Photography between visual and political culture: the participation of theFrench leftist illustrated press in the construction of a public history in the 1930’s

Detalhes bibliográficos
Autor(a) principal: Zerwes, Erika
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Estudos Históricos (Rio de Janeiro)
Texto Completo: https://periodicos.fgv.br/reh/article/view/27015
Resumo: This article uses the photograph of a falling militiaman taken by Robert Capa in 1936 as a starting point to discuss the role of photography in the construction of a public history. A three steps analysis is proposed. The first step focuses on the aesthetic characteristics of the photo, which made it to be considered an icon. In the second one, a broader sense is considered, that of the French leftist press, for which the photographer worked and which was responsible for first publishing his pictures. The third one discusses the relation between photographic image and its role in the elaboration of a collective memory.
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spelling Photography between visual and political culture: the participation of theFrench leftist illustrated press in the construction of a public history in the 1930’sA fotografia entre cultura visual e cultura política: a participação da imprensa ilustrada francesa de esquerda na construção de uma história pública na década de 1930visual culturepolitical culturewar photographyphotography historyRobert CapaSpanish Civil Warcultura visualcultura políticafotografia de guerrahistória da fotografiaRobert CapaGuerra Civil EspanholaThis article uses the photograph of a falling militiaman taken by Robert Capa in 1936 as a starting point to discuss the role of photography in the construction of a public history. A three steps analysis is proposed. The first step focuses on the aesthetic characteristics of the photo, which made it to be considered an icon. In the second one, a broader sense is considered, that of the French leftist press, for which the photographer worked and which was responsible for first publishing his pictures. The third one discusses the relation between photographic image and its role in the elaboration of a collective memory.Este artigo parte da fotografia de um miliciano caindo feita por Robert Capa em 1936 para discutir o papel da fotografia na construção da história pública. É proposta uma análise em três etapas: a primeira, mais centrada nas características estéticas da foto, que a levaram a ser considerada um ícone; a segunda, em que ela é situada dentro de um âmbito mais amplo, o da imprensa de esquerda francesa, para a qual o fotógrafo trabalhava e que foi responsável por sua primeira aparição pública; e a terceira, que discute a relação entre a imagem fotográfica e seu papel no agenciamento de uma memória coletiva.Editora FGV2014-06-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fgv.br/reh/article/view/27015Revista Estudos Históricos; Vol. 27 No. 54 (2014): Public History; 317-344Revista Estudos Históricos; v. 27 n. 54 (2014): História Pública; 317-3442178-14940103-2186reponame:Estudos Históricos (Rio de Janeiro)instname:Fundação Getulio Vargas (FGV)instacron:FGVporhttps://periodicos.fgv.br/reh/article/view/27015/41283Zerwes, Erikainfo:eu-repo/semantics/openAccess2017-09-13T13:50:51Zoai:ojs.periodicos.fgv.br:article/27015Revistahttps://periodicos.fgv.br/rehONGhttps://periodicos.fgv.br/reh/oai||biblioteca.digital@fgv.br||eh@fgv.br2178-14940103-2186opendoar:2024-03-06T13:01:58.386961Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV)true
dc.title.none.fl_str_mv Photography between visual and political culture: the participation of theFrench leftist illustrated press in the construction of a public history in the 1930’s
A fotografia entre cultura visual e cultura política: a participação da imprensa ilustrada francesa de esquerda na construção de uma história pública na década de 1930
title Photography between visual and political culture: the participation of theFrench leftist illustrated press in the construction of a public history in the 1930’s
spellingShingle Photography between visual and political culture: the participation of theFrench leftist illustrated press in the construction of a public history in the 1930’s
Zerwes, Erika
visual culture
political culture
war photography
photography history
Robert Capa
Spanish Civil War
cultura visual
cultura política
fotografia de guerra
história da fotografia
Robert Capa
Guerra Civil Espanhola
title_short Photography between visual and political culture: the participation of theFrench leftist illustrated press in the construction of a public history in the 1930’s
title_full Photography between visual and political culture: the participation of theFrench leftist illustrated press in the construction of a public history in the 1930’s
title_fullStr Photography between visual and political culture: the participation of theFrench leftist illustrated press in the construction of a public history in the 1930’s
title_full_unstemmed Photography between visual and political culture: the participation of theFrench leftist illustrated press in the construction of a public history in the 1930’s
title_sort Photography between visual and political culture: the participation of theFrench leftist illustrated press in the construction of a public history in the 1930’s
author Zerwes, Erika
author_facet Zerwes, Erika
author_role author
dc.contributor.author.fl_str_mv Zerwes, Erika
dc.subject.por.fl_str_mv visual culture
political culture
war photography
photography history
Robert Capa
Spanish Civil War
cultura visual
cultura política
fotografia de guerra
história da fotografia
Robert Capa
Guerra Civil Espanhola
topic visual culture
political culture
war photography
photography history
Robert Capa
Spanish Civil War
cultura visual
cultura política
fotografia de guerra
história da fotografia
Robert Capa
Guerra Civil Espanhola
description This article uses the photograph of a falling militiaman taken by Robert Capa in 1936 as a starting point to discuss the role of photography in the construction of a public history. A three steps analysis is proposed. The first step focuses on the aesthetic characteristics of the photo, which made it to be considered an icon. In the second one, a broader sense is considered, that of the French leftist press, for which the photographer worked and which was responsible for first publishing his pictures. The third one discusses the relation between photographic image and its role in the elaboration of a collective memory.
publishDate 2014
dc.date.none.fl_str_mv 2014-06-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.fgv.br/reh/article/view/27015
url https://periodicos.fgv.br/reh/article/view/27015
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.fgv.br/reh/article/view/27015/41283
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora FGV
publisher.none.fl_str_mv Editora FGV
dc.source.none.fl_str_mv Revista Estudos Históricos; Vol. 27 No. 54 (2014): Public History; 317-344
Revista Estudos Históricos; v. 27 n. 54 (2014): História Pública; 317-344
2178-1494
0103-2186
reponame:Estudos Históricos (Rio de Janeiro)
instname:Fundação Getulio Vargas (FGV)
instacron:FGV
instname_str Fundação Getulio Vargas (FGV)
instacron_str FGV
institution FGV
reponame_str Estudos Históricos (Rio de Janeiro)
collection Estudos Históricos (Rio de Janeiro)
repository.name.fl_str_mv Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV)
repository.mail.fl_str_mv ||biblioteca.digital@fgv.br||eh@fgv.br
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