Piracy of fashion brands: consumption, identity, and inclusion

Detalhes bibliográficos
Autor(a) principal: Aires, Aliana Barbosa
Data de Publicação: 2024
Outros Autores: Souza, Josenilde Silva, Antonacci, Andrea Celeste Montini
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista JRG de Estudos Acadêmicos
Texto Completo: http://revistajrg.com/index.php/jrg/article/view/691
Resumo: This article aims to reflect on the phenomenon of piracy consumption in Brazilian society with regard to fashion brands. There is a complex web of motivations, impregnated with cultural meanings that intensify in pirate consumption, so it is necessary to investigate the flows of meaning and meanings constructed by consumers who adhere to the consumption of pirated fashion brands. For this, we start from a bibliographic research based on the studies of communication, consumption, subjectivities, brand and fashion. As final considerations, we can observe that consumption of counterfeit goods can be understood as a non-hegemonic consumption modality, which inserts consumers into the fashion circuit, giving them the opportunity to belong to the lifestyle proposed by luxury fashion brands, assisting in the construction of the identity of the contemporary subject.
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spelling Piracy of fashion brands: consumption, identity, and inclusionPirataria de marcas de moda: consumo, identidade e inclusãoModa. Consumo. Pirataria. Identidade.Fashion. Consumption. Piracy. Identity.This article aims to reflect on the phenomenon of piracy consumption in Brazilian society with regard to fashion brands. There is a complex web of motivations, impregnated with cultural meanings that intensify in pirate consumption, so it is necessary to investigate the flows of meaning and meanings constructed by consumers who adhere to the consumption of pirated fashion brands. For this, we start from a bibliographic research based on the studies of communication, consumption, subjectivities, brand and fashion. As final considerations, we can observe that consumption of counterfeit goods can be understood as a non-hegemonic consumption modality, which inserts consumers into the fashion circuit, giving them the opportunity to belong to the lifestyle proposed by luxury fashion brands, assisting in the construction of the identity of the contemporary subject. Este artigo se propõe a refletir sobre o fenômeno do consumo de pirataria na sociedade brasileira no que diz respeito a marcas de moda. Há uma teia complexa de motivações, impregnadas de significados culturais que se intensificam no consumo pirata, de modo que se faz necessário investigar os fluxos de sentido e significados construídos pelos consumidores que aderem ao consumo das marcas de moda pirateadas. Para isso, partimos de uma pesquisa bibliográfica fundamentada nos estudos de comunicação, consumo, subjetividades, marca e moda. Como considerações finais, podemos observar que consumo de bens falsificados pode ser entendido como uma modalidade de consumo não-hegemônica, que insere consumidores no circuito da moda, dando-lhes a oportunidade de pertencer ao estilo de vida proposto pelas marcas de moda de luxo, auxiliando na construção da identidade do sujeito contemporâneo. Editora JRG2024-01-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos Paresapplication/pdfhttp://revistajrg.com/index.php/jrg/article/view/69110.5281/zenodo.8193520ark:/57118/JRG.v7i14.691JRG Journal of Academic Studies; Vol. 7 No. 14 (2024): JRG Journal of Academic Studies; e14691JRG Journal of Academic Studies ; Vol. 7 Núm. 14 (2024): Revista JRG de Estudos Acadêmicos; e14691JRG Journal of Academic Studies; V. 7 N. 14 (2024): Revista JRG de Estudos Acadêmicos; e14691Revista JRG de Estudos Acadêmicos ; v. 7 n. 14 (2024): Revista JRG de Estudos Acadêmicos; e146912595-1661ark:/57118/jrg.v7i14reponame:Revista JRG de Estudos Acadêmicosinstname:Editora JRGinstacron:JRGporhttp://revistajrg.com/index.php/jrg/article/view/691/673https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAires, Aliana BarbosaSouza, Josenilde SilvaAntonacci, Andrea Celeste Montini2024-01-02T14:34:02Zoai:ojs2.revistajrg.com:article/691Revistahttp://revistajrg.com/index.php/jrgPRIhttp://revistajrg.com/index.php/jrg/oaiprofessorjonas@gmail.com||2595-16612595-1661opendoar:2024-01-02T14:34:02Revista JRG de Estudos Acadêmicos - Editora JRGfalse
dc.title.none.fl_str_mv Piracy of fashion brands: consumption, identity, and inclusion
Pirataria de marcas de moda: consumo, identidade e inclusão
title Piracy of fashion brands: consumption, identity, and inclusion
spellingShingle Piracy of fashion brands: consumption, identity, and inclusion
Aires, Aliana Barbosa
Moda. Consumo. Pirataria. Identidade.
Fashion. Consumption. Piracy. Identity.
title_short Piracy of fashion brands: consumption, identity, and inclusion
title_full Piracy of fashion brands: consumption, identity, and inclusion
title_fullStr Piracy of fashion brands: consumption, identity, and inclusion
title_full_unstemmed Piracy of fashion brands: consumption, identity, and inclusion
title_sort Piracy of fashion brands: consumption, identity, and inclusion
author Aires, Aliana Barbosa
author_facet Aires, Aliana Barbosa
Souza, Josenilde Silva
Antonacci, Andrea Celeste Montini
author_role author
author2 Souza, Josenilde Silva
Antonacci, Andrea Celeste Montini
author2_role author
author
dc.contributor.author.fl_str_mv Aires, Aliana Barbosa
Souza, Josenilde Silva
Antonacci, Andrea Celeste Montini
dc.subject.por.fl_str_mv Moda. Consumo. Pirataria. Identidade.
Fashion. Consumption. Piracy. Identity.
topic Moda. Consumo. Pirataria. Identidade.
Fashion. Consumption. Piracy. Identity.
description This article aims to reflect on the phenomenon of piracy consumption in Brazilian society with regard to fashion brands. There is a complex web of motivations, impregnated with cultural meanings that intensify in pirate consumption, so it is necessary to investigate the flows of meaning and meanings constructed by consumers who adhere to the consumption of pirated fashion brands. For this, we start from a bibliographic research based on the studies of communication, consumption, subjectivities, brand and fashion. As final considerations, we can observe that consumption of counterfeit goods can be understood as a non-hegemonic consumption modality, which inserts consumers into the fashion circuit, giving them the opportunity to belong to the lifestyle proposed by luxury fashion brands, assisting in the construction of the identity of the contemporary subject.
publishDate 2024
dc.date.none.fl_str_mv 2024-01-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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Artigo avaliado pelos Pares
format article
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dc.identifier.uri.fl_str_mv http://revistajrg.com/index.php/jrg/article/view/691
10.5281/zenodo.8193520
ark:/57118/JRG.v7i14.691
url http://revistajrg.com/index.php/jrg/article/view/691
identifier_str_mv 10.5281/zenodo.8193520
ark:/57118/JRG.v7i14.691
dc.language.iso.fl_str_mv por
language por
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publisher.none.fl_str_mv Editora JRG
dc.source.none.fl_str_mv JRG Journal of Academic Studies; Vol. 7 No. 14 (2024): JRG Journal of Academic Studies; e14691
JRG Journal of Academic Studies ; Vol. 7 Núm. 14 (2024): Revista JRG de Estudos Acadêmicos; e14691
JRG Journal of Academic Studies; V. 7 N. 14 (2024): Revista JRG de Estudos Acadêmicos; e14691
Revista JRG de Estudos Acadêmicos ; v. 7 n. 14 (2024): Revista JRG de Estudos Acadêmicos; e14691
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