RETÓRICA E OBSCENIDADE NO JORNALISMO GONZO: OS ECOS DE JAMES JOYCE EM FEAR AND LOATHING IN LAS VEGAS
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da METODISTA |
Texto Completo: | http://tede.metodista.br/jspui/handle/tede/2092 |
Resumo: | This work seeks to diagnose a dialectical element that goes beyond writing in the works Ulysses, by James Joyce, and Fear and Loathing in Las Vegas, by Hunter S. Thompson, using theater as a method of investigating language and eroticism as an arch-scripture linking the works in their echoes and comprising discursive production, both in experimental literature and in literary journalism, as a dialogical movement between the author and the world that houses it. Among the objectives of this research are the development of an idea of transgression as a dialectic, or as a phenomenological dialogue amid rhetoric, both in journalism and in literature. What dramatist rhetoric is and how it implies a Marxist reading method critical to the need for an end, but also how this verbal infinity represents a constant dialogue over time. And if the dialogue is constant, what is sought in this dissertation is the border and intentional point that produces the breaks in the currents of language to make it alive, and what we call transgression. Which transgression, if any, could be identified in which works? It is what this work seeks to answer or question even more with the chosen objects. |
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Passos, Mateus Yuri Ribeiro da SilvaCapelli , MarcioRitter , EduardoSilva, Victor Fermino da2021-06-07T14:11:10Z2021-03-18Silva, Victor Fermino da. RETÓRICA E OBSCENIDADE NO JORNALISMO GONZO: OS ECOS DE JAMES JOYCE EM FEAR AND LOATHING IN LAS VEGAS. 2021. 88 folhas. Dissertação( Comunicacao Social) - Universidade Metodista de Sao Paulo, Sao Bernardo do Campo.http://tede.metodista.br/jspui/handle/tede/2092This work seeks to diagnose a dialectical element that goes beyond writing in the works Ulysses, by James Joyce, and Fear and Loathing in Las Vegas, by Hunter S. Thompson, using theater as a method of investigating language and eroticism as an arch-scripture linking the works in their echoes and comprising discursive production, both in experimental literature and in literary journalism, as a dialogical movement between the author and the world that houses it. Among the objectives of this research are the development of an idea of transgression as a dialectic, or as a phenomenological dialogue amid rhetoric, both in journalism and in literature. What dramatist rhetoric is and how it implies a Marxist reading method critical to the need for an end, but also how this verbal infinity represents a constant dialogue over time. And if the dialogue is constant, what is sought in this dissertation is the border and intentional point that produces the breaks in the currents of language to make it alive, and what we call transgression. Which transgression, if any, could be identified in which works? It is what this work seeks to answer or question even more with the chosen objects.Este trabalho busca diagnosticar um elemento dialógico que vai além da escrita nas obras Ulysses, de James Joyce, e Fear and Loathing in Las Vegas, de Hunter S. Thompson, usando o teatro como método de investigação da linguagem e o erotismo como aspecto arquiescritural ligando as obras em seus ecos e compreendendo a produção discursiva, tanto na literatura experimental quanto no jornalismo literário, como um movimento dialógico entre o autor e o mundo que o abriga. Dentre os objetivos desta pesquisa estão o desenvolvimento de uma a ideia da transgressão enquanto uma dialética, ou como um diálogo fenomenológico em meio à retórica, tanto no jornalismo quanto na literatura. O que é a retórica dramatista e como ela implica em um método de leitura marxista crítico à necessidade de um fim, mas também como essa infinitude verbal representa um diálogo constante no tempo. E se o diálogo é constante, o que se busca nesta dissertação é o ponto fronteiriço e intencional que produz as quebras nas correntes da linguagem para torná-la viva, e a que chamamos transgressão. Essa transgressão, se existente, poderia ser identificada em quais obras? É o que este trabalho busca responder ou questionar ainda mais com os objetos escolhidos.Submitted by Noeme Timbo (noeme.timbo@metodista.br) on 2021-06-07T14:11:10Z No. of bitstreams: 1 Victor Firmino2.pdf: 686776 bytes, checksum: 48c9fb20455a84729e2403ef3363b7f0 (MD5)Made available in DSpace on 2021-06-07T14:11:10Z (GMT). No. of bitstreams: 1 Victor Firmino2.pdf: 686776 bytes, checksum: 48c9fb20455a84729e2403ef3363b7f0 (MD5) Previous issue date: 2021-03-18Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqapplication/pdfporUniversidade Metodista de Sao PauloComunicacao SocialIMSBrasilComunicacao Social:Programa de Pos Graduacao em Comunicacao Socialretórica; erotismo; jornalismo literário; modernismorhetoric; erotism; literary journalism; modernismCIENCIAS SOCIAIS APLICADAS::COMUNICACAORETÓRICA E OBSCENIDADE NO JORNALISMO GONZO: OS ECOS DE JAMES JOYCE EM FEAR AND LOATHING IN LAS VEGASRhetoric and Obscenity in Gonzo Journalism: the Echoes of James Joyce in Fear and Loathing in Las Vegasinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis4333470630449360357500500600600-7662988059372876986-4056021055502874573-2555911436985713659info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da METODISTAinstname:Universidade Metodista de São Paulo (METODISTA)instacron:METODISTAORIGINALVictor Firmino2.pdfVictor Firmino2.pdfapplication/pdf686776http://tede.metodista.br/jspui/bitstream/tede/2092/2/Victor+Firmino2.pdf48c9fb20455a84729e2403ef3363b7f0MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://tede.metodista.br/jspui/bitstream/tede/2092/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51tede/20922021-06-07 11:11:10.705oai:tahbit.umesp.edu.dti: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede.metodista.br/jspui/http://tede.metodista.br/oai/requestbiblioteca@metodista.br||erick.roberto@metodista.bropendoar:2021-06-07T14:11:10Biblioteca Digital de Teses e Dissertações da METODISTA - Universidade Metodista de São Paulo (METODISTA)false |
dc.title.por.fl_str_mv |
RETÓRICA E OBSCENIDADE NO JORNALISMO GONZO: OS ECOS DE JAMES JOYCE EM FEAR AND LOATHING IN LAS VEGAS |
dc.title.alternative.eng.fl_str_mv |
Rhetoric and Obscenity in Gonzo Journalism: the Echoes of James Joyce in Fear and Loathing in Las Vegas |
title |
RETÓRICA E OBSCENIDADE NO JORNALISMO GONZO: OS ECOS DE JAMES JOYCE EM FEAR AND LOATHING IN LAS VEGAS |
spellingShingle |
RETÓRICA E OBSCENIDADE NO JORNALISMO GONZO: OS ECOS DE JAMES JOYCE EM FEAR AND LOATHING IN LAS VEGAS Silva, Victor Fermino da retórica; erotismo; jornalismo literário; modernismo rhetoric; erotism; literary journalism; modernism CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
RETÓRICA E OBSCENIDADE NO JORNALISMO GONZO: OS ECOS DE JAMES JOYCE EM FEAR AND LOATHING IN LAS VEGAS |
title_full |
RETÓRICA E OBSCENIDADE NO JORNALISMO GONZO: OS ECOS DE JAMES JOYCE EM FEAR AND LOATHING IN LAS VEGAS |
title_fullStr |
RETÓRICA E OBSCENIDADE NO JORNALISMO GONZO: OS ECOS DE JAMES JOYCE EM FEAR AND LOATHING IN LAS VEGAS |
title_full_unstemmed |
RETÓRICA E OBSCENIDADE NO JORNALISMO GONZO: OS ECOS DE JAMES JOYCE EM FEAR AND LOATHING IN LAS VEGAS |
title_sort |
RETÓRICA E OBSCENIDADE NO JORNALISMO GONZO: OS ECOS DE JAMES JOYCE EM FEAR AND LOATHING IN LAS VEGAS |
author |
Silva, Victor Fermino da |
author_facet |
Silva, Victor Fermino da |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Passos, Mateus Yuri Ribeiro da Silva |
dc.contributor.referee1.fl_str_mv |
Capelli , Marcio |
dc.contributor.referee2.fl_str_mv |
Ritter , Eduardo |
dc.contributor.author.fl_str_mv |
Silva, Victor Fermino da |
contributor_str_mv |
Passos, Mateus Yuri Ribeiro da Silva Capelli , Marcio Ritter , Eduardo |
dc.subject.por.fl_str_mv |
retórica; erotismo; jornalismo literário; modernismo |
topic |
retórica; erotismo; jornalismo literário; modernismo rhetoric; erotism; literary journalism; modernism CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
rhetoric; erotism; literary journalism; modernism |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
This work seeks to diagnose a dialectical element that goes beyond writing in the works Ulysses, by James Joyce, and Fear and Loathing in Las Vegas, by Hunter S. Thompson, using theater as a method of investigating language and eroticism as an arch-scripture linking the works in their echoes and comprising discursive production, both in experimental literature and in literary journalism, as a dialogical movement between the author and the world that houses it. Among the objectives of this research are the development of an idea of transgression as a dialectic, or as a phenomenological dialogue amid rhetoric, both in journalism and in literature. What dramatist rhetoric is and how it implies a Marxist reading method critical to the need for an end, but also how this verbal infinity represents a constant dialogue over time. And if the dialogue is constant, what is sought in this dissertation is the border and intentional point that produces the breaks in the currents of language to make it alive, and what we call transgression. Which transgression, if any, could be identified in which works? It is what this work seeks to answer or question even more with the chosen objects. |
publishDate |
2021 |
dc.date.accessioned.fl_str_mv |
2021-06-07T14:11:10Z |
dc.date.issued.fl_str_mv |
2021-03-18 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Silva, Victor Fermino da. RETÓRICA E OBSCENIDADE NO JORNALISMO GONZO: OS ECOS DE JAMES JOYCE EM FEAR AND LOATHING IN LAS VEGAS. 2021. 88 folhas. Dissertação( Comunicacao Social) - Universidade Metodista de Sao Paulo, Sao Bernardo do Campo. |
dc.identifier.uri.fl_str_mv |
http://tede.metodista.br/jspui/handle/tede/2092 |
identifier_str_mv |
Silva, Victor Fermino da. RETÓRICA E OBSCENIDADE NO JORNALISMO GONZO: OS ECOS DE JAMES JOYCE EM FEAR AND LOATHING IN LAS VEGAS. 2021. 88 folhas. Dissertação( Comunicacao Social) - Universidade Metodista de Sao Paulo, Sao Bernardo do Campo. |
url |
http://tede.metodista.br/jspui/handle/tede/2092 |
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Universidade Metodista de Sao Paulo |
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Universidade Metodista de Sao Paulo |
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