POEMS AND SONGS AND THE CRITICAL ENGAGEMENT OF READERS
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Data de Publicação: | 2022 |
Outros Autores: | , , , , , , , , , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Prâksis |
Texto Completo: | http://periodicos.feevale.br/seer/index.php/revistapraksis/article/view/2732 |
Resumo: | The article focuses on the analysis of poems and songs and emphasizes their structural aspects, focusing on the graphic-visual, sound, morphosyntactic and semantic levels, in order to reach interpretation, in which the reader's involvement is exposed. To demonstrate that the poetic text results, as stated by Vinícius de Moraes, from a construction work that does not depend on literary periods, the chosen poems reflect a progression within the scope of Brazilian literature and cover texts ranging from the 19th century to modernity. The theoretical framework used finds in Norma Goldstein, Juracy Assmann Saraiva, Ernani Mügge, Gabriela Hoffmann Lopes and Tatiane Kaspari the bases for the analysis and interpretation of texts, whose method is inductive. The article concludes that the exploration of poetic texts is not limited to the playful exercise of language, as it encourages the reader to look at himself, his relationship with the other and the social context he inhabits. |
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POEMS AND SONGS AND THE CRITICAL ENGAGEMENT OF READERSPOEMAS Y CANCIONES Y EL COMPROMISO CRÍTICO DE LOS LECTORESPOEMAS E CANÇÕES E O ENVOLVIMENTO CRÍTICO DE LEITORESPoetrySongPoetic constructionReceptionPoesíaCanciónConstrucción poéticaRecepciónPoesiaCançãoConstrução poéticaRecepçãoThe article focuses on the analysis of poems and songs and emphasizes their structural aspects, focusing on the graphic-visual, sound, morphosyntactic and semantic levels, in order to reach interpretation, in which the reader's involvement is exposed. To demonstrate that the poetic text results, as stated by Vinícius de Moraes, from a construction work that does not depend on literary periods, the chosen poems reflect a progression within the scope of Brazilian literature and cover texts ranging from the 19th century to modernity. The theoretical framework used finds in Norma Goldstein, Juracy Assmann Saraiva, Ernani Mügge, Gabriela Hoffmann Lopes and Tatiane Kaspari the bases for the analysis and interpretation of texts, whose method is inductive. The article concludes that the exploration of poetic texts is not limited to the playful exercise of language, as it encourages the reader to look at himself, his relationship with the other and the social context he inhabits.O artigo detém-se na análise de poemas e de canções e valoriza seus aspectos estruturais enfocando os níveis gráfico-visual, sonoro, morfossintático e semântico, para chegar à interpretação, na qual se expõe o envolvimento do leitor. Para demonstrar que o texto poético resulta, como afirma Vinícius de Moraes, de um trabalho de construção, que independe de épocas literárias, os poemas escolhidos traduzem uma progressão no âmbito da literatura brasileira e abrangem textos que vão do século XIX até a modernidade. O referencial teórico utilizado encontra em Norma Goldstein, Juracy Assmann Saraiva, Ernani Mügge, Gabriela Hoffmann Lopes e Tatiane Kaspari as bases para a análise e para a interpretação dos textos, cujo método é indutivo. O artigo conclui que a exploração de textos poéticos não se esgota no exercício lúdico da linguagem, pois estimula o leitor a voltar-se sobre si mesmo, sobre sua relação com o outro e sobre o contexto social que habita.Universidade Feevale2022-07-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.feevale.br/seer/index.php/revistapraksis/article/view/273210.25112/rpr.v2.2732Revista Prâksis; v. 2 (2022): Artigos livres; 287-3062448-19391807-1112reponame:Revista Prâksisinstname:Universidade Feevale (Feevale)instacron:Feevaleporhttp://periodicos.feevale.br/seer/index.php/revistapraksis/article/view/2732/3062Copyright (c) 2022 Juracy Ignez Assmann Saraivahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSaraiva, Juracy Ignez AssmannKessler, DaianaStumm, Felipe Faes Wasem , Jéssica Gomes Pereira, IsaqueGirotto, Juliano Gregório, Lucas Da Ros , Pietra Lúcia Sampaio, Regina Duprat, Renata Wilirich, ThaliaBackes Pies, Silvane 2022-07-25T18:39:11Zoai:ojs.pkp.sfu.ca:article/2732Revistahttp://periodicos.feevale.br/seer/index.php/revistapraksis/indexhttp://periodicos.feevale.br/seer/index.php/revistapraksis/oai||mauricio@feevale.br2448-19392448-1939opendoar:2022-07-25T18:39:11Revista Prâksis - Universidade Feevale (Feevale)false |
dc.title.none.fl_str_mv |
POEMS AND SONGS AND THE CRITICAL ENGAGEMENT OF READERS POEMAS Y CANCIONES Y EL COMPROMISO CRÍTICO DE LOS LECTORES POEMAS E CANÇÕES E O ENVOLVIMENTO CRÍTICO DE LEITORES |
title |
POEMS AND SONGS AND THE CRITICAL ENGAGEMENT OF READERS |
spellingShingle |
POEMS AND SONGS AND THE CRITICAL ENGAGEMENT OF READERS Saraiva, Juracy Ignez Assmann Poetry Song Poetic construction Reception Poesía Canción Construcción poética Recepción Poesia Canção Construção poética Recepção |
title_short |
POEMS AND SONGS AND THE CRITICAL ENGAGEMENT OF READERS |
title_full |
POEMS AND SONGS AND THE CRITICAL ENGAGEMENT OF READERS |
title_fullStr |
POEMS AND SONGS AND THE CRITICAL ENGAGEMENT OF READERS |
title_full_unstemmed |
POEMS AND SONGS AND THE CRITICAL ENGAGEMENT OF READERS |
title_sort |
POEMS AND SONGS AND THE CRITICAL ENGAGEMENT OF READERS |
author |
Saraiva, Juracy Ignez Assmann |
author_facet |
Saraiva, Juracy Ignez Assmann Kessler, Daiana Stumm, Felipe Faes Wasem , Jéssica Gomes Pereira, Isaque Girotto, Juliano Gregório, Lucas Da Ros , Pietra Lúcia Sampaio, Regina Duprat, Renata Wilirich, Thalia Backes Pies, Silvane |
author_role |
author |
author2 |
Kessler, Daiana Stumm, Felipe Faes Wasem , Jéssica Gomes Pereira, Isaque Girotto, Juliano Gregório, Lucas Da Ros , Pietra Lúcia Sampaio, Regina Duprat, Renata Wilirich, Thalia Backes Pies, Silvane |
author2_role |
author author author author author author author author author author author |
dc.contributor.author.fl_str_mv |
Saraiva, Juracy Ignez Assmann Kessler, Daiana Stumm, Felipe Faes Wasem , Jéssica Gomes Pereira, Isaque Girotto, Juliano Gregório, Lucas Da Ros , Pietra Lúcia Sampaio, Regina Duprat, Renata Wilirich, Thalia Backes Pies, Silvane |
dc.subject.por.fl_str_mv |
Poetry Song Poetic construction Reception Poesía Canción Construcción poética Recepción Poesia Canção Construção poética Recepção |
topic |
Poetry Song Poetic construction Reception Poesía Canción Construcción poética Recepción Poesia Canção Construção poética Recepção |
description |
The article focuses on the analysis of poems and songs and emphasizes their structural aspects, focusing on the graphic-visual, sound, morphosyntactic and semantic levels, in order to reach interpretation, in which the reader's involvement is exposed. To demonstrate that the poetic text results, as stated by Vinícius de Moraes, from a construction work that does not depend on literary periods, the chosen poems reflect a progression within the scope of Brazilian literature and cover texts ranging from the 19th century to modernity. The theoretical framework used finds in Norma Goldstein, Juracy Assmann Saraiva, Ernani Mügge, Gabriela Hoffmann Lopes and Tatiane Kaspari the bases for the analysis and interpretation of texts, whose method is inductive. The article concludes that the exploration of poetic texts is not limited to the playful exercise of language, as it encourages the reader to look at himself, his relationship with the other and the social context he inhabits. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-07-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.feevale.br/seer/index.php/revistapraksis/article/view/2732 10.25112/rpr.v2.2732 |
url |
http://periodicos.feevale.br/seer/index.php/revistapraksis/article/view/2732 |
identifier_str_mv |
10.25112/rpr.v2.2732 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.feevale.br/seer/index.php/revistapraksis/article/view/2732/3062 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Juracy Ignez Assmann Saraiva https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Juracy Ignez Assmann Saraiva https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Feevale |
publisher.none.fl_str_mv |
Universidade Feevale |
dc.source.none.fl_str_mv |
Revista Prâksis; v. 2 (2022): Artigos livres; 287-306 2448-1939 1807-1112 reponame:Revista Prâksis instname:Universidade Feevale (Feevale) instacron:Feevale |
instname_str |
Universidade Feevale (Feevale) |
instacron_str |
Feevale |
institution |
Feevale |
reponame_str |
Revista Prâksis |
collection |
Revista Prâksis |
repository.name.fl_str_mv |
Revista Prâksis - Universidade Feevale (Feevale) |
repository.mail.fl_str_mv |
||mauricio@feevale.br |
_version_ |
1798325125383192576 |