The musseque in “Quinaxixe”:
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Cadernos CESPUC de Pesquisa |
Texto Completo: | http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30782 |
Resumo: | The tale Quinaxixe written by the Angolan Arnaldo Santos, vividly portrays the poor and slummy region of Kinaxixe, a suburban neighborhood in Luanda, Angola. This singular space is represented by the writer who recovers childhood memories in the narrative, as well as the sociocultural context of the tense and troubled relations between blacks, mestizos, and whites, in a period in which there was a growth of musseques and greater migration of Portuguese whites to Angola. The reader is thus faced with writing that reveals, in the most realistic tones possible, a marginal space that opens up in various aspects, such as the cultural and social, traditional and modern, and even that of stories and frolics. Seeking, therefore, to understand the representation and the unfolding of space in Santos' short story, we base this work on the study of Tânia Pellegrini (2007) about realism, the reflections of Luis Alberto Brandão (2013) regarding space in literature and, in addition, the spatial reviews of Doreen Massey (2008) and Yi-Fu Tuan (1983). From these readings, we discover an active process that is not limited to the unique conciliation of the external with the internal in the conception of space in Santos' text. “Quinaxixe” presents, in addition to reflected social realities (external elements), a process of mediation in which the inspired content undergoes modifications to enter the textual structure (interior) and, thus, forge the realistic aesthetic-fictional space of the musseque. |
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The musseque in “Quinaxixe”: O musseque em “Quinaxixe”: mussequerealismspacemussequerealismoespaçoThe tale Quinaxixe written by the Angolan Arnaldo Santos, vividly portrays the poor and slummy region of Kinaxixe, a suburban neighborhood in Luanda, Angola. This singular space is represented by the writer who recovers childhood memories in the narrative, as well as the sociocultural context of the tense and troubled relations between blacks, mestizos, and whites, in a period in which there was a growth of musseques and greater migration of Portuguese whites to Angola. The reader is thus faced with writing that reveals, in the most realistic tones possible, a marginal space that opens up in various aspects, such as the cultural and social, traditional and modern, and even that of stories and frolics. Seeking, therefore, to understand the representation and the unfolding of space in Santos' short story, we base this work on the study of Tânia Pellegrini (2007) about realism, the reflections of Luis Alberto Brandão (2013) regarding space in literature and, in addition, the spatial reviews of Doreen Massey (2008) and Yi-Fu Tuan (1983). From these readings, we discover an active process that is not limited to the unique conciliation of the external with the internal in the conception of space in Santos' text. “Quinaxixe” presents, in addition to reflected social realities (external elements), a process of mediation in which the inspired content undergoes modifications to enter the textual structure (interior) and, thus, forge the realistic aesthetic-fictional space of the musseque.O conto "Quinaxixe", escrito pelo angolano Arnaldo Santos, retrata vivamente a região pobre e periférica do Kinaxixe, um bairro periférico de Luanda, Angola. Esse espaço singular é representado na narrativa pelo escritor que recupera lembranças da sua infância, bem como no contexto sociocultural das tensas e conturbadas relações entre negros, mestiços e brancos, num período em que houve um crescimento dos musseques e uma maior migração de brancos portugueses para Angola. O leitor depara, dessa forma, com um conto que revela, em tons mais reais possíveis, um espaço marginal que se abre em variadas faces, tais como o cultural e social, tradicional e moderno, até o das estórias e brincadeiras. Tensionando, assim, compreender a representação e os desdobramentos do espaço no texto de Santos, assentamos este trabalho sobre o estudo de Tânia Pellegrini (2007) acerca do realismo, as reflexões de Luis Alberto Brandão (2013) referente ao espaço na literatura e, em complemento, as revisões espaciais de Doreen Massey (2008) e Yi-Fu Tuan (1983). A partir dessas leituras, descortinamos, no texto de Santos, um processo ativo que não se limita à singular conciliação do externo com o interno na concepção do espaço. “Quinaxixe” apresenta, para além de realidades sociais (elementos externos) refletidas, um processo de mediação no qual o conteúdo de inspiração sofre modificações para adentrar na tessitura textual (interior) e, assim, forjar o realístico espaço estético-ficcional do musseque.Editora PUC Minas2023-12-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/3078210.5752/P.2358-3231.2023n43p202-222Cadernos CESPUC de Pesquisa Série Ensaios; n. 43 (2023): Salve, Silas!; 202-2222358-3231reponame:Cadernos CESPUC de Pesquisainstname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30782/21582Copyright (c) 2023 Editora PUC Minashttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessArgentino, DayanePereira, Suelio Geraldo2024-01-17T13:50:36Zoai:ojs.pkp.sfu.ca:article/30782Revistahttp://periodicos.pucminas.br/index.php/cadernoscespuc/indexhttp://periodicos.pucminas.br/index.php/cadernoscespuc/oaicespuc@pucminas.br||cespuc@pucminas.br2358-32311516-4020opendoar:2024-01-17T13:50:36Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false |
dc.title.none.fl_str_mv |
The musseque in “Quinaxixe”: O musseque em “Quinaxixe”: |
title |
The musseque in “Quinaxixe”: |
spellingShingle |
The musseque in “Quinaxixe”: Argentino, Dayane musseque realism space musseque realismo espaço |
title_short |
The musseque in “Quinaxixe”: |
title_full |
The musseque in “Quinaxixe”: |
title_fullStr |
The musseque in “Quinaxixe”: |
title_full_unstemmed |
The musseque in “Quinaxixe”: |
title_sort |
The musseque in “Quinaxixe”: |
author |
Argentino, Dayane |
author_facet |
Argentino, Dayane Pereira, Suelio Geraldo |
author_role |
author |
author2 |
Pereira, Suelio Geraldo |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Argentino, Dayane Pereira, Suelio Geraldo |
dc.subject.por.fl_str_mv |
musseque realism space musseque realismo espaço |
topic |
musseque realism space musseque realismo espaço |
description |
The tale Quinaxixe written by the Angolan Arnaldo Santos, vividly portrays the poor and slummy region of Kinaxixe, a suburban neighborhood in Luanda, Angola. This singular space is represented by the writer who recovers childhood memories in the narrative, as well as the sociocultural context of the tense and troubled relations between blacks, mestizos, and whites, in a period in which there was a growth of musseques and greater migration of Portuguese whites to Angola. The reader is thus faced with writing that reveals, in the most realistic tones possible, a marginal space that opens up in various aspects, such as the cultural and social, traditional and modern, and even that of stories and frolics. Seeking, therefore, to understand the representation and the unfolding of space in Santos' short story, we base this work on the study of Tânia Pellegrini (2007) about realism, the reflections of Luis Alberto Brandão (2013) regarding space in literature and, in addition, the spatial reviews of Doreen Massey (2008) and Yi-Fu Tuan (1983). From these readings, we discover an active process that is not limited to the unique conciliation of the external with the internal in the conception of space in Santos' text. “Quinaxixe” presents, in addition to reflected social realities (external elements), a process of mediation in which the inspired content undergoes modifications to enter the textual structure (interior) and, thus, forge the realistic aesthetic-fictional space of the musseque. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30782 10.5752/P.2358-3231.2023n43p202-222 |
url |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30782 |
identifier_str_mv |
10.5752/P.2358-3231.2023n43p202-222 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30782/21582 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Editora PUC Minas https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Editora PUC Minas https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora PUC Minas |
publisher.none.fl_str_mv |
Editora PUC Minas |
dc.source.none.fl_str_mv |
Cadernos CESPUC de Pesquisa Série Ensaios; n. 43 (2023): Salve, Silas!; 202-222 2358-3231 reponame:Cadernos CESPUC de Pesquisa instname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas) instacron:PUC_MINS |
instname_str |
Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
instacron_str |
PUC_MINS |
institution |
PUC_MINS |
reponame_str |
Cadernos CESPUC de Pesquisa |
collection |
Cadernos CESPUC de Pesquisa |
repository.name.fl_str_mv |
Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
repository.mail.fl_str_mv |
cespuc@pucminas.br||cespuc@pucminas.br |
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