Ephemeral avant-garde: the neocolonial architecture in the Modern Art Week of 1922

Detalhes bibliográficos
Autor(a) principal: Kessel, Carlos
Data de Publicação: 2002
Tipo de documento: Artigo
Idioma: por
Título da fonte: Estudos Históricos (Rio de Janeiro)
Texto Completo: https://periodicos.fgv.br/reh/article/view/2177
Resumo: The architectural exhibit of the Modern Art Week of São Paulo, held in 1922, showed the works of two foreign architects: the Spaniard Antonio Moya and the Pole Georg Przyrembel, who presented the drawings of a beach residence inspired in the Neocolonial style. At the time, there was no contradiction between it and the revolution launched at the ¿Week¿ against the academic establishment who ruled painting, poetry, music, sculpture and literature in Brazil. This essay aims to analyze the important and short time when Modernism and Neocolonial Architecture walked together.
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spelling Ephemeral avant-garde: the neocolonial architecture in the Modern Art Week of 1922Vanguarda efêmera: arquitetura neocolonial na Semana de Arte Moderna de 1922The architectural exhibit of the Modern Art Week of São Paulo, held in 1922, showed the works of two foreign architects: the Spaniard Antonio Moya and the Pole Georg Przyrembel, who presented the drawings of a beach residence inspired in the Neocolonial style. At the time, there was no contradiction between it and the revolution launched at the ¿Week¿ against the academic establishment who ruled painting, poetry, music, sculpture and literature in Brazil. This essay aims to analyze the important and short time when Modernism and Neocolonial Architecture walked together.A seção de arquitetura da Semana de Arte Moderna de 1922 se resumiu à exposição dos trabalhos de dois arquitetos estrangeiros: o espanhol Antonio Moya e o polonês Georg Przyrembel, que apresentou um projeto de residência praiana de inspiração neocolonial. Não havia, portanto, contradição entre este estilo e o desafio estético lançado na Semana contra o establishment acadêmico entronizado na pintura, na poesia, na música, na escultura e na literatura. Este artigo propõe-se a recuperar e analisar este momento essencial e efêmero, em que as trajetórias da arquitetura neocolonial e do modernismo se confundem.Editora FGV2002-05-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fgv.br/reh/article/view/2177Revista Estudos Históricos; Vol. 2 No. 30 (2002): Art and History; 110-128Revista Estudos Históricos; v. 2 n. 30 (2002): Arte e História; 110-1282178-14940103-2186reponame:Estudos Históricos (Rio de Janeiro)instname:Fundação Getulio Vargas (FGV)instacron:FGVporhttps://periodicos.fgv.br/reh/article/view/2177/1316Kessel, Carlosinfo:eu-repo/semantics/openAccess2017-06-14T21:00:08Zoai:ojs.periodicos.fgv.br:article/2177Revistahttps://periodicos.fgv.br/rehONGhttps://periodicos.fgv.br/reh/oai||biblioteca.digital@fgv.br||eh@fgv.br2178-14940103-2186opendoar:2024-03-06T13:01:40.427986Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV)true
dc.title.none.fl_str_mv Ephemeral avant-garde: the neocolonial architecture in the Modern Art Week of 1922
Vanguarda efêmera: arquitetura neocolonial na Semana de Arte Moderna de 1922
title Ephemeral avant-garde: the neocolonial architecture in the Modern Art Week of 1922
spellingShingle Ephemeral avant-garde: the neocolonial architecture in the Modern Art Week of 1922
Kessel, Carlos
title_short Ephemeral avant-garde: the neocolonial architecture in the Modern Art Week of 1922
title_full Ephemeral avant-garde: the neocolonial architecture in the Modern Art Week of 1922
title_fullStr Ephemeral avant-garde: the neocolonial architecture in the Modern Art Week of 1922
title_full_unstemmed Ephemeral avant-garde: the neocolonial architecture in the Modern Art Week of 1922
title_sort Ephemeral avant-garde: the neocolonial architecture in the Modern Art Week of 1922
author Kessel, Carlos
author_facet Kessel, Carlos
author_role author
dc.contributor.author.fl_str_mv Kessel, Carlos
description The architectural exhibit of the Modern Art Week of São Paulo, held in 1922, showed the works of two foreign architects: the Spaniard Antonio Moya and the Pole Georg Przyrembel, who presented the drawings of a beach residence inspired in the Neocolonial style. At the time, there was no contradiction between it and the revolution launched at the ¿Week¿ against the academic establishment who ruled painting, poetry, music, sculpture and literature in Brazil. This essay aims to analyze the important and short time when Modernism and Neocolonial Architecture walked together.
publishDate 2002
dc.date.none.fl_str_mv 2002-05-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.fgv.br/reh/article/view/2177
url https://periodicos.fgv.br/reh/article/view/2177
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.fgv.br/reh/article/view/2177/1316
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora FGV
publisher.none.fl_str_mv Editora FGV
dc.source.none.fl_str_mv Revista Estudos Históricos; Vol. 2 No. 30 (2002): Art and History; 110-128
Revista Estudos Históricos; v. 2 n. 30 (2002): Arte e História; 110-128
2178-1494
0103-2186
reponame:Estudos Históricos (Rio de Janeiro)
instname:Fundação Getulio Vargas (FGV)
instacron:FGV
instname_str Fundação Getulio Vargas (FGV)
instacron_str FGV
institution FGV
reponame_str Estudos Históricos (Rio de Janeiro)
collection Estudos Históricos (Rio de Janeiro)
repository.name.fl_str_mv Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV)
repository.mail.fl_str_mv ||biblioteca.digital@fgv.br||eh@fgv.br
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