Imbrications among literature, history, and feminism:

Detalhes bibliográficos
Autor(a) principal: Saes, Stela
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Cadernos CESPUC de Pesquisa
Texto Completo: http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30771
Resumo: From an imbricated approach between literary criticism, history and feminist theories, it is possible to perform a committed reading of literary works from the African continent, especially those produced by the women in contemporary times. Moreover, the dialectical relationship allows to analyze how a literary criticism committed to all aspects can contribute to the analytical formulations of female authorship literature on the African continent. Even more, it is necessary to understand the real conditions of literary production regarding to the writers, while they are precisely in the trenches of the current capitalist system. So, it is by the imbricated bias between literature, history and feminisms, that the exercise of literary analysis will focus on how these women, in the exercise of fiction and the construction of characters in their trajectories within the narratives, express themselves, oppose themselves and denounce the material conditions under which they live. Thus, there is a proposal for the imbricated reading of the novels O alegre canto da perdiz, by Paulina Chiziane, Everything good will come by Sefi Atta, and Do not go gentle, by Futhi Ntshingila, always starting from the literary text so that the social, historical and feminist ideologies reveal themselves in the texture of their own works.Keywords: African literatures; comparative literature; feminism; history; feminine authorship.
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spelling Imbrications among literature, history, and feminism: Imbricações entre literatura, história e feminismo:Literaturas AfricanasLiteratura comparada. FeminismoHistóriaAutoria FemininaFrom an imbricated approach between literary criticism, history and feminist theories, it is possible to perform a committed reading of literary works from the African continent, especially those produced by the women in contemporary times. Moreover, the dialectical relationship allows to analyze how a literary criticism committed to all aspects can contribute to the analytical formulations of female authorship literature on the African continent. Even more, it is necessary to understand the real conditions of literary production regarding to the writers, while they are precisely in the trenches of the current capitalist system. So, it is by the imbricated bias between literature, history and feminisms, that the exercise of literary analysis will focus on how these women, in the exercise of fiction and the construction of characters in their trajectories within the narratives, express themselves, oppose themselves and denounce the material conditions under which they live. Thus, there is a proposal for the imbricated reading of the novels O alegre canto da perdiz, by Paulina Chiziane, Everything good will come by Sefi Atta, and Do not go gentle, by Futhi Ntshingila, always starting from the literary text so that the social, historical and feminist ideologies reveal themselves in the texture of their own works.Keywords: African literatures; comparative literature; feminism; history; feminine authorship.A partir de uma abordagem imbricada entre crítica literária, história e teorias feministas, é possível realizar uma leitura comprometida de obras literárias oriundas do continente africano, especialmente aquelas produzidas por mulheres na contemporaneidade. Ademais, a relação dialética proposta como metodologia permite analisar de que forma uma crítica literária comprometida com a totalidade pode contribuir com as formulações analíticas da literatura de autoria feminina no continente africano. Ainda, é necessário perceber quais são as reais condições de produção literária no tocante às escritoras, enquanto estão, justamente, nas trincheiras do sistema capitalista vigente. Então, é pelo viés imbricado entre literatura, história e feminismos, que o exercício de análise literária vai incidir sobre o modo como essas mulheres, no exercício da ficção e na construção de personagens, em suas trajetórias, no interior das narrativas, se expressam, se opõem e denunciam as condições materiais vividas. Dessa forma, apresenta-se uma proposta de leitura imbricada dos romances O alegre canto da perdiz, de Paulina Chiziane, Everything good will come, de Sefi Atta, e Do not go gentle, de Futhi Ntshingila, partindo sempre do texto literário para que o social, o histórico e as ideologias feministas se revelem na tessitura das próprias obras.Palavras-chave: literaturas africanas; literatura comparada; feminismo; história; autoria feminina.Editora PUC Minas2023-12-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/3077110.5752/P.2358-3231.2023n43p66-80Cadernos CESPUC de Pesquisa Série Ensaios; n. 43 (2023): Salve, Silas!; 66-802358-3231reponame:Cadernos CESPUC de Pesquisainstname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30771/21574Copyright (c) 2023 Editora PUC Minashttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessSaes, Stela2024-01-17T13:53:09Zoai:ojs.pkp.sfu.ca:article/30771Revistahttp://periodicos.pucminas.br/index.php/cadernoscespuc/indexhttp://periodicos.pucminas.br/index.php/cadernoscespuc/oaicespuc@pucminas.br||cespuc@pucminas.br2358-32311516-4020opendoar:2024-01-17T13:53:09Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false
dc.title.none.fl_str_mv Imbrications among literature, history, and feminism:
Imbricações entre literatura, história e feminismo:
title Imbrications among literature, history, and feminism:
spellingShingle Imbrications among literature, history, and feminism:
Saes, Stela
Literaturas Africanas
Literatura comparada
. Feminismo
História
Autoria Feminina
title_short Imbrications among literature, history, and feminism:
title_full Imbrications among literature, history, and feminism:
title_fullStr Imbrications among literature, history, and feminism:
title_full_unstemmed Imbrications among literature, history, and feminism:
title_sort Imbrications among literature, history, and feminism:
author Saes, Stela
author_facet Saes, Stela
author_role author
dc.contributor.author.fl_str_mv Saes, Stela
dc.subject.por.fl_str_mv Literaturas Africanas
Literatura comparada
. Feminismo
História
Autoria Feminina
topic Literaturas Africanas
Literatura comparada
. Feminismo
História
Autoria Feminina
description From an imbricated approach between literary criticism, history and feminist theories, it is possible to perform a committed reading of literary works from the African continent, especially those produced by the women in contemporary times. Moreover, the dialectical relationship allows to analyze how a literary criticism committed to all aspects can contribute to the analytical formulations of female authorship literature on the African continent. Even more, it is necessary to understand the real conditions of literary production regarding to the writers, while they are precisely in the trenches of the current capitalist system. So, it is by the imbricated bias between literature, history and feminisms, that the exercise of literary analysis will focus on how these women, in the exercise of fiction and the construction of characters in their trajectories within the narratives, express themselves, oppose themselves and denounce the material conditions under which they live. Thus, there is a proposal for the imbricated reading of the novels O alegre canto da perdiz, by Paulina Chiziane, Everything good will come by Sefi Atta, and Do not go gentle, by Futhi Ntshingila, always starting from the literary text so that the social, historical and feminist ideologies reveal themselves in the texture of their own works.Keywords: African literatures; comparative literature; feminism; history; feminine authorship.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30771
10.5752/P.2358-3231.2023n43p66-80
url http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30771
identifier_str_mv 10.5752/P.2358-3231.2023n43p66-80
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30771/21574
dc.rights.driver.fl_str_mv Copyright (c) 2023 Editora PUC Minas
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Editora PUC Minas
https://creativecommons.org/licenses/by-nc-nd/4.0
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dc.publisher.none.fl_str_mv Editora PUC Minas
publisher.none.fl_str_mv Editora PUC Minas
dc.source.none.fl_str_mv Cadernos CESPUC de Pesquisa Série Ensaios; n. 43 (2023): Salve, Silas!; 66-80
2358-3231
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