Collections in Atonement, Oranges Are Not the Only Fruit, Bring up the bodies, and Cloud Atlas: A prelude

Detalhes bibliográficos
Autor(a) principal: Sá, Luiz Fernando Ferreira
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Scripta
Texto Completo: http://periodicos.pucminas.br/index.php/scripta/article/view/24732
Resumo: I will read the fascination with collectors and collecting in Ian McEwan’s Atonement (2001), Jeanette Winterson’s Oranges Are Not the Only Fruit (1985), Hilary Mantel’s Bring up the Bodies (2012), and David Mitchell’s Cloud Atlas (2004) regarding at least two theoretical questions. Can collected things and objects ever assist in the imagination of more satisfying social roles and identities? Can collecting material traces lead to an accurate or truthful depiction of the past-present-future life writing? Those novels represent one of the most popular and critically acclaimed examples of the widespread interest in collecting apparent in contemporary British fiction.
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spelling Collections in Atonement, Oranges Are Not the Only Fruit, Bring up the bodies, and Cloud Atlas: A preludeCollections in Atonement, Oranges Are Not the Only Fruit, Bring up the bodies, and Cloud Atlas: A PreludeColeção. McEwan. Jeanette Winterson. Mantel. MitchellI will read the fascination with collectors and collecting in Ian McEwan’s Atonement (2001), Jeanette Winterson’s Oranges Are Not the Only Fruit (1985), Hilary Mantel’s Bring up the Bodies (2012), and David Mitchell’s Cloud Atlas (2004) regarding at least two theoretical questions. Can collected things and objects ever assist in the imagination of more satisfying social roles and identities? Can collecting material traces lead to an accurate or truthful depiction of the past-present-future life writing? Those novels represent one of the most popular and critically acclaimed examples of the widespread interest in collecting apparent in contemporary British fiction.Lerei o fascínio por colecionadores e coleções em Atonement de Ian McEwan (2001), Oranges Are Not the Only Fruit de Jeanette Winterson (1985), Bring up the Bodies de Hilary Mantel (2012) e Cloud Atlas de David Mitchell (2004) em relação a pelo menos duas questões teóricas. As coisas e objetos coletados podem ajudar na imaginação de identidades e papéis sociais mais satisfatórios? A coleta de vestígios materiais pode levar a uma descrição precisa ou verdadeira do passado-presente-futuro na escrita de uma vida? Esses romances representam um dos exemplos mais populares e aclamados pela crítica do interesse generalizado pela coleção aparente na ficção britânica contemporânea.PUC Minas2020-12-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.pucminas.br/index.php/scripta/article/view/2473210.5752/P.2358-3428.2020v24n52p502-527Scripta; Vol 24 No 52 (2020): Os poetas e a poesia moderna e contemporânea de língua portuguesa; 502-527Scripta; v. 24 n. 52 (2020): Os poetas e a poesia moderna e contemporânea de língua portuguesa; 502-5272358-34281516-4039reponame:Revista Scriptainstname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/scripta/article/view/24732/17607Copyright (c) 2020 Editora PUC Minashttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessSá, Luiz Fernando Ferreira2022-02-17T06:29:33Zoai:ojs.pkp.sfu.ca:article/24732Revistahttp://periodicos.pucminas.br/index.php/scripta/userhttp://periodicos.pucminas.br/index.php/scripta/oai||cespuc@pucminas.br2358-34281516-4039opendoar:2022-02-17T06:29:33Revista Scripta - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false
dc.title.none.fl_str_mv Collections in Atonement, Oranges Are Not the Only Fruit, Bring up the bodies, and Cloud Atlas: A prelude
Collections in Atonement, Oranges Are Not the Only Fruit, Bring up the bodies, and Cloud Atlas: A Prelude
title Collections in Atonement, Oranges Are Not the Only Fruit, Bring up the bodies, and Cloud Atlas: A prelude
spellingShingle Collections in Atonement, Oranges Are Not the Only Fruit, Bring up the bodies, and Cloud Atlas: A prelude
Sá, Luiz Fernando Ferreira
Coleção. McEwan. Jeanette Winterson. Mantel. Mitchell
title_short Collections in Atonement, Oranges Are Not the Only Fruit, Bring up the bodies, and Cloud Atlas: A prelude
title_full Collections in Atonement, Oranges Are Not the Only Fruit, Bring up the bodies, and Cloud Atlas: A prelude
title_fullStr Collections in Atonement, Oranges Are Not the Only Fruit, Bring up the bodies, and Cloud Atlas: A prelude
title_full_unstemmed Collections in Atonement, Oranges Are Not the Only Fruit, Bring up the bodies, and Cloud Atlas: A prelude
title_sort Collections in Atonement, Oranges Are Not the Only Fruit, Bring up the bodies, and Cloud Atlas: A prelude
author Sá, Luiz Fernando Ferreira
author_facet Sá, Luiz Fernando Ferreira
author_role author
dc.contributor.author.fl_str_mv Sá, Luiz Fernando Ferreira
dc.subject.por.fl_str_mv Coleção. McEwan. Jeanette Winterson. Mantel. Mitchell
topic Coleção. McEwan. Jeanette Winterson. Mantel. Mitchell
description I will read the fascination with collectors and collecting in Ian McEwan’s Atonement (2001), Jeanette Winterson’s Oranges Are Not the Only Fruit (1985), Hilary Mantel’s Bring up the Bodies (2012), and David Mitchell’s Cloud Atlas (2004) regarding at least two theoretical questions. Can collected things and objects ever assist in the imagination of more satisfying social roles and identities? Can collecting material traces lead to an accurate or truthful depiction of the past-present-future life writing? Those novels represent one of the most popular and critically acclaimed examples of the widespread interest in collecting apparent in contemporary British fiction.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.pucminas.br/index.php/scripta/article/view/24732
10.5752/P.2358-3428.2020v24n52p502-527
url http://periodicos.pucminas.br/index.php/scripta/article/view/24732
identifier_str_mv 10.5752/P.2358-3428.2020v24n52p502-527
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.pucminas.br/index.php/scripta/article/view/24732/17607
dc.rights.driver.fl_str_mv Copyright (c) 2020 Editora PUC Minas
http://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Editora PUC Minas
http://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PUC Minas
publisher.none.fl_str_mv PUC Minas
dc.source.none.fl_str_mv Scripta; Vol 24 No 52 (2020): Os poetas e a poesia moderna e contemporânea de língua portuguesa; 502-527
Scripta; v. 24 n. 52 (2020): Os poetas e a poesia moderna e contemporânea de língua portuguesa; 502-527
2358-3428
1516-4039
reponame:Revista Scripta
instname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)
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repository.name.fl_str_mv Revista Scripta - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)
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