A Color, art and the visual metafor: an experience report of urban revitalization
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Cadernos CESPUC de Pesquisa |
Texto Completo: | http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/21950 |
Resumo: | This article begins by reflections on the impacts and transformation in the life of two communities revitalized by sociocultural interventions promoted by the use of colors, in the form of visual art, more specifically, the cities of Medellín, in Colombia, and Santa Catarina de Palopó, Guatemala. From this general framework, the article presents an experience reported from the beginning of a recovery project in a region of the city of Maceió (Alagoas), more precisely the community "Vila Redenção". The project, entitled "Urban interventions in cesmac polygon", is developed by students and professors of the Architecture and Urbanism course of cesmac university center and has the effective participation of the local community and a partner company. The initiative focuses on the use of heuristics in the productions developed, stimulating the creative and inventive capacity of students. This capacity, manifested in artistic expressions, essentially metaphorical, is understood in this article in the light of the concept of blending, or conceptual integration (FAUCONNIER & TURNER, 2002). The article consists, in summary, in the systematization of the report of an ongoing experience, which is instituted as the field of research for the author. KEY WORDS: Colors – Art – Blending - Metaphor |
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A Color, art and the visual metafor: an experience report of urban revitalizationA cor, a arte e a metáfora visual: um relato de experiência de revitalização urbanísticaColorsArtMetaphorBlendingArteCoresMetáforaBlendingThis article begins by reflections on the impacts and transformation in the life of two communities revitalized by sociocultural interventions promoted by the use of colors, in the form of visual art, more specifically, the cities of Medellín, in Colombia, and Santa Catarina de Palopó, Guatemala. From this general framework, the article presents an experience reported from the beginning of a recovery project in a region of the city of Maceió (Alagoas), more precisely the community "Vila Redenção". The project, entitled "Urban interventions in cesmac polygon", is developed by students and professors of the Architecture and Urbanism course of cesmac university center and has the effective participation of the local community and a partner company. The initiative focuses on the use of heuristics in the productions developed, stimulating the creative and inventive capacity of students. This capacity, manifested in artistic expressions, essentially metaphorical, is understood in this article in the light of the concept of blending, or conceptual integration (FAUCONNIER & TURNER, 2002). The article consists, in summary, in the systematization of the report of an ongoing experience, which is instituted as the field of research for the author. KEY WORDS: Colors – Art – Blending - MetaphorO presente artigo inicia-se por reflexões sobre os impactos e a transformação na vida de duas comunidades revitalizadas por intervenções socioculturais promovidas pelo uso de cores, na forma de arte visual, mais especificamente, as cidades de Medellín, na Colômbia, e Santa Catarina de Palopó, na Guatemala. A partir desse enquadramento geral, o artigo apresenta um relato de experiência do início de um projeto de recuperação de uma região da cidade de Maceió (Alagoas), mais precisamente a comunidade “Vila Redenção”. O projeto, intitulado “Intervenções urbanas no Polígono do CESMAC”, é desenvolvido por estudantes e professores do curso de Arquitetura e Urbanismo do Centro Universitário CESMAC e conta com a participação efetiva da comunidade local e de uma empresa parceira. A iniciativa focaliza o uso de heurísticas nas produções desenvolvidas, estimulando a capacidade criativa e inventiva dos estudantes. Essa capacidade, manifestada em expressões artísticas visuais, essencialmente metafóricas, é compreendida, neste artigo, à luz do conceito de blending, ou integração conceptual (FAUCONNIER & TURNER, 2002). O artigo constitui-se, em síntese, na sistematização do relato de uma experiência, em andamento, que institui-se como o campo de pesquisa para a autora. Editora PUC Minas2019-12-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/2195010.5752/P.2358-3231.2019n35p110-121Cadernos CESPUC de Pesquisa Série Ensaios; n. 35 (2019): Metáfora; 110-1212358-3231reponame:Cadernos CESPUC de Pesquisainstname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/21950/16224Copyright (c) 2019 Cadernos CESPUC de Pesquisa Série Ensaioshttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessTenorio, Morgana Andreia MedeirosCavalcante, Sandra Maria SilvaMachado, Edileine 2020-07-22T11:42:58Zoai:ojs.pkp.sfu.ca:article/21950Revistahttp://periodicos.pucminas.br/index.php/cadernoscespuc/indexhttp://periodicos.pucminas.br/index.php/cadernoscespuc/oaicespuc@pucminas.br||cespuc@pucminas.br2358-32311516-4020opendoar:2020-07-22T11:42:58Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false |
dc.title.none.fl_str_mv |
A Color, art and the visual metafor: an experience report of urban revitalization A cor, a arte e a metáfora visual: um relato de experiência de revitalização urbanística |
title |
A Color, art and the visual metafor: an experience report of urban revitalization |
spellingShingle |
A Color, art and the visual metafor: an experience report of urban revitalization Tenorio, Morgana Andreia Medeiros Colors Art Metaphor Blending Arte Cores Metáfora Blending |
title_short |
A Color, art and the visual metafor: an experience report of urban revitalization |
title_full |
A Color, art and the visual metafor: an experience report of urban revitalization |
title_fullStr |
A Color, art and the visual metafor: an experience report of urban revitalization |
title_full_unstemmed |
A Color, art and the visual metafor: an experience report of urban revitalization |
title_sort |
A Color, art and the visual metafor: an experience report of urban revitalization |
author |
Tenorio, Morgana Andreia Medeiros |
author_facet |
Tenorio, Morgana Andreia Medeiros Cavalcante, Sandra Maria Silva Machado, Edileine |
author_role |
author |
author2 |
Cavalcante, Sandra Maria Silva Machado, Edileine |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Tenorio, Morgana Andreia Medeiros Cavalcante, Sandra Maria Silva Machado, Edileine |
dc.subject.por.fl_str_mv |
Colors Art Metaphor Blending Arte Cores Metáfora Blending |
topic |
Colors Art Metaphor Blending Arte Cores Metáfora Blending |
description |
This article begins by reflections on the impacts and transformation in the life of two communities revitalized by sociocultural interventions promoted by the use of colors, in the form of visual art, more specifically, the cities of Medellín, in Colombia, and Santa Catarina de Palopó, Guatemala. From this general framework, the article presents an experience reported from the beginning of a recovery project in a region of the city of Maceió (Alagoas), more precisely the community "Vila Redenção". The project, entitled "Urban interventions in cesmac polygon", is developed by students and professors of the Architecture and Urbanism course of cesmac university center and has the effective participation of the local community and a partner company. The initiative focuses on the use of heuristics in the productions developed, stimulating the creative and inventive capacity of students. This capacity, manifested in artistic expressions, essentially metaphorical, is understood in this article in the light of the concept of blending, or conceptual integration (FAUCONNIER & TURNER, 2002). The article consists, in summary, in the systematization of the report of an ongoing experience, which is instituted as the field of research for the author. KEY WORDS: Colors – Art – Blending - Metaphor |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-12-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/21950 10.5752/P.2358-3231.2019n35p110-121 |
url |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/21950 |
identifier_str_mv |
10.5752/P.2358-3231.2019n35p110-121 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/21950/16224 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Cadernos CESPUC de Pesquisa Série Ensaios https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Cadernos CESPUC de Pesquisa Série Ensaios https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora PUC Minas |
publisher.none.fl_str_mv |
Editora PUC Minas |
dc.source.none.fl_str_mv |
Cadernos CESPUC de Pesquisa Série Ensaios; n. 35 (2019): Metáfora; 110-121 2358-3231 reponame:Cadernos CESPUC de Pesquisa instname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas) instacron:PUC_MINS |
instname_str |
Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
instacron_str |
PUC_MINS |
institution |
PUC_MINS |
reponame_str |
Cadernos CESPUC de Pesquisa |
collection |
Cadernos CESPUC de Pesquisa |
repository.name.fl_str_mv |
Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
repository.mail.fl_str_mv |
cespuc@pucminas.br||cespuc@pucminas.br |
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