CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES

Detalhes bibliográficos
Autor(a) principal: Ferreira, Joel Antônio
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Caminhos (Goiânia. Online)
Texto Completo: https://seer.pucgoias.edu.br/index.php/caminhos/article/view/13364
Resumo: This article has as object the person of Friar Confaloni, an Italian-Goiano who proclaimed the Good News as a missionary and had the courage to denounce, through brushes, political and social inequalities. His goal was the defense of justice. At a methodological level, in addition to the theoretical bibliography, a sociological reading was sought through the conflictual model, in order to understand its option for the discarded in the Brazilian interior. As an Italian "novecentista" painter, he gradually transformed himself into someone who identified with the marginalized. Priest and reference painter, he was able to update biblical texts contemplating the indigenous, black and peasant face. In the "aggiornamento" of the Bible with reality, he denounced the Brazilian tortures. The biblical Jesus has the face of the suffering Brazilians of the base. In the denunciations, he expressed the hope that comes from God. The hypothesis defines him, not as a theologian of liberation, but as a missionary who, based on his brushes, can be called a painter/prophet of liberation.
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spelling CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHESCONFALONI, O PROFETA QUE ANUNCIOU E DENUNCIOU PELOS PINCÉISProphetPainterJusticeComplaintAnnouncementProfeta. Pintor. Justiça. Denúncia. AnúncioThis article has as object the person of Friar Confaloni, an Italian-Goiano who proclaimed the Good News as a missionary and had the courage to denounce, through brushes, political and social inequalities. His goal was the defense of justice. At a methodological level, in addition to the theoretical bibliography, a sociological reading was sought through the conflictual model, in order to understand its option for the discarded in the Brazilian interior. As an Italian "novecentista" painter, he gradually transformed himself into someone who identified with the marginalized. Priest and reference painter, he was able to update biblical texts contemplating the indigenous, black and peasant face. In the "aggiornamento" of the Bible with reality, he denounced the Brazilian tortures. The biblical Jesus has the face of the suffering Brazilians of the base. In the denunciations, he expressed the hope that comes from God. The hypothesis defines him, not as a theologian of liberation, but as a missionary who, based on his brushes, can be called a painter/prophet of liberation.Este artigo tem como objeto a pessoa de Frei Confaloni, um italiano-goiano que proclamou a Boa Nova como missionário e teve a coragem de denunciar, pelos pinceis, as desigualdades políticas e sociais. Sua meta era a defesa da justiça. Em nível metodológico, além da bibliografia teórica, buscou-se a leitura sociológica pelo modelo conflitual, para se entender a sua opção pelos descartados do interior brasileiro. Como pintor "novecentista” italiano, ele foi se transformando em alguém que se identificava com os marginalizados. Presbítero e pintor de referência, pôde atualizar textos bíblicos contemplando o rosto indígena, negro e campesino. No “aggiornamento” da Bíblia com a realidade, denunciou as torturas brasileiras. O Jesus bíblico tem o rosto dos sofridos brasileiros da base. Nas denúncias, expressava a esperança que vem de Deus. A hipótese o define, não como teólogo da libertação, mas como um missionário que, pelos pincéis, pode ser chamado de pintor/profeta da libertação.Editora da Pontifícia Universidade Católica de Goiás2023-09-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.pucgoias.edu.br/index.php/caminhos/article/view/1336410.18224/cam.v21i2.13364Caminhos - Journal of Religion Sciences; Vol. 21 No. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-454Caminhos - Revista Ciencias Religiosas; Vol. 21 Núm. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-454Caminhos - Rivista di Scienze Religiose; V. 21 N. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-454Caminhos - Revista de Ciências da Religião; v. 21 n. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-4541983-778X10.18224/cam.v21.n2.2023reponame:Caminhos (Goiânia. Online)instname:Pontifícia Universidade Católica de Goiás (PUC-GO)instacron:PUC_GOporhttps://seer.pucgoias.edu.br/index.php/caminhos/article/view/13364/6358Copyright (c) 2023 Joel Antônio Ferreirahttps://creativecommons.org/licenses/by-nc-nd/4.0/deed.eninfo:eu-repo/semantics/openAccessFerreira, Joel Antônio2023-09-01T12:21:13Zoai:ojs2.seer.pucgoias.edu.br:article/13364Revistahttps://seer.pucgoias.edu.br/index.php/caminhos/indexPUBhttps://seer.pucgoias.edu.br/index.php/caminhos/oaikeilamatos.puc@gmail.com1983-778X1678-3034opendoar:2023-09-01T12:21:13Caminhos (Goiânia. Online) - Pontifícia Universidade Católica de Goiás (PUC-GO)false
dc.title.none.fl_str_mv CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES
CONFALONI, O PROFETA QUE ANUNCIOU E DENUNCIOU PELOS PINCÉIS
title CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES
spellingShingle CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES
Ferreira, Joel Antônio
Prophet
Painter
Justice
Complaint
Announcement
Profeta. Pintor. Justiça. Denúncia. Anúncio
title_short CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES
title_full CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES
title_fullStr CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES
title_full_unstemmed CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES
title_sort CONFALONI, THE PROPHET WHO PROCLAIMED THE GOSPEL THROUGH THE BRUSHES
author Ferreira, Joel Antônio
author_facet Ferreira, Joel Antônio
author_role author
dc.contributor.author.fl_str_mv Ferreira, Joel Antônio
dc.subject.por.fl_str_mv Prophet
Painter
Justice
Complaint
Announcement
Profeta. Pintor. Justiça. Denúncia. Anúncio
topic Prophet
Painter
Justice
Complaint
Announcement
Profeta. Pintor. Justiça. Denúncia. Anúncio
description This article has as object the person of Friar Confaloni, an Italian-Goiano who proclaimed the Good News as a missionary and had the courage to denounce, through brushes, political and social inequalities. His goal was the defense of justice. At a methodological level, in addition to the theoretical bibliography, a sociological reading was sought through the conflictual model, in order to understand its option for the discarded in the Brazilian interior. As an Italian "novecentista" painter, he gradually transformed himself into someone who identified with the marginalized. Priest and reference painter, he was able to update biblical texts contemplating the indigenous, black and peasant face. In the "aggiornamento" of the Bible with reality, he denounced the Brazilian tortures. The biblical Jesus has the face of the suffering Brazilians of the base. In the denunciations, he expressed the hope that comes from God. The hypothesis defines him, not as a theologian of liberation, but as a missionary who, based on his brushes, can be called a painter/prophet of liberation.
publishDate 2023
dc.date.none.fl_str_mv 2023-09-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.pucgoias.edu.br/index.php/caminhos/article/view/13364
10.18224/cam.v21i2.13364
url https://seer.pucgoias.edu.br/index.php/caminhos/article/view/13364
identifier_str_mv 10.18224/cam.v21i2.13364
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.pucgoias.edu.br/index.php/caminhos/article/view/13364/6358
dc.rights.driver.fl_str_mv Copyright (c) 2023 Joel Antônio Ferreira
https://creativecommons.org/licenses/by-nc-nd/4.0/deed.en
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Joel Antônio Ferreira
https://creativecommons.org/licenses/by-nc-nd/4.0/deed.en
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da Pontifícia Universidade Católica de Goiás
publisher.none.fl_str_mv Editora da Pontifícia Universidade Católica de Goiás
dc.source.none.fl_str_mv Caminhos - Journal of Religion Sciences; Vol. 21 No. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-454
Caminhos - Revista Ciencias Religiosas; Vol. 21 Núm. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-454
Caminhos - Rivista di Scienze Religiose; V. 21 N. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-454
Caminhos - Revista de Ciências da Religião; v. 21 n. 2 (2023): DOSSIÊ: RELIGIÃO, ARTE E CULTURA: MULTIPLICIDADES CONVERGENTES; 441-454
1983-778X
10.18224/cam.v21.n2.2023
reponame:Caminhos (Goiânia. Online)
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instname_str Pontifícia Universidade Católica de Goiás (PUC-GO)
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reponame_str Caminhos (Goiânia. Online)
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repository.name.fl_str_mv Caminhos (Goiânia. Online) - Pontifícia Universidade Católica de Goiás (PUC-GO)
repository.mail.fl_str_mv keilamatos.puc@gmail.com
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