The heterotopia of Brazilian museums and the displacements of Modernity
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Patryter |
Texto Completo: | https://periodicos.unb.br/index.php/patryter/article/view/27267 |
Resumo: | How can Foucault's notion of heterotopia serve us to evaluate conflicts observed in Brazilian museums in the 21st century? This is the question that stimulates this article: the territorialities that are currently manifested in museums put pressure on the organization of their exhibitions, the exhibition period and the visibility of their artists. Mitchell classifies this use of culture as proper to a cultural war, in which the expressions of interest groups project beyond the artistic sense of the debate, with clear intentions of political effect. Although the boundaries between politics, science and art cannot be easily defined and, as a rule, there is no phenomena dissociated from the political sphere, museums have not been standardized or organized to mediate and host political conflicts. In this displacement of politics in an advanced phase of Modernity, an attempt to rearrange forces that only make sense when associated with the organization of space can be observed. |
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The heterotopia of Brazilian museums and the displacements of ModernityLa heterotopía de los museos brasileños y los desplazamientos de la ModernidadA heterotopia dos museus brasileiros e os deslocamentos da ModernidadeHeterotopia. museu. territorialidade. modernidade.Heterotopia. museu. territorialidad. modernidadHeterotopia. museum. territoriality. modernityHow can Foucault's notion of heterotopia serve us to evaluate conflicts observed in Brazilian museums in the 21st century? This is the question that stimulates this article: the territorialities that are currently manifested in museums put pressure on the organization of their exhibitions, the exhibition period and the visibility of their artists. Mitchell classifies this use of culture as proper to a cultural war, in which the expressions of interest groups project beyond the artistic sense of the debate, with clear intentions of political effect. Although the boundaries between politics, science and art cannot be easily defined and, as a rule, there is no phenomena dissociated from the political sphere, museums have not been standardized or organized to mediate and host political conflicts. In this displacement of politics in an advanced phase of Modernity, an attempt to rearrange forces that only make sense when associated with the organization of space can be observed.¿Cómo nos puede servir la noción de heterotopía de Foucault para evaluar los conflictos observados en los museos brasileños a principios del siglo XXI? Esta es la pregunta que anima este artículo: las territorialidades que se manifiestan actualmente en los museos ejercen presión sobre la organización de sus exposiciones, el tiempo de exposición y la visibilidad de sus artistas. Mitchell clasifica este uso de la cultura como propio de una guerra cultural, en la que las expresiones de los grupos de interés se proyectan más allá del sentido artístico del debate, con claras intenciones de proyección política. Aunque los límites entre política, ciencia y arte no puedan definirse fácilmente y, por regla general, no existe un fenómeno disociado de la esfera política, los museos no han sido estandarizados u organizados para mediar y recibir conflictos políticos. En este desplazamiento de la política en una fase avanzada de la Modernidad, se puede observar un intento de reorganizar las fuerzas que solo tienen sentido cuando se asocian con la organización del espacio.Como a noção de heterotopia de Foucault pode nos servir para avaliar os conflitos observados nos museus brasileiros durante o início do século XXI? Esta é a pergunta que anima este artigo: as territorialidades que se manifestam atualmente nos museus pressionam a organização de suas exposições, o tempo de exibição e a visibilidade de seus artistas. Mitchell classifica esse uso da cultura como próprio a uma guerra cultural, no qual as expressões dos grupos de interesse se projetam para além do sentido artístico do debate, com claras intenções de projeção política. Ainda que os limites entre política, ciência e arte não possam ser definidos com facilidade e que, via de regra, não há fenômeno dissociado da esfera política, os museus não foram normatizados ou organizados para mediar e sediar os conflitos políticos. Nesse deslocamento da política em uma fase avançada da Modernidade, pode ser observado uma tentativa de rearranjo de forças que só ganham sentido quando associado à organização do espaço.Grupo de Pesquisas CNPq Cidades e Patrimonialização na América Latina e Caribe - Programa de Pós-graduaçao em Geografia/UnB2020-03-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.unb.br/index.php/patryter/article/view/2726710.26512/patryter.v3i5.27267PatryTer; Vol. 3 Núm. 5 (2020); 14-29PatryTer; v. 3 n. 5 (2020); 14-292595-016910.26512/patryter.v3i5reponame:Patryterinstname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/patryter/article/view/27267/25213Copyright (c) 2020 PatryTerhttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessValverde, Rodrigo Ramos Felippe2021-03-30T21:52:45Zoai:ojs.pkp.sfu.ca:article/27267Revistahttp://periodicos.unb.br/index.php/patryterPUBhttps://periodicos.unb.br/index.php/patryter/oairevistapatryter@gmail.com || portaldeperiodicos@bce.unb.br2595-01692595-0169opendoar:2021-03-30T21:52:45Patryter - Universidade de Brasília (UnB)false |
dc.title.none.fl_str_mv |
The heterotopia of Brazilian museums and the displacements of Modernity La heterotopía de los museos brasileños y los desplazamientos de la Modernidad A heterotopia dos museus brasileiros e os deslocamentos da Modernidade |
title |
The heterotopia of Brazilian museums and the displacements of Modernity |
spellingShingle |
The heterotopia of Brazilian museums and the displacements of Modernity Valverde, Rodrigo Ramos Felippe Heterotopia. museu. territorialidade. modernidade. Heterotopia. museu. territorialidad. modernidad Heterotopia. museum. territoriality. modernity |
title_short |
The heterotopia of Brazilian museums and the displacements of Modernity |
title_full |
The heterotopia of Brazilian museums and the displacements of Modernity |
title_fullStr |
The heterotopia of Brazilian museums and the displacements of Modernity |
title_full_unstemmed |
The heterotopia of Brazilian museums and the displacements of Modernity |
title_sort |
The heterotopia of Brazilian museums and the displacements of Modernity |
author |
Valverde, Rodrigo Ramos Felippe |
author_facet |
Valverde, Rodrigo Ramos Felippe |
author_role |
author |
dc.contributor.author.fl_str_mv |
Valverde, Rodrigo Ramos Felippe |
dc.subject.por.fl_str_mv |
Heterotopia. museu. territorialidade. modernidade. Heterotopia. museu. territorialidad. modernidad Heterotopia. museum. territoriality. modernity |
topic |
Heterotopia. museu. territorialidade. modernidade. Heterotopia. museu. territorialidad. modernidad Heterotopia. museum. territoriality. modernity |
description |
How can Foucault's notion of heterotopia serve us to evaluate conflicts observed in Brazilian museums in the 21st century? This is the question that stimulates this article: the territorialities that are currently manifested in museums put pressure on the organization of their exhibitions, the exhibition period and the visibility of their artists. Mitchell classifies this use of culture as proper to a cultural war, in which the expressions of interest groups project beyond the artistic sense of the debate, with clear intentions of political effect. Although the boundaries between politics, science and art cannot be easily defined and, as a rule, there is no phenomena dissociated from the political sphere, museums have not been standardized or organized to mediate and host political conflicts. In this displacement of politics in an advanced phase of Modernity, an attempt to rearrange forces that only make sense when associated with the organization of space can be observed. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-03-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.unb.br/index.php/patryter/article/view/27267 10.26512/patryter.v3i5.27267 |
url |
https://periodicos.unb.br/index.php/patryter/article/view/27267 |
identifier_str_mv |
10.26512/patryter.v3i5.27267 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.unb.br/index.php/patryter/article/view/27267/25213 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 PatryTer https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 PatryTer https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Grupo de Pesquisas CNPq Cidades e Patrimonialização na América Latina e Caribe - Programa de Pós-graduaçao em Geografia/UnB |
publisher.none.fl_str_mv |
Grupo de Pesquisas CNPq Cidades e Patrimonialização na América Latina e Caribe - Programa de Pós-graduaçao em Geografia/UnB |
dc.source.none.fl_str_mv |
PatryTer; Vol. 3 Núm. 5 (2020); 14-29 PatryTer; v. 3 n. 5 (2020); 14-29 2595-0169 10.26512/patryter.v3i5 reponame:Patryter instname:Universidade de Brasília (UnB) instacron:UNB |
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Universidade de Brasília (UnB) |
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UNB |
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UNB |
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Patryter |
collection |
Patryter |
repository.name.fl_str_mv |
Patryter - Universidade de Brasília (UnB) |
repository.mail.fl_str_mv |
revistapatryter@gmail.com || portaldeperiodicos@bce.unb.br |
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1797231573612888064 |