team of the Fluminense Soccer Club, the portraits of the black players of these popular clubs reveal disputes for visibility in the sports field and in the urban space since the end of the 1910s. They also reveal the role of the photographic market in the co-production of signs capable of composing a new visuality for the black population. To that extent, the socio-cultural transformations of that period were more significant than is usually recognized by representing the protagonism of the black population in the negotiations around social visibility in the country’s capital.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.fgv.br/reh/article/view/82113
url https://periodicos.fgv.br/reh/article/view/82113
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.fgv.br/reh/article/view/82113/78956
dc.rights.driver.fl_str_mv Copyright (c) 2021 Revista Estudos Históricos
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Revista Estudos Históricos
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora FGV
publisher.none.fl_str_mv Editora FGV
dc.source.none.fl_str_mv Revista Estudos Históricos; Vol. 34 No. 72 (2021): Cultura Visual; 107-128
Revista Estudos Históricos; v. 34 n. 72 (2021): Cultura Visual; 107-128
2178-1494
0103-2186
reponame:Estudos Históricos (Rio de Janeiro)
instname:Fundação Getulio Vargas (FGV)
instacron:FGV
instname_str Fundação Getulio Vargas (FGV)
instacron_str FGV
institution FGV
reponame_str Estudos Históricos (Rio de Janeiro)
collection Estudos Históricos (Rio de Janeiro)
repository.name.fl_str_mv Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV)
repository.mail.fl_str_mv ||biblioteca.digital@fgv.br||eh@fgv.br
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