Estatuetas de cerâmica na cultura Santarém: classificação e catálogo das coleções do Museu Goeldi

Detalhes bibliográficos
Autor(a) principal: Corrêa, Conceição Gentil
Data de Publicação: 1965
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Institucional do MPEG
Texto Completo: http://repositorio.museu-goeldi.br/handle/mgoeldi/282
Resumo: The pottery of the Santarem area is one the most widely known complexes in South America because of the exuberance of its art style.In spite of this, no adequate archeological investigations have been made, and its development and distribuition are consequently poorly defined. Comparative evidence and ethnohistorical accounts indicate that it flourished during the late preEuropean perio, probably surviving to contact time. Along with pottery vessels, figurines are among the most typical artifacts.Since figurines are rare in other known Amazonian ceramic complexes although common is parts of Mesoamerica and Andean South America, the characteristics of the Santarem exemples in the collections of the Museu Paraense Emíliog Goeldi shows that the only exixting attempt ate descriptive classification, along with detailed description of the figurines in the collection. General characteristics of Santarem figurines can be summarized as follows. Pasre and temper are like those of the pottery vessels.All are hand made. Hollw examples are slightly more common (43.66%) than solid ones (39.5%), leaving a residual category in which the head is hollow and the bodu solid, or vice versa. There is variation in surface finishm ranging from fine examples with well smoothed and slipped surfaces to crude ones, which are asymetrical in form and neither slipped nor painted. An intermediate category is symmetrical but not as well modeled as the fine examples and bears only occasional traces of paint or slip. All figurines have modeling and incision as part of their elaboration. Assitional decoration may be of the following kinds: 1)red of white slip alone, 2)black or red paint on white slip, or 3) black and red paint on white slip (polycrome). However, 63% show no evidence of either paint or slip.Size range exhibited by complete examples is 3.2 to 28.0 cm: All but 3 are anthropomorphic (97.42%). Of these 34.8% are female, 9.3% male. An additional 55.9% are probably female, but genitalia are not shown (7.5% are unidentifiabre because of absence of diagnostic parts).
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spelling 2010-12-22T21:02:15Z2010-12-22T21:02:15Z1965CORRÊA, Conceição Gentil. Estatuetas de cerâmica na cultura Santarém: classificação e catálogo das coleções do Museu Goeldi. Publicações Avulsas do Museu Paraense Emílio Goeldi . Belém, n.4, p. 3/88, 19650077-2240http://repositorio.museu-goeldi.br/handle/mgoeldi/282The pottery of the Santarem area is one the most widely known complexes in South America because of the exuberance of its art style.In spite of this, no adequate archeological investigations have been made, and its development and distribuition are consequently poorly defined. Comparative evidence and ethnohistorical accounts indicate that it flourished during the late preEuropean perio, probably surviving to contact time. Along with pottery vessels, figurines are among the most typical artifacts.Since figurines are rare in other known Amazonian ceramic complexes although common is parts of Mesoamerica and Andean South America, the characteristics of the Santarem exemples in the collections of the Museu Paraense Emíliog Goeldi shows that the only exixting attempt ate descriptive classification, along with detailed description of the figurines in the collection. General characteristics of Santarem figurines can be summarized as follows. Pasre and temper are like those of the pottery vessels.All are hand made. Hollw examples are slightly more common (43.66%) than solid ones (39.5%), leaving a residual category in which the head is hollow and the bodu solid, or vice versa. There is variation in surface finishm ranging from fine examples with well smoothed and slipped surfaces to crude ones, which are asymetrical in form and neither slipped nor painted. An intermediate category is symmetrical but not as well modeled as the fine examples and bears only occasional traces of paint or slip. All figurines have modeling and incision as part of their elaboration. Assitional decoration may be of the following kinds: 1)red of white slip alone, 2)black or red paint on white slip, or 3) black and red paint on white slip (polycrome). However, 63% show no evidence of either paint or slip.Size range exhibited by complete examples is 3.2 to 28.0 cm: All but 3 are anthropomorphic (97.42%). Of these 34.8% are female, 9.3% male. An additional 55.9% are probably female, but genitalia are not shown (7.5% are unidentifiabre because of absence of diagnostic parts).Museu Paraense Emílio GoeldiArqueologia amazônicaCerâmica santarenaCultura santarémSantarém (PA)Estatuetas de cerâmica na cultura Santarém: classificação e catálogo das coleções do Museu Goeldiinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleCorrêa, Conceição Gentilporreponame:Repositório Institucional do MPEGinstname:Museu Paraense Emílio Goeldi (MPEG)instacron:MPEGinfo:eu-repo/semantics/openAccessTEXTP Avul n4 1965 CORREA.pdf.txtP Avul n4 1965 CORREA.pdf.txtExtracted texttext/plain108https://repositorio.museu-goeldi.br/bitstream/mgoeldi/282/6/P%20Avul%20n4%201965%20CORREA.pdf.txt92323da5f22d803f2833fc0452eb337bMD56THUMBNAILP Avul n4 1965 CORREA.pdf.jpgP Avul n4 1965 CORREA.pdf.jpgGenerated Thumbnailimage/jpeg979https://repositorio.museu-goeldi.br/bitstream/mgoeldi/282/7/P%20Avul%20n4%201965%20CORREA.pdf.jpge359583c115b63109c3821701a0946d7MD57ORIGINALP Avul n4 1965 CORREA.pdfP Avul n4 1965 CORREA.pdfapplication/pdf3249047https://repositorio.museu-goeldi.br/bitstream/mgoeldi/282/1/P%20Avul%20n4%201965%20CORREA.pdf90cb375354f04dfcf257efc4e3ccb1b5MD51CC-LICENSElicense_urllicense_urltext/plain46https://repositorio.museu-goeldi.br/bitstream/mgoeldi/282/2/license_url7b60860db7ee2e38c65f8e939773fbe2MD52license_textlicense_textapplication/octet-stream18435https://repositorio.museu-goeldi.br/bitstream/mgoeldi/282/3/license_textcbe5b3f3d10b1084cdf3d1b91307f6e8MD53license_rdflicense_rdfapplication/octet-stream20644https://repositorio.museu-goeldi.br/bitstream/mgoeldi/282/4/license_rdfb7fe068f1565139e9d17d4dffb03c360MD54LICENSElicense.txtlicense.txttext/plain1906https://repositorio.museu-goeldi.br/bitstream/mgoeldi/282/5/license.txtd7006fb9430e220e90789f0c99c95504MD55mgoeldi/2822019-07-17 14:57:36.046oai:repositorio.museu-goeldi.br: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Repositório ComumONGhttp://repositorio.museu-goeldi.br/oai/requestopendoar:2019-07-17T17:57:36Repositório Institucional do MPEG - Museu Paraense Emílio Goeldi (MPEG)false
dc.title.en.fl_str_mv Estatuetas de cerâmica na cultura Santarém: classificação e catálogo das coleções do Museu Goeldi
title Estatuetas de cerâmica na cultura Santarém: classificação e catálogo das coleções do Museu Goeldi
spellingShingle Estatuetas de cerâmica na cultura Santarém: classificação e catálogo das coleções do Museu Goeldi
Corrêa, Conceição Gentil
Arqueologia amazônica
Cerâmica santarena
Cultura santarém
Santarém (PA)
title_short Estatuetas de cerâmica na cultura Santarém: classificação e catálogo das coleções do Museu Goeldi
title_full Estatuetas de cerâmica na cultura Santarém: classificação e catálogo das coleções do Museu Goeldi
title_fullStr Estatuetas de cerâmica na cultura Santarém: classificação e catálogo das coleções do Museu Goeldi
title_full_unstemmed Estatuetas de cerâmica na cultura Santarém: classificação e catálogo das coleções do Museu Goeldi
title_sort Estatuetas de cerâmica na cultura Santarém: classificação e catálogo das coleções do Museu Goeldi
author Corrêa, Conceição Gentil
author_facet Corrêa, Conceição Gentil
author_role author
dc.contributor.author.fl_str_mv Corrêa, Conceição Gentil
dc.subject.eng.fl_str_mv Arqueologia amazônica
Cerâmica santarena
Cultura santarém
Santarém (PA)
topic Arqueologia amazônica
Cerâmica santarena
Cultura santarém
Santarém (PA)
description The pottery of the Santarem area is one the most widely known complexes in South America because of the exuberance of its art style.In spite of this, no adequate archeological investigations have been made, and its development and distribuition are consequently poorly defined. Comparative evidence and ethnohistorical accounts indicate that it flourished during the late preEuropean perio, probably surviving to contact time. Along with pottery vessels, figurines are among the most typical artifacts.Since figurines are rare in other known Amazonian ceramic complexes although common is parts of Mesoamerica and Andean South America, the characteristics of the Santarem exemples in the collections of the Museu Paraense Emíliog Goeldi shows that the only exixting attempt ate descriptive classification, along with detailed description of the figurines in the collection. General characteristics of Santarem figurines can be summarized as follows. Pasre and temper are like those of the pottery vessels.All are hand made. Hollw examples are slightly more common (43.66%) than solid ones (39.5%), leaving a residual category in which the head is hollow and the bodu solid, or vice versa. There is variation in surface finishm ranging from fine examples with well smoothed and slipped surfaces to crude ones, which are asymetrical in form and neither slipped nor painted. An intermediate category is symmetrical but not as well modeled as the fine examples and bears only occasional traces of paint or slip. All figurines have modeling and incision as part of their elaboration. Assitional decoration may be of the following kinds: 1)red of white slip alone, 2)black or red paint on white slip, or 3) black and red paint on white slip (polycrome). However, 63% show no evidence of either paint or slip.Size range exhibited by complete examples is 3.2 to 28.0 cm: All but 3 are anthropomorphic (97.42%). Of these 34.8% are female, 9.3% male. An additional 55.9% are probably female, but genitalia are not shown (7.5% are unidentifiabre because of absence of diagnostic parts).
publishDate 1965
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dc.identifier.citation.fl_str_mv CORRÊA, Conceição Gentil. Estatuetas de cerâmica na cultura Santarém: classificação e catálogo das coleções do Museu Goeldi. Publicações Avulsas do Museu Paraense Emílio Goeldi . Belém, n.4, p. 3/88, 1965
dc.identifier.uri.fl_str_mv http://repositorio.museu-goeldi.br/handle/mgoeldi/282
dc.identifier.issn.none.fl_str_mv 0077-2240
identifier_str_mv CORRÊA, Conceição Gentil. Estatuetas de cerâmica na cultura Santarém: classificação e catálogo das coleções do Museu Goeldi. Publicações Avulsas do Museu Paraense Emílio Goeldi . Belém, n.4, p. 3/88, 1965
0077-2240
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