The Legacy of Mayombe in A Pendular Movement Between the Ethical and the Aesthetic
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Cadernos CESPUC de Pesquisa |
Texto Completo: | http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30985 |
Resumo: | This article discusses the presence of witness traces in the novel Mayombe, by the Angolan author Pepetela. The problematization of the question is because of the pendular moviment between ethic and aesthetic, in which the colonial experience is put in an artistically very well-crafted literary form. It is sought to get the narrative closer to the testimony gender and to take proof of how powerful is the message of resistence and humanity through solid examples from the book and theoretical-critical material. Besides to check that the aestheticization of a historical event did not decrease the artistical value of literary book nor it weakened the importance of the historical reporting. |
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The Legacy of Mayombe in A Pendular Movement Between the Ethical and the AestheticO legado de Mayombe em movimento pendular entre o ético e o estéticotestimonytestimoniocolonialismestheticizationethictestemunhotestimoniocolonialismoestetizaçãoéticaThis article discusses the presence of witness traces in the novel Mayombe, by the Angolan author Pepetela. The problematization of the question is because of the pendular moviment between ethic and aesthetic, in which the colonial experience is put in an artistically very well-crafted literary form. It is sought to get the narrative closer to the testimony gender and to take proof of how powerful is the message of resistence and humanity through solid examples from the book and theoretical-critical material. Besides to check that the aestheticization of a historical event did not decrease the artistical value of literary book nor it weakened the importance of the historical reporting.O artigo em questão discute as marcas testemunhais presentes no romance Mayombe, do autor angolano Pepetela. A problematização da questão se dá em função de um movimento pendular entre o ético e estético, em que a experiência colonial e o olhar (de dentro) de quem experienciou se inserem em uma forma literária trabalhada com extrema engenhosidade. Busca-se, por meio de exemplos retirados da obra e material crítico-teórico consistentes, aproximá-la do gênero testimonio e constatar o quão potente é a mensagem de resistência e humanidade nela presentes. Como também constatar que a estetização de um evento histórico não significou a desvalorização de uma obra de arte literária (por seu forte teor documental) tampouco atenuou a importância do relato histórico.Editora PUC Minas2023-12-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/3098510.5752/P.2358-3231.2023n43p181-201Cadernos CESPUC de Pesquisa Série Ensaios; n. 43 (2023): Salve, Silas!; 181-2012358-3231reponame:Cadernos CESPUC de Pesquisainstname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30985/21581Copyright (c) 2023 Editora PUC Minashttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessCastro, Helder da RochaPaula, Marcelo Ferraz deSilva, Rogério Max Canedo2024-01-17T13:47:56Zoai:ojs.pkp.sfu.ca:article/30985Revistahttp://periodicos.pucminas.br/index.php/cadernoscespuc/indexhttp://periodicos.pucminas.br/index.php/cadernoscespuc/oaicespuc@pucminas.br||cespuc@pucminas.br2358-32311516-4020opendoar:2024-01-17T13:47:56Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false |
dc.title.none.fl_str_mv |
The Legacy of Mayombe in A Pendular Movement Between the Ethical and the Aesthetic O legado de Mayombe em movimento pendular entre o ético e o estético |
title |
The Legacy of Mayombe in A Pendular Movement Between the Ethical and the Aesthetic |
spellingShingle |
The Legacy of Mayombe in A Pendular Movement Between the Ethical and the Aesthetic Castro, Helder da Rocha testimony testimonio colonialism estheticization ethic testemunho testimonio colonialismo estetização ética |
title_short |
The Legacy of Mayombe in A Pendular Movement Between the Ethical and the Aesthetic |
title_full |
The Legacy of Mayombe in A Pendular Movement Between the Ethical and the Aesthetic |
title_fullStr |
The Legacy of Mayombe in A Pendular Movement Between the Ethical and the Aesthetic |
title_full_unstemmed |
The Legacy of Mayombe in A Pendular Movement Between the Ethical and the Aesthetic |
title_sort |
The Legacy of Mayombe in A Pendular Movement Between the Ethical and the Aesthetic |
author |
Castro, Helder da Rocha |
author_facet |
Castro, Helder da Rocha Paula, Marcelo Ferraz de Silva, Rogério Max Canedo |
author_role |
author |
author2 |
Paula, Marcelo Ferraz de Silva, Rogério Max Canedo |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Castro, Helder da Rocha Paula, Marcelo Ferraz de Silva, Rogério Max Canedo |
dc.subject.por.fl_str_mv |
testimony testimonio colonialism estheticization ethic testemunho testimonio colonialismo estetização ética |
topic |
testimony testimonio colonialism estheticization ethic testemunho testimonio colonialismo estetização ética |
description |
This article discusses the presence of witness traces in the novel Mayombe, by the Angolan author Pepetela. The problematization of the question is because of the pendular moviment between ethic and aesthetic, in which the colonial experience is put in an artistically very well-crafted literary form. It is sought to get the narrative closer to the testimony gender and to take proof of how powerful is the message of resistence and humanity through solid examples from the book and theoretical-critical material. Besides to check that the aestheticization of a historical event did not decrease the artistical value of literary book nor it weakened the importance of the historical reporting. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30985 10.5752/P.2358-3231.2023n43p181-201 |
url |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30985 |
identifier_str_mv |
10.5752/P.2358-3231.2023n43p181-201 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30985/21581 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Editora PUC Minas https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Editora PUC Minas https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora PUC Minas |
publisher.none.fl_str_mv |
Editora PUC Minas |
dc.source.none.fl_str_mv |
Cadernos CESPUC de Pesquisa Série Ensaios; n. 43 (2023): Salve, Silas!; 181-201 2358-3231 reponame:Cadernos CESPUC de Pesquisa instname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas) instacron:PUC_MINS |
instname_str |
Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
instacron_str |
PUC_MINS |
institution |
PUC_MINS |
reponame_str |
Cadernos CESPUC de Pesquisa |
collection |
Cadernos CESPUC de Pesquisa |
repository.name.fl_str_mv |
Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
repository.mail.fl_str_mv |
cespuc@pucminas.br||cespuc@pucminas.br |
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1816338862252752896 |