REPRESENTATIVE REMINISCENCIES IN THE POEM: “CONGRESSO INTERNACIONAL DO MEDO”, BY CARLOS DRUMMOND DE ANDRADE

Detalhes bibliográficos
Autor(a) principal: Coelho, Giza Castro Moreira
Data de Publicação: 2023
Outros Autores: Pinheiro Neto, José Elias
Tipo de documento: Artigo
Idioma: por
Título da fonte: Guará
Texto Completo: https://seer.pucgoias.edu.br/index.php/guara/article/view/12623
Resumo: This text studies fear and trauma through the memories involved in the historical, artistic, political and literary aspects happened during World War II. The object of study is the poem by Carlos Drummond de Andrade, international Congress of Fear”. The objective is to understand how the events took place and what factors portray the artistic and social manifestations, is a ibliographical research that brings: Antonio Candido (2017), Márcio Seligmann-Silva (2003), Aleida Assmann (2011), Henri Bergson (2010) among others.
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spelling REPRESENTATIVE REMINISCENCIES IN THE POEM: “CONGRESSO INTERNACIONAL DO MEDO”, BY CARLOS DRUMMOND DE ANDRADEREMINISCÊNCIAS REPRESENTATIVAS NO POEMA: “CONGRESSO INTERNACIONAL DO MEDO” DE CARLOS DRUMMOND DE ANDRADEMilitarismoMedoTraumaLembrança.PoesiaPoesiaPoetryMilitarismFearTraumaMemoryThis text studies fear and trauma through the memories involved in the historical, artistic, political and literary aspects happened during World War II. The object of study is the poem by Carlos Drummond de Andrade, international Congress of Fear”. The objective is to understand how the events took place and what factors portray the artistic and social manifestations, is a ibliographical research that brings: Antonio Candido (2017), Márcio Seligmann-Silva (2003), Aleida Assmann (2011), Henri Bergson (2010) among others.Este texto estuda o medo e o trauma por intermédio das lembranças envolvidas pelos aspectos históricos, artísticos, políticos e literários acontecidos durante a II Guerra Mundial. O objeto de estudo é o poema de Carlos Drummond de Andrade, “Congresso Internacional do Medo”. O objetivo é compreender como se deram os acontecimentos e quais fatores retratam as manifestações artísticas e sociais, é uma pesquisa bibliográfica que traz: Antonio Candido (2017), Márcio Seligmann-Silva (2003), Aleida Assmann (2011), Henri Bergson (2010) entre outros.Editora da Pontifícia Universidade Católica de Goiás2023-06-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.pucgoias.edu.br/index.php/guara/article/view/1262310.18224/gua.v12i1.12623Revista Guará - Language and Literature Journal; Vol. 12 (2022): Centenário de José Saramago; 45-57Revista Guará - Revista de Lengua y Literatura; Vol. 12 (2022): Centenário de José Saramago; 45-57Revista Guará - Revista de Linguagem e Literatura; v. 12 (2022): Centenário de José Saramago; 45-572237-495710.18224/gua.v12i1reponame:Guaráinstname:Pontifícia Universidade Católica de Goiás (PUC-GO)instacron:PUC_GOporhttps://seer.pucgoias.edu.br/index.php/guara/article/view/12623/6272Copyright (c) 2023 Giza Castro Moreira Coelho, José Elias Pinheiro Netohttp://creativecommons.org/licenses/by-nd/4.0info:eu-repo/semantics/openAccessCoelho, Giza Castro MoreiraPinheiro Neto, José Elias2024-01-26T17:22:19Zoai:ojs2.seer.pucgoias.edu.br:article/12623Revistahttp://seer.pucgoias.edu.br/index.php/guaraONGhttps://seer.pucgoias.edu.br/index.php/guara/oairevguara@pucgoias.edu.br||felixpadua@pucgoias.edu.br||guara@pucgoias.edu.br2237-49572237-4957opendoar:2024-01-26T17:22:19Guará - Pontifícia Universidade Católica de Goiás (PUC-GO)false
dc.title.none.fl_str_mv REPRESENTATIVE REMINISCENCIES IN THE POEM: “CONGRESSO INTERNACIONAL DO MEDO”, BY CARLOS DRUMMOND DE ANDRADE
REMINISCÊNCIAS REPRESENTATIVAS NO POEMA: “CONGRESSO INTERNACIONAL DO MEDO” DE CARLOS DRUMMOND DE ANDRADE
title REPRESENTATIVE REMINISCENCIES IN THE POEM: “CONGRESSO INTERNACIONAL DO MEDO”, BY CARLOS DRUMMOND DE ANDRADE
spellingShingle REPRESENTATIVE REMINISCENCIES IN THE POEM: “CONGRESSO INTERNACIONAL DO MEDO”, BY CARLOS DRUMMOND DE ANDRADE
Coelho, Giza Castro Moreira
Militarismo
Medo
Trauma
Lembrança.
Poesia
Poesia
Poetry
Militarism
Fear
Trauma
Memory
title_short REPRESENTATIVE REMINISCENCIES IN THE POEM: “CONGRESSO INTERNACIONAL DO MEDO”, BY CARLOS DRUMMOND DE ANDRADE
title_full REPRESENTATIVE REMINISCENCIES IN THE POEM: “CONGRESSO INTERNACIONAL DO MEDO”, BY CARLOS DRUMMOND DE ANDRADE
title_fullStr REPRESENTATIVE REMINISCENCIES IN THE POEM: “CONGRESSO INTERNACIONAL DO MEDO”, BY CARLOS DRUMMOND DE ANDRADE
title_full_unstemmed REPRESENTATIVE REMINISCENCIES IN THE POEM: “CONGRESSO INTERNACIONAL DO MEDO”, BY CARLOS DRUMMOND DE ANDRADE
title_sort REPRESENTATIVE REMINISCENCIES IN THE POEM: “CONGRESSO INTERNACIONAL DO MEDO”, BY CARLOS DRUMMOND DE ANDRADE
author Coelho, Giza Castro Moreira
author_facet Coelho, Giza Castro Moreira
Pinheiro Neto, José Elias
author_role author
author2 Pinheiro Neto, José Elias
author2_role author
dc.contributor.author.fl_str_mv Coelho, Giza Castro Moreira
Pinheiro Neto, José Elias
dc.subject.por.fl_str_mv Militarismo
Medo
Trauma
Lembrança.
Poesia
Poesia
Poetry
Militarism
Fear
Trauma
Memory
topic Militarismo
Medo
Trauma
Lembrança.
Poesia
Poesia
Poetry
Militarism
Fear
Trauma
Memory
description This text studies fear and trauma through the memories involved in the historical, artistic, political and literary aspects happened during World War II. The object of study is the poem by Carlos Drummond de Andrade, international Congress of Fear”. The objective is to understand how the events took place and what factors portray the artistic and social manifestations, is a ibliographical research that brings: Antonio Candido (2017), Márcio Seligmann-Silva (2003), Aleida Assmann (2011), Henri Bergson (2010) among others.
publishDate 2023
dc.date.none.fl_str_mv 2023-06-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.pucgoias.edu.br/index.php/guara/article/view/12623
10.18224/gua.v12i1.12623
url https://seer.pucgoias.edu.br/index.php/guara/article/view/12623
identifier_str_mv 10.18224/gua.v12i1.12623
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.pucgoias.edu.br/index.php/guara/article/view/12623/6272
dc.rights.driver.fl_str_mv Copyright (c) 2023 Giza Castro Moreira Coelho, José Elias Pinheiro Neto
http://creativecommons.org/licenses/by-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Giza Castro Moreira Coelho, José Elias Pinheiro Neto
http://creativecommons.org/licenses/by-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da Pontifícia Universidade Católica de Goiás
publisher.none.fl_str_mv Editora da Pontifícia Universidade Católica de Goiás
dc.source.none.fl_str_mv Revista Guará - Language and Literature Journal; Vol. 12 (2022): Centenário de José Saramago; 45-57
Revista Guará - Revista de Lengua y Literatura; Vol. 12 (2022): Centenário de José Saramago; 45-57
Revista Guará - Revista de Linguagem e Literatura; v. 12 (2022): Centenário de José Saramago; 45-57
2237-4957
10.18224/gua.v12i1
reponame:Guará
instname:Pontifícia Universidade Católica de Goiás (PUC-GO)
instacron:PUC_GO
instname_str Pontifícia Universidade Católica de Goiás (PUC-GO)
instacron_str PUC_GO
institution PUC_GO
reponame_str Guará
collection Guará
repository.name.fl_str_mv Guará - Pontifícia Universidade Católica de Goiás (PUC-GO)
repository.mail.fl_str_mv revguara@pucgoias.edu.br||felixpadua@pucgoias.edu.br||guara@pucgoias.edu.br
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