A cerâmica dos índios Jurúna (Rio Xingu).
Autor(a) principal: | |
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Data de Publicação: | 1969 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional do MPEG |
Texto Completo: | http://repositorio.museu-goeldi.br/handle/mgoeldi/204 |
Resumo: | The Jurúna, a tupian speaking people, formerly occupied the Xingu River, close to its mouth in the Amazon River. Nowadays, after a long term migration southwards, to avoid first the White intruders and later other hostile Indians, chiefly the Kayapó, they are settled at the northern boundaries of the Xingu headwaters, nearby the Diauaurum Post, of the Parque Nacional do Xingu (see Oliveira, 1968:1). A brief description of their modern pottery is given. Despite the large introduction of metal wares is still a live manufacture. The style, decoration and forms are quite distinct from that of their present neighbours, the Upper Xinguan Indians. They use the burned bark of the caraipé (Licânia) for temper instead of the cauixi, a fresh water sponge of common usage among the Xinguans. The dominant forms are globular in shape with a constrited mouth and rounded botton. Decoration centers in the use of large curvilinear lines in black, dotted in the sides with white specks, over a redish backgraud. Zoomorphic shapes are common in large and small vessels. They are abtained through the use of apliques (head and feet) over the globular shapes. Some of these are a composite of two animal figures, one over the other, and are said to be used for the socio-ceremonial drinking of the caxiri beer. A comparison of the modern Jurúna earthenware, which has no similar among the neighbouring tribes, with that of other archaeological traditions, as described by Hilbert (1968)suggests the persistence among the comtemporary Jurúna Indians of archaic forms, distinct from those of the Tapajós (Santarém) peoples of which they were close neighbours in historical times. |
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2010-10-22T18:00:36Z2010-10-22T18:00:36Z1969-08OLIVEIRA, Adélia Engrácia de. ; GALVÃO, Eduardo. A Cerâmica dos índios Jurúna (Rio Xingu). Boletim do Museu Paraense Emílio Goeldi. Nova Série, Antropologia. Belém, n.41, p.1-19, ago.1969.05227291http://repositorio.museu-goeldi.br/handle/mgoeldi/204The Jurúna, a tupian speaking people, formerly occupied the Xingu River, close to its mouth in the Amazon River. Nowadays, after a long term migration southwards, to avoid first the White intruders and later other hostile Indians, chiefly the Kayapó, they are settled at the northern boundaries of the Xingu headwaters, nearby the Diauaurum Post, of the Parque Nacional do Xingu (see Oliveira, 1968:1). A brief description of their modern pottery is given. Despite the large introduction of metal wares is still a live manufacture. The style, decoration and forms are quite distinct from that of their present neighbours, the Upper Xinguan Indians. They use the burned bark of the caraipé (Licânia) for temper instead of the cauixi, a fresh water sponge of common usage among the Xinguans. The dominant forms are globular in shape with a constrited mouth and rounded botton. Decoration centers in the use of large curvilinear lines in black, dotted in the sides with white specks, over a redish backgraud. Zoomorphic shapes are common in large and small vessels. They are abtained through the use of apliques (head and feet) over the globular shapes. Some of these are a composite of two animal figures, one over the other, and are said to be used for the socio-ceremonial drinking of the caxiri beer. A comparison of the modern Jurúna earthenware, which has no similar among the neighbouring tribes, with that of other archaeological traditions, as described by Hilbert (1968)suggests the persistence among the comtemporary Jurúna Indians of archaic forms, distinct from those of the Tapajós (Santarém) peoples of which they were close neighbours in historical times.Museu Paraense Emílio GoeldiÍndios JurúnaCerâmica indígenaCultura material indígenaPovos indígenasRio Xingu (PA)A cerâmica dos índios Jurúna (Rio Xingu).info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleOliveira, Adélia Engrácia deGalvão, Eduardoporreponame:Repositório Institucional do MPEGinstname:Museu Paraense Emílio Goeldi (MPEG)instacron:MPEGinfo:eu-repo/semantics/openAccessTEXTB MPEG Ant n41 OLIVEIRA.pdf.txtB MPEG Ant n41 OLIVEIRA.pdf.txtExtracted texttext/plain25https://repositorio.museu-goeldi.br/bitstream/mgoeldi/204/6/B%20MPEG%20Ant%20n41%20OLIVEIRA.pdf.txt55182c43eecf0429a975fdcdddb487e7MD56THUMBNAILB MPEG Ant n41 OLIVEIRA.pdf.jpgB MPEG Ant n41 OLIVEIRA.pdf.jpgGenerated Thumbnailimage/jpeg998https://repositorio.museu-goeldi.br/bitstream/mgoeldi/204/7/B%20MPEG%20Ant%20n41%20OLIVEIRA.pdf.jpgdd9832a5a277ca7de51941d7c2f06e1cMD57ORIGINALB MPEG Ant n41 OLIVEIRA.pdfB MPEG Ant n41 OLIVEIRA.pdfapplication/pdf2644224https://repositorio.museu-goeldi.br/bitstream/mgoeldi/204/1/B%20MPEG%20Ant%20n41%20OLIVEIRA.pdfc734af2bd0a8505cecf1c1c06e7a80dfMD51CC-LICENSElicense_urllicense_urltext/plain46https://repositorio.museu-goeldi.br/bitstream/mgoeldi/204/2/license_url7b60860db7ee2e38c65f8e939773fbe2MD52license_textlicense_textapplication/octet-stream20515https://repositorio.museu-goeldi.br/bitstream/mgoeldi/204/3/license_text0b34ef87e5b97de3d3198dfa911ff22bMD53license_rdflicense_rdfapplication/octet-stream18138https://repositorio.museu-goeldi.br/bitstream/mgoeldi/204/4/license_rdf0e4a63dca167ade042eeadf186f7bd73MD54LICENSElicense.txtlicense.txttext/plain1921https://repositorio.museu-goeldi.br/bitstream/mgoeldi/204/5/license.txteb9a3e54d61ad53d55622deec01f0d74MD55mgoeldi/2042019-07-17 14:52:01.022oai:repositorio.museu-goeldi.br: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Repositório ComumONGhttp://repositorio.museu-goeldi.br/oai/requestopendoar:2019-07-17T17:52:01Repositório Institucional do MPEG - Museu Paraense Emílio Goeldi (MPEG)false |
dc.title.en.fl_str_mv |
A cerâmica dos índios Jurúna (Rio Xingu). |
title |
A cerâmica dos índios Jurúna (Rio Xingu). |
spellingShingle |
A cerâmica dos índios Jurúna (Rio Xingu). Oliveira, Adélia Engrácia de Índios Jurúna Cerâmica indígena Cultura material indígena Povos indígenas Rio Xingu (PA) |
title_short |
A cerâmica dos índios Jurúna (Rio Xingu). |
title_full |
A cerâmica dos índios Jurúna (Rio Xingu). |
title_fullStr |
A cerâmica dos índios Jurúna (Rio Xingu). |
title_full_unstemmed |
A cerâmica dos índios Jurúna (Rio Xingu). |
title_sort |
A cerâmica dos índios Jurúna (Rio Xingu). |
author |
Oliveira, Adélia Engrácia de |
author_facet |
Oliveira, Adélia Engrácia de Galvão, Eduardo |
author_role |
author |
author2 |
Galvão, Eduardo |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Adélia Engrácia de Galvão, Eduardo |
dc.subject.eng.fl_str_mv |
Índios Jurúna Cerâmica indígena Cultura material indígena Povos indígenas Rio Xingu (PA) |
topic |
Índios Jurúna Cerâmica indígena Cultura material indígena Povos indígenas Rio Xingu (PA) |
description |
The Jurúna, a tupian speaking people, formerly occupied the Xingu River, close to its mouth in the Amazon River. Nowadays, after a long term migration southwards, to avoid first the White intruders and later other hostile Indians, chiefly the Kayapó, they are settled at the northern boundaries of the Xingu headwaters, nearby the Diauaurum Post, of the Parque Nacional do Xingu (see Oliveira, 1968:1). A brief description of their modern pottery is given. Despite the large introduction of metal wares is still a live manufacture. The style, decoration and forms are quite distinct from that of their present neighbours, the Upper Xinguan Indians. They use the burned bark of the caraipé (Licânia) for temper instead of the cauixi, a fresh water sponge of common usage among the Xinguans. The dominant forms are globular in shape with a constrited mouth and rounded botton. Decoration centers in the use of large curvilinear lines in black, dotted in the sides with white specks, over a redish backgraud. Zoomorphic shapes are common in large and small vessels. They are abtained through the use of apliques (head and feet) over the globular shapes. Some of these are a composite of two animal figures, one over the other, and are said to be used for the socio-ceremonial drinking of the caxiri beer. A comparison of the modern Jurúna earthenware, which has no similar among the neighbouring tribes, with that of other archaeological traditions, as described by Hilbert (1968)suggests the persistence among the comtemporary Jurúna Indians of archaic forms, distinct from those of the Tapajós (Santarém) peoples of which they were close neighbours in historical times. |
publishDate |
1969 |
dc.date.issued.fl_str_mv |
1969-08 |
dc.date.accessioned.fl_str_mv |
2010-10-22T18:00:36Z |
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2010-10-22T18:00:36Z |
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info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
OLIVEIRA, Adélia Engrácia de. ; GALVÃO, Eduardo. A Cerâmica dos índios Jurúna (Rio Xingu). Boletim do Museu Paraense Emílio Goeldi. Nova Série, Antropologia. Belém, n.41, p.1-19, ago.1969. |
dc.identifier.uri.fl_str_mv |
http://repositorio.museu-goeldi.br/handle/mgoeldi/204 |
dc.identifier.issn.none.fl_str_mv |
05227291 |
identifier_str_mv |
OLIVEIRA, Adélia Engrácia de. ; GALVÃO, Eduardo. A Cerâmica dos índios Jurúna (Rio Xingu). Boletim do Museu Paraense Emílio Goeldi. Nova Série, Antropologia. Belém, n.41, p.1-19, ago.1969. 05227291 |
url |
http://repositorio.museu-goeldi.br/handle/mgoeldi/204 |
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por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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Museu Paraense Emílio Goeldi |
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Museu Paraense Emílio Goeldi |
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