The musseque in “Quinaxixe”:

Detalhes bibliográficos
Autor(a) principal: Argentino, Dayane
Data de Publicação: 2023
Outros Autores: Pereira, Suelio Geraldo
Tipo de documento: Artigo
Idioma: por
Título da fonte: Cadernos CESPUC de Pesquisa
Texto Completo: http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30782
Resumo: The tale Quinaxixe written by the Angolan Arnaldo Santos, vividly portrays the poor and slummy region of Kinaxixe, a suburban neighborhood in Luanda, Angola. This singular space is represented by the writer who recovers childhood memories in the narrative, as well as the sociocultural context of the tense and troubled relations between blacks, mestizos, and whites, in a period in which there was a growth of musseques and greater migration of Portuguese whites to Angola. The reader is thus faced with writing that reveals, in the most realistic tones possible, a marginal space that opens up in various aspects, such as the cultural and social, traditional and modern, and even that of stories and frolics. Seeking, therefore, to understand the representation and the unfolding of space in Santos' short story, we base this work on the study of Tânia Pellegrini (2007) about realism, the reflections of Luis Alberto Brandão (2013) regarding space in literature and, in addition, the spatial reviews of Doreen Massey (2008) and Yi-Fu Tuan (1983). From these readings, we discover an active process that is not limited to the unique conciliation of the external with the internal in the conception of space in Santos' text. “Quinaxixe” presents, in addition to reflected social realities (external elements), a process of mediation in which the inspired content undergoes modifications to enter the textual structure (interior) and, thus, forge the realistic aesthetic-fictional space of the musseque.
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spelling The musseque in “Quinaxixe”: O musseque em “Quinaxixe”: mussequerealismspacemussequerealismoespaçoThe tale Quinaxixe written by the Angolan Arnaldo Santos, vividly portrays the poor and slummy region of Kinaxixe, a suburban neighborhood in Luanda, Angola. This singular space is represented by the writer who recovers childhood memories in the narrative, as well as the sociocultural context of the tense and troubled relations between blacks, mestizos, and whites, in a period in which there was a growth of musseques and greater migration of Portuguese whites to Angola. The reader is thus faced with writing that reveals, in the most realistic tones possible, a marginal space that opens up in various aspects, such as the cultural and social, traditional and modern, and even that of stories and frolics. Seeking, therefore, to understand the representation and the unfolding of space in Santos' short story, we base this work on the study of Tânia Pellegrini (2007) about realism, the reflections of Luis Alberto Brandão (2013) regarding space in literature and, in addition, the spatial reviews of Doreen Massey (2008) and Yi-Fu Tuan (1983). From these readings, we discover an active process that is not limited to the unique conciliation of the external with the internal in the conception of space in Santos' text. “Quinaxixe” presents, in addition to reflected social realities (external elements), a process of mediation in which the inspired content undergoes modifications to enter the textual structure (interior) and, thus, forge the realistic aesthetic-fictional space of the musseque.O conto "Quinaxixe", escrito pelo angolano Arnaldo Santos, retrata vivamente a região pobre e periférica do Kinaxixe, um bairro periférico de Luanda, Angola. Esse espaço singular é representado na narrativa pelo escritor que recupera lembranças da sua infância, bem como no contexto sociocultural das tensas e conturbadas relações entre negros, mestiços e brancos, num período em que houve um crescimento dos musseques e uma maior migração de brancos portugueses para Angola. O leitor depara, dessa forma, com um conto que revela, em tons mais reais possíveis, um espaço marginal que se abre em variadas faces, tais como o cultural e social, tradicional e moderno, até o das estórias e brincadeiras. Tensionando, assim, compreender a representação e os desdobramentos do espaço no texto de Santos, assentamos este trabalho sobre o estudo de Tânia Pellegrini (2007) acerca do realismo, as reflexões de Luis Alberto Brandão (2013) referente ao espaço na literatura e, em complemento, as revisões espaciais de Doreen Massey (2008) e Yi-Fu Tuan (1983). A partir dessas leituras, descortinamos, no texto de Santos, um processo ativo que não se limita à singular conciliação do externo com o interno na concepção do espaço. “Quinaxixe” apresenta, para além de realidades sociais (elementos externos) refletidas, um processo de mediação no qual o conteúdo de inspiração sofre modificações para adentrar na tessitura textual (interior) e, assim, forjar o realístico espaço estético-ficcional do musseque.Editora PUC Minas2023-12-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/3078210.5752/P.2358-3231.2023n43p202-222Cadernos CESPUC de Pesquisa Série Ensaios; n. 43 (2023): Salve, Silas!; 202-2222358-3231reponame:Cadernos CESPUC de Pesquisainstname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30782/21582Copyright (c) 2023 Editora PUC Minashttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessArgentino, DayanePereira, Suelio Geraldo2024-01-17T13:50:36Zoai:ojs.pkp.sfu.ca:article/30782Revistahttp://periodicos.pucminas.br/index.php/cadernoscespuc/indexhttp://periodicos.pucminas.br/index.php/cadernoscespuc/oaicespuc@pucminas.br||cespuc@pucminas.br2358-32311516-4020opendoar:2024-01-17T13:50:36Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false
dc.title.none.fl_str_mv The musseque in “Quinaxixe”:
O musseque em “Quinaxixe”:
title The musseque in “Quinaxixe”:
spellingShingle The musseque in “Quinaxixe”:
Argentino, Dayane
musseque
realism
space
musseque
realismo
espaço
title_short The musseque in “Quinaxixe”:
title_full The musseque in “Quinaxixe”:
title_fullStr The musseque in “Quinaxixe”:
title_full_unstemmed The musseque in “Quinaxixe”:
title_sort The musseque in “Quinaxixe”:
author Argentino, Dayane
author_facet Argentino, Dayane
Pereira, Suelio Geraldo
author_role author
author2 Pereira, Suelio Geraldo
author2_role author
dc.contributor.author.fl_str_mv Argentino, Dayane
Pereira, Suelio Geraldo
dc.subject.por.fl_str_mv musseque
realism
space
musseque
realismo
espaço
topic musseque
realism
space
musseque
realismo
espaço
description The tale Quinaxixe written by the Angolan Arnaldo Santos, vividly portrays the poor and slummy region of Kinaxixe, a suburban neighborhood in Luanda, Angola. This singular space is represented by the writer who recovers childhood memories in the narrative, as well as the sociocultural context of the tense and troubled relations between blacks, mestizos, and whites, in a period in which there was a growth of musseques and greater migration of Portuguese whites to Angola. The reader is thus faced with writing that reveals, in the most realistic tones possible, a marginal space that opens up in various aspects, such as the cultural and social, traditional and modern, and even that of stories and frolics. Seeking, therefore, to understand the representation and the unfolding of space in Santos' short story, we base this work on the study of Tânia Pellegrini (2007) about realism, the reflections of Luis Alberto Brandão (2013) regarding space in literature and, in addition, the spatial reviews of Doreen Massey (2008) and Yi-Fu Tuan (1983). From these readings, we discover an active process that is not limited to the unique conciliation of the external with the internal in the conception of space in Santos' text. “Quinaxixe” presents, in addition to reflected social realities (external elements), a process of mediation in which the inspired content undergoes modifications to enter the textual structure (interior) and, thus, forge the realistic aesthetic-fictional space of the musseque.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30782
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url http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30782
identifier_str_mv 10.5752/P.2358-3231.2023n43p202-222
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30782/21582
dc.rights.driver.fl_str_mv Copyright (c) 2023 Editora PUC Minas
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Editora PUC Minas
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora PUC Minas
publisher.none.fl_str_mv Editora PUC Minas
dc.source.none.fl_str_mv Cadernos CESPUC de Pesquisa Série Ensaios; n. 43 (2023): Salve, Silas!; 202-222
2358-3231
reponame:Cadernos CESPUC de Pesquisa
instname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)
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repository.name.fl_str_mv Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)
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