9/11 as Avant-Garde Art?

Detalhes bibliográficos
Autor(a) principal: Schechner, Richard
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/20986
Resumo: Can the attacks of 9/11 be considered an avant-garde artistic event? This article aims to discuss, from the point of view of the intentionality of the act and of its reception, the performative character of that historical fact. To carry forward this intent, it presents a historical overview of avant-garde art, and discusses some of the historical and cultural conditions that supposedly operated as triggers of such an event. The text also focuses on the spectacular character of the event and the conditions for its appreciation in a society greatly delimited by the media.
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spelling 9/11 as Avant-Garde Art?Le 11 Septembre, Art d’Avant-garde?11 de Setembro, Arte de Vanguarda?Arte de VanguardaPerformanceTerrorSociedade do EspetáculoArt d‟Avant-gardePerformanceTerreurSociété du SpectacleAvant-garde ArtPerformanceTerrorSociety of the SpectacleCan the attacks of 9/11 be considered an avant-garde artistic event? This article aims to discuss, from the point of view of the intentionality of the act and of its reception, the performative character of that historical fact. To carry forward this intent, it presents a historical overview of avant-garde art, and discusses some of the historical and cultural conditions that supposedly operated as triggers of such an event. The text also focuses on the spectacular character of the event and the conditions for its appreciation in a society greatly delimited by the media.Les attentats du 11 septembre peuvent-ils être considérés comme un événement artistique d‟avant-garde ? Le présent article constitue une réflexion, aussi bien du point de vue de l‟intentionnalité de l‟acte que de sa réception, sur le caractère performatif de ce fait historique. Dans cette perspective, l‟auteur fournit d‟abord un panorama historique de l‟art d‟avant-garde et examine ensuite les conditions historiques et culturelles supposées fonctionner comme les déclencheurs d‟un tel événement. Il se penche, par ailleurs, sur le caractère spectaculaire de l‟événement et des conditions de son appréciation dans une société excessivement encadrée par des outils médiatiques.Pode o ataque de 11 de Setembro ser considerado um evento artístico de vanguarda? O presente artigo propõe discutir, do ponto de vista da intencionalidade do ato e de sua recepção, o caráter performativo do fato histórico. Para levar a termo o intento, apresenta um panorama histórico da arte de vanguarda, assim como discorre sobre condições históricas e culturais que supostamente operariam como disparadores de tal acontecimento. O texto se debruça, ademais, sobre o caráter espetacular do evento e das condições de sua apreciação numa sociedade balizada sobremaneira pelos aparelhos midiáticos.Universidade Federal do Rio Grande do Sul2022-10-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/20986Brazilian Journal on Presence Studies; Vol. 1 No. 2 (2011): jul./dez. 2011; 373-382Révue Brésilienne d'Études de la Présence; Vol. 1 No. 2 (2011): jul./dez. 2011; 373-382Révue Brésilienne d'Études de la Présence; Vol. 1 No 2 (2011): jul./dez. 2011; 373-382Revista Brasileira de Estudos da Presença; v. 1 n. 2 (2011): jul./dez. 2011; 373-3822237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/20986/50183Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessSchechner, Richard2022-10-19T12:57:38Zoai:seer.ufrgs.br:article/20986Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-19T12:57:38Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv 9/11 as Avant-Garde Art?
Le 11 Septembre, Art d’Avant-garde?
11 de Setembro, Arte de Vanguarda?
title 9/11 as Avant-Garde Art?
spellingShingle 9/11 as Avant-Garde Art?
Schechner, Richard
Arte de Vanguarda
Performance
Terror
Sociedade do Espetáculo
Art d‟Avant-garde
Performance
Terreur
Société du Spectacle
Avant-garde Art
Performance
Terror
Society of the Spectacle
title_short 9/11 as Avant-Garde Art?
title_full 9/11 as Avant-Garde Art?
title_fullStr 9/11 as Avant-Garde Art?
title_full_unstemmed 9/11 as Avant-Garde Art?
title_sort 9/11 as Avant-Garde Art?
author Schechner, Richard
author_facet Schechner, Richard
author_role author
dc.contributor.author.fl_str_mv Schechner, Richard
dc.subject.por.fl_str_mv Arte de Vanguarda
Performance
Terror
Sociedade do Espetáculo
Art d‟Avant-garde
Performance
Terreur
Société du Spectacle
Avant-garde Art
Performance
Terror
Society of the Spectacle
topic Arte de Vanguarda
Performance
Terror
Sociedade do Espetáculo
Art d‟Avant-garde
Performance
Terreur
Société du Spectacle
Avant-garde Art
Performance
Terror
Society of the Spectacle
description Can the attacks of 9/11 be considered an avant-garde artistic event? This article aims to discuss, from the point of view of the intentionality of the act and of its reception, the performative character of that historical fact. To carry forward this intent, it presents a historical overview of avant-garde art, and discusses some of the historical and cultural conditions that supposedly operated as triggers of such an event. The text also focuses on the spectacular character of the event and the conditions for its appreciation in a society greatly delimited by the media.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/20986
url https://seer.ufrgs.br/index.php/presenca/article/view/20986
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/20986/50183
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 1 No. 2 (2011): jul./dez. 2011; 373-382
Révue Brésilienne d'Études de la Présence; Vol. 1 No. 2 (2011): jul./dez. 2011; 373-382
Révue Brésilienne d'Études de la Présence; Vol. 1 No 2 (2011): jul./dez. 2011; 373-382
Revista Brasileira de Estudos da Presença; v. 1 n. 2 (2011): jul./dez. 2011; 373-382
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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