CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Caminhos (Goiânia. Online) |
Texto Completo: | https://seer.pucgoias.edu.br/index.php/caminhos/article/view/13364 |
Resumo: | This article has as object the person of Friar Confaloni, an Italian-Goiano who proclaimed the Good News as a missionary and had the courage to denounce, through brushes, political and social inequalities. His goal was the defense of justice. At a methodological level, in addition to the theoretical bibliography, a sociological reading was sought through the conflictual model, in order to understand its option for the discarded in the Brazilian interior. As an Italian "novecentista" painter, he gradually transformed himself into someone who identified with the marginalized. Priest and reference painter, he was able to update biblical texts contemplating the indigenous, black and peasant face. In the "aggiornamento" of the Bible with reality, he denounced the Brazilian tortures. The biblical Jesus has the face of the suffering Brazilians of the base. In the denunciations, he expressed the hope that comes from God. The hypothesis defines him, not as a theologian of liberation, but as a missionary who, based on his brushes, can be called a painter/prophet of liberation. |
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CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHESCONFALONI, O PROFETA QUE ANUNCIOU E DENUNCIOU PELOS PINCÉISProphetPainterJusticeComplaintAnnouncementProfeta. Pintor. Justiça. Denúncia. AnúncioThis article has as object the person of Friar Confaloni, an Italian-Goiano who proclaimed the Good News as a missionary and had the courage to denounce, through brushes, political and social inequalities. His goal was the defense of justice. At a methodological level, in addition to the theoretical bibliography, a sociological reading was sought through the conflictual model, in order to understand its option for the discarded in the Brazilian interior. As an Italian "novecentista" painter, he gradually transformed himself into someone who identified with the marginalized. Priest and reference painter, he was able to update biblical texts contemplating the indigenous, black and peasant face. In the "aggiornamento" of the Bible with reality, he denounced the Brazilian tortures. The biblical Jesus has the face of the suffering Brazilians of the base. In the denunciations, he expressed the hope that comes from God. The hypothesis defines him, not as a theologian of liberation, but as a missionary who, based on his brushes, can be called a painter/prophet of liberation.Este artigo tem como objeto a pessoa de Frei Confaloni, um italiano-goiano que proclamou a Boa Nova como missionário e teve a coragem de denunciar, pelos pinceis, as desigualdades políticas e sociais. Sua meta era a defesa da justiça. Em nível metodológico, além da bibliografia teórica, buscou-se a leitura sociológica pelo modelo conflitual, para se entender a sua opção pelos descartados do interior brasileiro. Como pintor "novecentista” italiano, ele foi se transformando em alguém que se identificava com os marginalizados. Presbítero e pintor de referência, pôde atualizar textos bíblicos contemplando o rosto indígena, negro e campesino. No “aggiornamento” da Bíblia com a realidade, denunciou as torturas brasileiras. O Jesus bíblico tem o rosto dos sofridos brasileiros da base. Nas denúncias, expressava a esperança que vem de Deus. A hipótese o define, não como teólogo da libertação, mas como um missionário que, pelos pincéis, pode ser chamado de pintor/profeta da libertação.Editora da Pontifícia Universidade Católica de Goiás2023-09-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.pucgoias.edu.br/index.php/caminhos/article/view/1336410.18224/cam.v21i2.13364Caminhos - Journal of Religion Sciences; Vol. 21 No. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-454Caminhos - Revista Ciencias Religiosas; Vol. 21 Núm. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-454Caminhos - Rivista di Scienze Religiose; V. 21 N. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-454Caminhos - Revista de Ciências da Religião; v. 21 n. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-4541983-778X10.18224/cam.v21.n2.2023reponame:Caminhos (Goiânia. Online)instname:Pontifícia Universidade Católica de Goiás (PUC-GO)instacron:PUC_GOporhttps://seer.pucgoias.edu.br/index.php/caminhos/article/view/13364/6358Copyright (c) 2023 Joel Antônio Ferreirahttps://creativecommons.org/licenses/by-nc-nd/4.0/deed.eninfo:eu-repo/semantics/openAccessFerreira, Joel Antônio2023-09-01T12:21:13Zoai:ojs2.seer.pucgoias.edu.br:article/13364Revistahttps://seer.pucgoias.edu.br/index.php/caminhos/indexPUBhttps://seer.pucgoias.edu.br/index.php/caminhos/oaikeilamatos.puc@gmail.com1983-778X1678-3034opendoar:2023-09-01T12:21:13Caminhos (Goiânia. Online) - Pontifícia Universidade Católica de Goiás (PUC-GO)false |
dc.title.none.fl_str_mv |
CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES CONFALONI, O PROFETA QUE ANUNCIOU E DENUNCIOU PELOS PINCÉIS |
title |
CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES |
spellingShingle |
CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES Ferreira, Joel Antônio Prophet Painter Justice Complaint Announcement Profeta. Pintor. Justiça. Denúncia. Anúncio |
title_short |
CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES |
title_full |
CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES |
title_fullStr |
CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES |
title_full_unstemmed |
CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES |
title_sort |
CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES |
author |
Ferreira, Joel Antônio |
author_facet |
Ferreira, Joel Antônio |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ferreira, Joel Antônio |
dc.subject.por.fl_str_mv |
Prophet Painter Justice Complaint Announcement Profeta. Pintor. Justiça. Denúncia. Anúncio |
topic |
Prophet Painter Justice Complaint Announcement Profeta. Pintor. Justiça. Denúncia. Anúncio |
description |
This article has as object the person of Friar Confaloni, an Italian-Goiano who proclaimed the Good News as a missionary and had the courage to denounce, through brushes, political and social inequalities. His goal was the defense of justice. At a methodological level, in addition to the theoretical bibliography, a sociological reading was sought through the conflictual model, in order to understand its option for the discarded in the Brazilian interior. As an Italian "novecentista" painter, he gradually transformed himself into someone who identified with the marginalized. Priest and reference painter, he was able to update biblical texts contemplating the indigenous, black and peasant face. In the "aggiornamento" of the Bible with reality, he denounced the Brazilian tortures. The biblical Jesus has the face of the suffering Brazilians of the base. In the denunciations, he expressed the hope that comes from God. The hypothesis defines him, not as a theologian of liberation, but as a missionary who, based on his brushes, can be called a painter/prophet of liberation. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-09-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.pucgoias.edu.br/index.php/caminhos/article/view/13364 10.18224/cam.v21i2.13364 |
url |
https://seer.pucgoias.edu.br/index.php/caminhos/article/view/13364 |
identifier_str_mv |
10.18224/cam.v21i2.13364 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.pucgoias.edu.br/index.php/caminhos/article/view/13364/6358 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Joel Antônio Ferreira https://creativecommons.org/licenses/by-nc-nd/4.0/deed.en info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Joel Antônio Ferreira https://creativecommons.org/licenses/by-nc-nd/4.0/deed.en |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da Pontifícia Universidade Católica de Goiás |
publisher.none.fl_str_mv |
Editora da Pontifícia Universidade Católica de Goiás |
dc.source.none.fl_str_mv |
Caminhos - Journal of Religion Sciences; Vol. 21 No. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-454 Caminhos - Revista Ciencias Religiosas; Vol. 21 Núm. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-454 Caminhos - Rivista di Scienze Religiose; V. 21 N. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-454 Caminhos - Revista de Ciências da Religião; v. 21 n. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-454 1983-778X 10.18224/cam.v21.n2.2023 reponame:Caminhos (Goiânia. Online) instname:Pontifícia Universidade Católica de Goiás (PUC-GO) instacron:PUC_GO |
instname_str |
Pontifícia Universidade Católica de Goiás (PUC-GO) |
instacron_str |
PUC_GO |
institution |
PUC_GO |
reponame_str |
Caminhos (Goiânia. Online) |
collection |
Caminhos (Goiânia. Online) |
repository.name.fl_str_mv |
Caminhos (Goiânia. Online) - Pontifícia Universidade Católica de Goiás (PUC-GO) |
repository.mail.fl_str_mv |
keilamatos.puc@gmail.com |
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