Rites of passage, by Paula Tavares: the place of (re)memory in the construction of a female poetic diction in Angola
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Data de Publicação: | 2022 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Vértices (Campos dos Goitacazes. Online) |
Texto Completo: | https://editoraessentia.iff.edu.br/index.php/vertices/article/view/16314 |
Resumo: | Rites of passage, Paula Tavares’ debut book, inaugurates a new poetic diction in an Angola that is recently free from colonial domain (SECCO, 2011). In writing verse about the female body, Tavares visits tradition through peasant elements and the poetics of oral discourse, while inaugurating an erotic feminine speech, which rejects colonial silence (MATA, 2009). In her poetry, memory is articulated as a tool for the (re)construction of meaning (NOA, 2015). There is a weaving of fragments where the poet invents meaning to fill in the ruptures produced by colonialism, in an exercise of articulating a poetic rememory (MORRISON, 2019). In building poetry stemming from the body, fruits and rites, gender affects the perspective and poetic voice presented in the texts. The feminine is treated as knowledge and the erotic (LORDE, 2007) as a path to understanding the self and the creativity which rules poetry and life. In poems that establish dialogues with simple unfinished-looking drawings of little colors, the parts and the whole connect producing, poem and image, textual unities which translate the Angolan identity, the feminine and a unique epistemology through which one can understand the body, gender, culture and society. |
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Rites of passage, by Paula Tavares: the place of (re)memory in the construction of a female poetic diction in AngolaRitos de paso, de Paula Tavares: el lugar de la (re)memoria en la construcción de una dicción poética femenina en AngolaRitos de passagem, de Paula Tavares: o lugar da (re)memória na construção de uma dicção poética feminina em AngolaOral discourseMemoryRememoryAngolan identityPaula TavaresOralidadMemoriaRememoriaIdentidad angoleñaPaula TavaresOralidadeMemóriaRememóriaAngolanidadePaula TavaresRites of passage, Paula Tavares’ debut book, inaugurates a new poetic diction in an Angola that is recently free from colonial domain (SECCO, 2011). In writing verse about the female body, Tavares visits tradition through peasant elements and the poetics of oral discourse, while inaugurating an erotic feminine speech, which rejects colonial silence (MATA, 2009). In her poetry, memory is articulated as a tool for the (re)construction of meaning (NOA, 2015). There is a weaving of fragments where the poet invents meaning to fill in the ruptures produced by colonialism, in an exercise of articulating a poetic rememory (MORRISON, 2019). In building poetry stemming from the body, fruits and rites, gender affects the perspective and poetic voice presented in the texts. The feminine is treated as knowledge and the erotic (LORDE, 2007) as a path to understanding the self and the creativity which rules poetry and life. In poems that establish dialogues with simple unfinished-looking drawings of little colors, the parts and the whole connect producing, poem and image, textual unities which translate the Angolan identity, the feminine and a unique epistemology through which one can understand the body, gender, culture and society.Ritos de paso, el primer libro de Paula Tavares, inaugura una nueva dicción poética en una Angola recientemente liberada del dominio portugués (SECCO, 2011). Al hablar del cuerpo femenino, Tavares visita la tradición con elementos campesinos y la poética de la oralidad, al tiempo que inaugura un discurso sobre un yo femenino erótico que rechaza el silencio colonial (MATA, 2009). En su poesía, la memoria se articula como herramienta de (re) construcción de sentido (NOA, 2015). Hay una cadena de fragmentos donde la poeta inventa significados para llenar las fisuras producidas por la colonialidad, en un ejercicio de articulación de una rememoria poética (MORRISON, 2019). Al construir desde el cuerpo, los frutos y los ritos, el género toca la perspectiva y la voz poética presentada en los textos. Lo femenino es tratado como conocimiento y lo erótico (LORDE, 2007) como una forma de entenderse a uno mismo y la creatividad que rige la poesía y la vida. En poemas que dialogan con dibujos sencillos, con un aspecto inacabado y pocos colores, las partes del todo se conectan, produciendo imagen y poema, unidades textuales que traducen la identidad angoleña, lo femenino y una epistemología propia a través de la cual es posible entender el cuerpo, el género, la cultura y la sociedad. Ritos de passagem, livro de estreia de Paula Tavares, inaugura uma nova dicção poética em uma Angola recém livre do domínio português (SECCO, 2011). Ao versar acerca do corpo feminino, Tavares visita a tradição com elementos camponeses e a poética da oralidade, ao mesmo tempo em que inaugura uma fala de um eu erótico feminino que recusa o silêncio colonial (MATA, 2009). Na sua poesia, a memória é articulada como ferramenta de (re)construção de sentido (NOA, 2015). Ocorre um encadeamento de fragmentos onde a poeta inventa sentidos para preencher as fissuras produzidas pela colonialidade, num exercício de articular uma rememória (MORRISON, 2019) poética. Ao construir a partir do corpo, dos frutos e dos ritos, o gênero tangencia a perspectiva e a voz poética apresentada nos textos. O feminino é tratado como conhecimento e o erótico (LORDE, 2007) como via de um entendimento de si e da criatividade que rege a poesia e a vida. Em poemas que dialogam com desenhos simples, de aspecto não finalizado e poucas cores, as partes do todo se conectam produzindo, imagem e poema, unidades textuais que traduzem a angolanidade, o feminino e uma epistemologia própria por onde compreender o corpo, o gênero, a cultura e a sociedade.Instituto Federal de Educação, Ciência e Tecnologia Fluminense2022-04-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/ziptext/htmlhttps://editoraessentia.iff.edu.br/index.php/vertices/article/view/1631410.19180/1809-2667.v24n12022p69-83Revista Vértices; Vol. 24 No. 1 (2022): Jan./Apr.; 69-83Revista Vértices; Vol. 24 Núm. 1 (2022): ene./abr.; 69-83Revista Vértices; v. 24 n. 1 (2022): jan./abr.; 69-831809-26671415-2843reponame:Vértices (Campos dos Goitacazes. Online)instname:Centro Federal de Educação Tecnológica de Campos dos Goytacazesinstacron:IFFluminenseporhttps://editoraessentia.iff.edu.br/index.php/vertices/article/view/16314/14725https://editoraessentia.iff.edu.br/index.php/vertices/article/view/16314/14773https://editoraessentia.iff.edu.br/index.php/vertices/article/view/16314/14774Copyright (c) 2022 Eliza de Souza Silva Araújo, Ana Ximenes Gomes de Oliveira info:eu-repo/semantics/openAccessAraújo, Eliza de Souza Silva Oliveira , Ana Ximenes Gomes de Araújo, Eliza de Souza Silva Oliveira , Ana Ximenes Gomes de Araújo, Eliza de Souza Silva Oliveira , Ana Ximenes Gomes de 2022-05-03T13:42:47Zoai:ojs.editoraessentia.iff.edu.br:article/16314Revistahttps://essentiaeditora.iff.edu.br/index.php/vertices/PUBhttps://essentiaeditora.iff.edu.br/index.php/vertices/oaiessentia@iff.edu.br1809-26671415-2843opendoar:2022-05-03T13:42:47Vértices (Campos dos Goitacazes. Online) - Centro Federal de Educação Tecnológica de Campos dos Goytacazesfalse |
dc.title.none.fl_str_mv |
Rites of passage, by Paula Tavares: the place of (re)memory in the construction of a female poetic diction in Angola Ritos de paso, de Paula Tavares: el lugar de la (re)memoria en la construcción de una dicción poética femenina en Angola Ritos de passagem, de Paula Tavares: o lugar da (re)memória na construção de uma dicção poética feminina em Angola |
title |
Rites of passage, by Paula Tavares: the place of (re)memory in the construction of a female poetic diction in Angola |
spellingShingle |
Rites of passage, by Paula Tavares: the place of (re)memory in the construction of a female poetic diction in Angola Araújo, Eliza de Souza Silva Oral discourse Memory Rememory Angolan identity Paula Tavares Oralidad Memoria Rememoria Identidad angoleña Paula Tavares Oralidade Memória Rememória Angolanidade Paula Tavares |
title_short |
Rites of passage, by Paula Tavares: the place of (re)memory in the construction of a female poetic diction in Angola |
title_full |
Rites of passage, by Paula Tavares: the place of (re)memory in the construction of a female poetic diction in Angola |
title_fullStr |
Rites of passage, by Paula Tavares: the place of (re)memory in the construction of a female poetic diction in Angola |
title_full_unstemmed |
Rites of passage, by Paula Tavares: the place of (re)memory in the construction of a female poetic diction in Angola |
title_sort |
Rites of passage, by Paula Tavares: the place of (re)memory in the construction of a female poetic diction in Angola |
author |
Araújo, Eliza de Souza Silva |
author_facet |
Araújo, Eliza de Souza Silva Oliveira , Ana Ximenes Gomes de |
author_role |
author |
author2 |
Oliveira , Ana Ximenes Gomes de |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Araújo, Eliza de Souza Silva Oliveira , Ana Ximenes Gomes de Araújo, Eliza de Souza Silva Oliveira , Ana Ximenes Gomes de Araújo, Eliza de Souza Silva Oliveira , Ana Ximenes Gomes de |
dc.subject.por.fl_str_mv |
Oral discourse Memory Rememory Angolan identity Paula Tavares Oralidad Memoria Rememoria Identidad angoleña Paula Tavares Oralidade Memória Rememória Angolanidade Paula Tavares |
topic |
Oral discourse Memory Rememory Angolan identity Paula Tavares Oralidad Memoria Rememoria Identidad angoleña Paula Tavares Oralidade Memória Rememória Angolanidade Paula Tavares |
description |
Rites of passage, Paula Tavares’ debut book, inaugurates a new poetic diction in an Angola that is recently free from colonial domain (SECCO, 2011). In writing verse about the female body, Tavares visits tradition through peasant elements and the poetics of oral discourse, while inaugurating an erotic feminine speech, which rejects colonial silence (MATA, 2009). In her poetry, memory is articulated as a tool for the (re)construction of meaning (NOA, 2015). There is a weaving of fragments where the poet invents meaning to fill in the ruptures produced by colonialism, in an exercise of articulating a poetic rememory (MORRISON, 2019). In building poetry stemming from the body, fruits and rites, gender affects the perspective and poetic voice presented in the texts. The feminine is treated as knowledge and the erotic (LORDE, 2007) as a path to understanding the self and the creativity which rules poetry and life. In poems that establish dialogues with simple unfinished-looking drawings of little colors, the parts and the whole connect producing, poem and image, textual unities which translate the Angolan identity, the feminine and a unique epistemology through which one can understand the body, gender, culture and society. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-04-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://editoraessentia.iff.edu.br/index.php/vertices/article/view/16314 10.19180/1809-2667.v24n12022p69-83 |
url |
https://editoraessentia.iff.edu.br/index.php/vertices/article/view/16314 |
identifier_str_mv |
10.19180/1809-2667.v24n12022p69-83 |
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por |
language |
por |
dc.relation.none.fl_str_mv |
https://editoraessentia.iff.edu.br/index.php/vertices/article/view/16314/14725 https://editoraessentia.iff.edu.br/index.php/vertices/article/view/16314/14773 https://editoraessentia.iff.edu.br/index.php/vertices/article/view/16314/14774 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Eliza de Souza Silva Araújo, Ana Ximenes Gomes de Oliveira info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Eliza de Souza Silva Araújo, Ana Ximenes Gomes de Oliveira |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/zip text/html |
dc.publisher.none.fl_str_mv |
Instituto Federal de Educação, Ciência e Tecnologia Fluminense |
publisher.none.fl_str_mv |
Instituto Federal de Educação, Ciência e Tecnologia Fluminense |
dc.source.none.fl_str_mv |
Revista Vértices; Vol. 24 No. 1 (2022): Jan./Apr.; 69-83 Revista Vértices; Vol. 24 Núm. 1 (2022): ene./abr.; 69-83 Revista Vértices; v. 24 n. 1 (2022): jan./abr.; 69-83 1809-2667 1415-2843 reponame:Vértices (Campos dos Goitacazes. Online) instname:Centro Federal de Educação Tecnológica de Campos dos Goytacazes instacron:IFFluminense |
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Centro Federal de Educação Tecnológica de Campos dos Goytacazes |
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IFFluminense |
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IFFluminense |
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Vértices (Campos dos Goitacazes. Online) |
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Vértices (Campos dos Goitacazes. Online) |
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Vértices (Campos dos Goitacazes. Online) - Centro Federal de Educação Tecnológica de Campos dos Goytacazes |
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essentia@iff.edu.br |
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