Scenography in the theater and exhibition spaces: an approach beyond representation
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Transinformação (Online) |
Texto Completo: | https://periodicos.puc-campinas.edu.br/transinfo/article/view/6160 |
Resumo: | Scenography plays an important role in the contemporary context of museums; however, there are some misconceptions and prejudices concerning the outdated idea that limits scenography to representation, simulation, and theatricality. At present museums increasingly invest in flexible spaces that can be modified and adjusted to any new curatorial project. The scenography of exhibitions is a resource built in a space to offer the visitor a sensitive experience of a chosen content through color, pathways, and images. This article analyzes scenography in its historical dimension presenting a panorama of its development in theater and its contemporary use in Museology. |
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Scenography in the theater and exhibition spaces: an approach beyond representationCenografia no teatro e nos espaços expositivos: uma abordagem além da representaçãoScenographyExpographyMuseologyMuseumsCenografiaExpografia MuseologiaMuseusScenography plays an important role in the contemporary context of museums; however, there are some misconceptions and prejudices concerning the outdated idea that limits scenography to representation, simulation, and theatricality. At present museums increasingly invest in flexible spaces that can be modified and adjusted to any new curatorial project. The scenography of exhibitions is a resource built in a space to offer the visitor a sensitive experience of a chosen content through color, pathways, and images. This article analyzes scenography in its historical dimension presenting a panorama of its development in theater and its contemporary use in Museology.A cenografia tem um papel importante no contexto contemporâneo dos museus, no entanto, sobre ela, recaem alguns equívocos e preconceitos ligados à ideia ultrapassada que limita cenografia à representação, à simulação e à teatralidade. Atualmente, os museus investem, cada vez mais, em espaços flexíveis que possam ser modificados e adaptados a cada novo projeto curatorial.A cenografia de exposições é um recurso que se constrói no espaço para oferecer ao visitante uma experiência sensível doconteúdo escolhido por meio da cor, dos percursos e das imagens. Este artigo analisa a cenografia em sua dimensão histórica,apresentando um panorama de sua evolução no teatro e sua aplicação contemporânea na Museologia.Núcleo de Editoração - PUC-Campinas2012-11-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.puc-campinas.edu.br/transinfo/article/view/6160Transinformação; Vol. 24 No. 3 (2012)Transinformação; Vol. 24 Núm. 3 (2012)Transinformação; v. 24 n. 3 (2012)2318-08890103-3786reponame:Transinformação (Online)instname:Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS)instacron:PUC_CAMPporhttps://periodicos.puc-campinas.edu.br/transinfo/article/view/6160/3864Copyright (c) 2022 Transinformaçãohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessROSSINI, Elcio 2024-04-01T13:17:43Zoai:ojs.periodicos.puc-campinas.edu.br:article/6160Revistahttp://periodicos.puc-campinas.edu.br/seer/index.php/transinfo/indexPRIhttps://old.scielo.br/oai/scielo-oai.phpsbi.nucleodeeditoracao@puc-campinas.edu.br2318-08890103-3786opendoar:2024-04-01T13:17:43Transinformação (Online) - Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS)false |
dc.title.none.fl_str_mv |
Scenography in the theater and exhibition spaces: an approach beyond representation Cenografia no teatro e nos espaços expositivos: uma abordagem além da representação |
title |
Scenography in the theater and exhibition spaces: an approach beyond representation |
spellingShingle |
Scenography in the theater and exhibition spaces: an approach beyond representation ROSSINI, Elcio Scenography Expography Museology Museums Cenografia Expografia Museologia Museus |
title_short |
Scenography in the theater and exhibition spaces: an approach beyond representation |
title_full |
Scenography in the theater and exhibition spaces: an approach beyond representation |
title_fullStr |
Scenography in the theater and exhibition spaces: an approach beyond representation |
title_full_unstemmed |
Scenography in the theater and exhibition spaces: an approach beyond representation |
title_sort |
Scenography in the theater and exhibition spaces: an approach beyond representation |
author |
ROSSINI, Elcio |
author_facet |
ROSSINI, Elcio |
author_role |
author |
dc.contributor.author.fl_str_mv |
ROSSINI, Elcio |
dc.subject.por.fl_str_mv |
Scenography Expography Museology Museums Cenografia Expografia Museologia Museus |
topic |
Scenography Expography Museology Museums Cenografia Expografia Museologia Museus |
description |
Scenography plays an important role in the contemporary context of museums; however, there are some misconceptions and prejudices concerning the outdated idea that limits scenography to representation, simulation, and theatricality. At present museums increasingly invest in flexible spaces that can be modified and adjusted to any new curatorial project. The scenography of exhibitions is a resource built in a space to offer the visitor a sensitive experience of a chosen content through color, pathways, and images. This article analyzes scenography in its historical dimension presenting a panorama of its development in theater and its contemporary use in Museology. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-11-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.puc-campinas.edu.br/transinfo/article/view/6160 |
url |
https://periodicos.puc-campinas.edu.br/transinfo/article/view/6160 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.puc-campinas.edu.br/transinfo/article/view/6160/3864 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Transinformação https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Transinformação https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Núcleo de Editoração - PUC-Campinas |
publisher.none.fl_str_mv |
Núcleo de Editoração - PUC-Campinas |
dc.source.none.fl_str_mv |
Transinformação; Vol. 24 No. 3 (2012) Transinformação; Vol. 24 Núm. 3 (2012) Transinformação; v. 24 n. 3 (2012) 2318-0889 0103-3786 reponame:Transinformação (Online) instname:Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS) instacron:PUC_CAMP |
instname_str |
Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS) |
instacron_str |
PUC_CAMP |
institution |
PUC_CAMP |
reponame_str |
Transinformação (Online) |
collection |
Transinformação (Online) |
repository.name.fl_str_mv |
Transinformação (Online) - Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS) |
repository.mail.fl_str_mv |
sbi.nucleodeeditoracao@puc-campinas.edu.br |
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1799125985477525504 |