Práticas artísticas na educação: a sala ambiente
Autor(a) principal: | |
---|---|
Data de Publicação: | 2024 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da Uninove |
Texto Completo: | http://bibliotecatede.uninove.br/handle/tede/3378 |
Resumo: | This study is based on data collected in the master's thesis research presented to the stricto sensu graduate program in Management and Educational Practices of Nove de Julho University – UNINOVE, titled: "Who Wants to Make Art? Through the Playgrounds of Classrooms.” Three important situations were pointed out that to some extent contribute negatively to artistic practices in the school environment. The absence of spaces where the curricular component “Art” could be systematically taught was undoubtedly the most significant among those situations. To justify the existence of such spaces, it is necessary to pay attention to the importance of Art, both for the ordinary citizen, as for the student who will then, as a teacher, make use of it in the school environment, so that it can reverberate beyond its boundaries. Presenting relentless justifications, starting from important names and concrete experiences, we have also taken the opportunity to experience already existing spaces, not without some frustration. We end up on a lonely stage, on a white canvas, or at the beginning of a new music score, where a space begins to operate its main function: the practice of art in a potent and free way. Thus, by paying specific attention to the spaces or their absence, this research, in addition to seeking answers, allowed us to follow the elaboration and construction of an Art Environment Room, and to observe new and potential teaching artistic procedures. The universe studied is a municipal public elementary school II. To theoretically substantiate this thesis, we shall resort to philosophers such as Gilles Deleuze, Félix Guattari, and Friedrich Nietzsche, researcher René Barbier and historian Ernst Gombrich, as well as other important voices who contributed to this construction, which privileges art as the primary potency in education, as do Anísio Teixeira and John Dewey. |
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Baptista, Ana Maria Haddadhttp://lattes.cnpq.br/9067453567671615Baptista, Ana Maria Haddadhttp://lattes.cnpq.br/9067453567671615Lima, Sonia Regina Albano dehttp://lattes.cnpq.br/1666271021207069Alfeld, Elisabetehttp://lattes.cnpq.br/7653744281338524Silva, Maurício Pedro dahttp://lattes.cnpq.br/8324280608314256Teixeira, Rosiley Aparecidahttp://lattes.cnpq.br/9920259406963954http://lattes.cnpq.br/9065196090527197Duek, Paulo Saul2024-08-08T20:56:19Z2024-02-20Duek, Paulo Saul. Práticas artísticas na educação: a sala ambiente. 2024. 109 f. Tese( Programa de Pós-Graduação em Educação) - Universidade Nove de Julho, São Paulo.http://bibliotecatede.uninove.br/handle/tede/3378This study is based on data collected in the master's thesis research presented to the stricto sensu graduate program in Management and Educational Practices of Nove de Julho University – UNINOVE, titled: "Who Wants to Make Art? Through the Playgrounds of Classrooms.” Three important situations were pointed out that to some extent contribute negatively to artistic practices in the school environment. The absence of spaces where the curricular component “Art” could be systematically taught was undoubtedly the most significant among those situations. To justify the existence of such spaces, it is necessary to pay attention to the importance of Art, both for the ordinary citizen, as for the student who will then, as a teacher, make use of it in the school environment, so that it can reverberate beyond its boundaries. Presenting relentless justifications, starting from important names and concrete experiences, we have also taken the opportunity to experience already existing spaces, not without some frustration. We end up on a lonely stage, on a white canvas, or at the beginning of a new music score, where a space begins to operate its main function: the practice of art in a potent and free way. Thus, by paying specific attention to the spaces or their absence, this research, in addition to seeking answers, allowed us to follow the elaboration and construction of an Art Environment Room, and to observe new and potential teaching artistic procedures. The universe studied is a municipal public elementary school II. To theoretically substantiate this thesis, we shall resort to philosophers such as Gilles Deleuze, Félix Guattari, and Friedrich Nietzsche, researcher René Barbier and historian Ernst Gombrich, as well as other important voices who contributed to this construction, which privileges art as the primary potency in education, as do Anísio Teixeira and John Dewey.El presente estudio se basó en datos recogidos en la investigación de tesis de maestría presentada al programa de posgrado stricto sensu en Gestión y Prácticas Educativas de la Universidad Nove de Julho – UNINOVE, titulada "¿Quién quiere hacer arte? A través de los patios de recreo de las aulas". Se señalaron tres situaciones importantes que, en cierta medida, contribuyen negativamente a las prácticas artísticas en el ámbito escolar. La ausencia de un espacio donde el componente curricular “Arte” pueda ser enseñado definitivamente fue sin duda la más expresiva entre esas situaciones. Para justificar la existencia de este espacio, era necesario prestar atención a la importancia del arte, tanto para el ciudadano común, como para el estudiante que luego hará uso de él en el entorno escolar, para que luego pueda reverberar más allá de él. Presentando justificaciones incansables a partir de nombres importantes y experiencias concretas, también nos permitimos experimentar espacios ya existentes, no sin alguna frustración. Hasta que terminamos en un escenario solitario, en un lienzo blanco o al comienzo de una nueva partitura musical, donde un espacio comienza su función principal: practicar el arte de una manera poderosa y libre. Así, al prestar especial atención a los espacios y su ausencia, esta investigación nos permitió, además de buscar respuestas, seguir la elaboración y construcción de una Sala Ambiente Artístico, además de observar nuevas y posibles prácticas artísticas docentes. El universo analizado fue una escuela primaria pública municipal II. Para fundamentar esta tesis, recurrimos a filósofos como Gilles Deleuze, Félix Guattari y Friedrich Nietzsche, además del investigador René Barbier y el historiador Ernst Gombrich, entre otras voces importantes que contribuyeron a esta construcción, que, como Anísio Teixeira y John Dewey, privilegia al arte como poder primero en educación.O presente estudo é pautado em dados coletados na pesquisa de dissertação de mestrado apresentada ao programa de pós-graduação stricto sensu em Gestão e Práticas Educacionais da Universidade Nove de Julho – UNINOVE, intitulada: “Quem quer fazer arte? Pelos playgrounds das salas de aula”. Foram apontadas três importantes situações que, em alguma medida, contribuem negativamente para as práticas artísticas no ambiente escolar. A ausência de um espaço onde o componente curricular “Arte” possa ser definitivamente ministrado foi indubitavelmente o mais expressivo dentre aquelas situações. Para justificarmos a existência deste espaço, é preciso nos atentarmos à importância da arte, tanto para o cidadão comum, como para o discente, que fará então uso dela em âmbito escolar, para que possa reverberar para além dela. Apresentadas incansáveis justificativas, partindo de importantes nomes e experiências concretas, nos permitimos também experienciar espaços já existentes, com alguma frustração. Até finalizarmos em um palco solitário, em uma tela branca ou no início de uma nova partitura, onde um espaço inicia sua função principal: praticar arte de forma potente e livre. Assim, ao nos atentarmos especificamente aos espaços e à ausência deles, esta pesquisa nos permitiu, além de buscar respostas, acompanhar a elaboração e a construção de uma Sala Ambiente de Arte, além de observar novas e possíveis práticas artísticas docentes. O universo estudado foi uma escola pública municipal de ensino fundamental II. Para fundamentar teoricamente esta tese, recorremos aos filósofos Gilles Deleuze, Félix Guattari e Friedrich Nietzsche, ao pesquisador René Barbier e ao historiador Ernst Gombrich, além de outras importantes vozes que contribuíram para esta construção, que, na educação, privilegia a arte como potência primeira, a exemplo de Anísio Teixeira e John Dewey.Submitted by Nadir Basilio (nadirsb@uninove.br) on 2024-08-08T20:56:19Z No. of bitstreams: 1 Paulo Saul Duek.pdf: 3900693 bytes, checksum: 9e7fe6933bd4c238ea89ded3a775ce2e (MD5)Made available in DSpace on 2024-08-08T20:56:19Z (GMT). No. of bitstreams: 1 Paulo Saul Duek.pdf: 3900693 bytes, checksum: 9e7fe6933bd4c238ea89ded3a775ce2e (MD5) Previous issue date: 2024-02-20application/pdfporUniversidade Nove de JulhoPrograma de Pós-Graduação em EducaçãoUNINOVEBrasilEducaçãoarteeducaçãoprática docentesala ambienteescola públicaarteducationteaching practiceroom environmentpublic schoolarteeducaciónpráctica docenteambiente de aulaescuela públicaCIENCIAS HUMANAS::EDUCACAOPráticas artísticas na educação: a sala ambienteArtistic practices in education: the ambient roominfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis-240345818910352367600info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da Uninoveinstname:Universidade Nove de Julho (UNINOVE)instacron:UNINOVEORIGINALPaulo Saul Duek.pdfPaulo Saul Duek.pdfapplication/pdf3933434http://localhost:8080/tede/bitstream/tede/3378/2/Paulo+Saul+Duek.pdf99bb90705f5ed00c01e9f1707b5dd509MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://localhost:8080/tede/bitstream/tede/3378/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51tede/33782024-08-13 18:19:36.303oai:localhost: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Biblioteca Digital de Teses e Dissertaçõeshttp://bibliotecatede.uninove.br/PRIhttp://bibliotecatede.uninove.br/oai/requestbibliotecatede@uninove.br||bibliotecatede@uninove.bropendoar:2024-08-13T21:19:36Biblioteca Digital de Teses e Dissertações da Uninove - Universidade Nove de Julho (UNINOVE)false |
dc.title.por.fl_str_mv |
Práticas artísticas na educação: a sala ambiente |
dc.title.alternative.eng.fl_str_mv |
Artistic practices in education: the ambient room |
title |
Práticas artísticas na educação: a sala ambiente |
spellingShingle |
Práticas artísticas na educação: a sala ambiente Duek, Paulo Saul arte educação prática docente sala ambiente escola pública art education teaching practice room environment public school arte educación práctica docente ambiente de aula escuela pública CIENCIAS HUMANAS::EDUCACAO |
title_short |
Práticas artísticas na educação: a sala ambiente |
title_full |
Práticas artísticas na educação: a sala ambiente |
title_fullStr |
Práticas artísticas na educação: a sala ambiente |
title_full_unstemmed |
Práticas artísticas na educação: a sala ambiente |
title_sort |
Práticas artísticas na educação: a sala ambiente |
author |
Duek, Paulo Saul |
author_facet |
Duek, Paulo Saul |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Baptista, Ana Maria Haddad |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9067453567671615 |
dc.contributor.referee1.fl_str_mv |
Baptista, Ana Maria Haddad |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/9067453567671615 |
dc.contributor.referee2.fl_str_mv |
Lima, Sonia Regina Albano de |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/1666271021207069 |
dc.contributor.referee3.fl_str_mv |
Alfeld, Elisabete |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/7653744281338524 |
dc.contributor.referee4.fl_str_mv |
Silva, Maurício Pedro da |
dc.contributor.referee4Lattes.fl_str_mv |
http://lattes.cnpq.br/8324280608314256 |
dc.contributor.referee5.fl_str_mv |
Teixeira, Rosiley Aparecida |
dc.contributor.referee5Lattes.fl_str_mv |
http://lattes.cnpq.br/9920259406963954 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/9065196090527197 |
dc.contributor.author.fl_str_mv |
Duek, Paulo Saul |
contributor_str_mv |
Baptista, Ana Maria Haddad Baptista, Ana Maria Haddad Lima, Sonia Regina Albano de Alfeld, Elisabete Silva, Maurício Pedro da Teixeira, Rosiley Aparecida |
dc.subject.por.fl_str_mv |
arte educação prática docente sala ambiente escola pública |
topic |
arte educação prática docente sala ambiente escola pública art education teaching practice room environment public school arte educación práctica docente ambiente de aula escuela pública CIENCIAS HUMANAS::EDUCACAO |
dc.subject.eng.fl_str_mv |
art education teaching practice room environment public school |
dc.subject.spa.fl_str_mv |
arte educación práctica docente ambiente de aula escuela pública |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::EDUCACAO |
description |
This study is based on data collected in the master's thesis research presented to the stricto sensu graduate program in Management and Educational Practices of Nove de Julho University – UNINOVE, titled: "Who Wants to Make Art? Through the Playgrounds of Classrooms.” Three important situations were pointed out that to some extent contribute negatively to artistic practices in the school environment. The absence of spaces where the curricular component “Art” could be systematically taught was undoubtedly the most significant among those situations. To justify the existence of such spaces, it is necessary to pay attention to the importance of Art, both for the ordinary citizen, as for the student who will then, as a teacher, make use of it in the school environment, so that it can reverberate beyond its boundaries. Presenting relentless justifications, starting from important names and concrete experiences, we have also taken the opportunity to experience already existing spaces, not without some frustration. We end up on a lonely stage, on a white canvas, or at the beginning of a new music score, where a space begins to operate its main function: the practice of art in a potent and free way. Thus, by paying specific attention to the spaces or their absence, this research, in addition to seeking answers, allowed us to follow the elaboration and construction of an Art Environment Room, and to observe new and potential teaching artistic procedures. The universe studied is a municipal public elementary school II. To theoretically substantiate this thesis, we shall resort to philosophers such as Gilles Deleuze, Félix Guattari, and Friedrich Nietzsche, researcher René Barbier and historian Ernst Gombrich, as well as other important voices who contributed to this construction, which privileges art as the primary potency in education, as do Anísio Teixeira and John Dewey. |
publishDate |
2024 |
dc.date.accessioned.fl_str_mv |
2024-08-08T20:56:19Z |
dc.date.issued.fl_str_mv |
2024-02-20 |
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Duek, Paulo Saul. Práticas artísticas na educação: a sala ambiente. 2024. 109 f. Tese( Programa de Pós-Graduação em Educação) - Universidade Nove de Julho, São Paulo. |
dc.identifier.uri.fl_str_mv |
http://bibliotecatede.uninove.br/handle/tede/3378 |
identifier_str_mv |
Duek, Paulo Saul. Práticas artísticas na educação: a sala ambiente. 2024. 109 f. Tese( Programa de Pós-Graduação em Educação) - Universidade Nove de Julho, São Paulo. |
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http://bibliotecatede.uninove.br/handle/tede/3378 |
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UNINOVE |
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Brasil |
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Educação |
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Universidade Nove de Julho |
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