The Communicative dimensions in the concept of social sculpture of Joseph Beuys Art

Detalhes bibliográficos
Autor(a) principal: Vicini, Magda Salete
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista FAMECOS: Mídia cultura e tecnologia
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/15393
Resumo: This article discusses the first chapter of my thesis, in which I present the possible epistemological origin of the concept of Social Sculpture, found in the work of the German artist Joseph Beuys (1921-1986), based on the following authors: Tisdall (1992, 2008), Bunge (1998), Borer (2001) and Durini (2001). I explore the characteristics of the communicational concept of Beuys’ Social Sculpture in relation to authors like Hardt and Negri (2005), Maturana and Varella (1995), Flusser (2008) and Gorz (2005), which perform a critic of the communication. With qualitative bibliographic imagery analysis, sound, videos and photos of Joseph Beuys’ artistic production, the paper proves that his work (posters, drawings, watercolors, actions, performances, windows, videos and sculptures) intend to express and awaken people to reflect on art, politics, education and other topics, from its communicative aspects. His art, like Social Sculpture, aims to promote thought, speech, and reasoning. It is thus, expanded art as critical to communication and culture.
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spelling The Communicative dimensions in the concept of social sculpture of Joseph Beuys ArtDimensiones comunicacionales en el concepto de Escultura Social en el arte de Joseph BeuysDimensões comunicacionais no conceito de Escultura Social na arte de Joseph BeuysJoseph BeuysCommunicationSocial SculptureSocial SculptureJoseph BeuysComunicaciónEscultura SocialEscultura SocialJoseph BeuysComunicaçãoEscultura SocialEscultura SocialThis article discusses the first chapter of my thesis, in which I present the possible epistemological origin of the concept of Social Sculpture, found in the work of the German artist Joseph Beuys (1921-1986), based on the following authors: Tisdall (1992, 2008), Bunge (1998), Borer (2001) and Durini (2001). I explore the characteristics of the communicational concept of Beuys’ Social Sculpture in relation to authors like Hardt and Negri (2005), Maturana and Varella (1995), Flusser (2008) and Gorz (2005), which perform a critic of the communication. With qualitative bibliographic imagery analysis, sound, videos and photos of Joseph Beuys’ artistic production, the paper proves that his work (posters, drawings, watercolors, actions, performances, windows, videos and sculptures) intend to express and awaken people to reflect on art, politics, education and other topics, from its communicative aspects. His art, like Social Sculpture, aims to promote thought, speech, and reasoning. It is thus, expanded art as critical to communication and culture.Este artículo aborda parte del primer capítulo de tesis de doctorado, en el que se presentó el posible origen epistemológico y orientador del concepto de Escultura Social en la obra del artista alemán Joseph Beuys (1921-1986), en los autores Tisdall (1998, 2008), Bunge (1998), Borer (2001) y Durini (2001).Presenta las características comunicacionais del concepto de Escultura Social de Beuys en autores como Negri e Hardt (2005), Maturana e Varella (1995), Flusser (2008) e Gorz (2005), que hicieron una cítica de la comunicación. Con carácter cualitativo, análisis bibliográficos, análisis imagético y sonoro de vídeos y fotos de la producción artística de Joseph Beuys, se comprueba que la producción de este artista en carteles, dibujos, acuarelas, acciones, performances, vitrinas, videos y esculturas, pretenden expresar y despertar a las personas para reflexiones sobre arte, política, educación, entre otros temas, a partir de la comunicación. Su arte, como Escultura Social, tiene por objetivo promover el pensamiento, el habla, el raciocinio. Es, así, arte ampliado, como crítica a la comunicación y a la cultura.Este artigo aborda parte do primeiro capítulo de tese de doutorado, no qual foi apresentada a possível origem epistemológica e norteadora do conceito de Escultura Social na obra do artista alemão Joseph Beuys (1921-1986), nos autores Tisdall (1998, 2008), Bunge (1998), Borer (2001) e Durini (2001). Apresenta as características comunicacionais do conceito de Escultura Social de Beuys em relação a autores como Negri e Hardt (2005), Maturana e Varella (1995), Flusser (2008) e Gorz (2005), que realizam uma crítica a comunicação. Com caráter qualitativo, análises bibliográficas, análise imagética e sonora de vídeos e fotos da produção artística de Joseph Beuys, comprova-se que a produção deste artista em cartazes, desenhos, aquarelas, ações, performances, vitrines, vídeos e esculturas, pretendem expressar e despertar as pessoas para reflexões sobre arte, política, educação, entre outros temas, a partir da comunicação em suas obras. Sua arte, como Escultura Social, tem por objetivo promover o pensamento, a fala, o raciocínio. É, assim, arte ampliada, como crítica a comunicação e à cultura.Editora da PUCRS - ediPUCRS2014-09-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/1539310.15448/1980-3729.2014.2.15393Revista FAMECOS; Vol. 21 No. 2 (2014); 459-483Revista FAMECOS; Vol. 21 Núm. 2 (2014); 459-483Revista FAMECOS; v. 21 n. 2 (2014); 459-4831980-37291415-054910.15448/1980-3729.2014.2reponame:Revista FAMECOS: Mídia cultura e tecnologiainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/15393/11797Vicini, Magda Saleteinfo:eu-repo/semantics/openAccess2017-06-28T21:26:14Zoai:ojs.revistaseletronicas.pucrs.br:article/15393Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecosPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/oai||revistafamecos@gmail.com1980-37291980-3729opendoar:2017-06-28T21:26:14Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv The Communicative dimensions in the concept of social sculpture of Joseph Beuys Art
Dimensiones comunicacionales en el concepto de Escultura Social en el arte de Joseph Beuys
Dimensões comunicacionais no conceito de Escultura Social na arte de Joseph Beuys
title The Communicative dimensions in the concept of social sculpture of Joseph Beuys Art
spellingShingle The Communicative dimensions in the concept of social sculpture of Joseph Beuys Art
Vicini, Magda Salete
Joseph Beuys
Communication
Social Sculpture
Social Sculpture
Joseph Beuys
Comunicación
Escultura Social
Escultura Social
Joseph Beuys
Comunicação
Escultura Social
Escultura Social
title_short The Communicative dimensions in the concept of social sculpture of Joseph Beuys Art
title_full The Communicative dimensions in the concept of social sculpture of Joseph Beuys Art
title_fullStr The Communicative dimensions in the concept of social sculpture of Joseph Beuys Art
title_full_unstemmed The Communicative dimensions in the concept of social sculpture of Joseph Beuys Art
title_sort The Communicative dimensions in the concept of social sculpture of Joseph Beuys Art
author Vicini, Magda Salete
author_facet Vicini, Magda Salete
author_role author
dc.contributor.author.fl_str_mv Vicini, Magda Salete
dc.subject.por.fl_str_mv Joseph Beuys
Communication
Social Sculpture
Social Sculpture
Joseph Beuys
Comunicación
Escultura Social
Escultura Social
Joseph Beuys
Comunicação
Escultura Social
Escultura Social
topic Joseph Beuys
Communication
Social Sculpture
Social Sculpture
Joseph Beuys
Comunicación
Escultura Social
Escultura Social
Joseph Beuys
Comunicação
Escultura Social
Escultura Social
description This article discusses the first chapter of my thesis, in which I present the possible epistemological origin of the concept of Social Sculpture, found in the work of the German artist Joseph Beuys (1921-1986), based on the following authors: Tisdall (1992, 2008), Bunge (1998), Borer (2001) and Durini (2001). I explore the characteristics of the communicational concept of Beuys’ Social Sculpture in relation to authors like Hardt and Negri (2005), Maturana and Varella (1995), Flusser (2008) and Gorz (2005), which perform a critic of the communication. With qualitative bibliographic imagery analysis, sound, videos and photos of Joseph Beuys’ artistic production, the paper proves that his work (posters, drawings, watercolors, actions, performances, windows, videos and sculptures) intend to express and awaken people to reflect on art, politics, education and other topics, from its communicative aspects. His art, like Social Sculpture, aims to promote thought, speech, and reasoning. It is thus, expanded art as critical to communication and culture.
publishDate 2014
dc.date.none.fl_str_mv 2014-09-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/15393
10.15448/1980-3729.2014.2.15393
url https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/15393
identifier_str_mv 10.15448/1980-3729.2014.2.15393
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/15393/11797
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Revista FAMECOS; Vol. 21 No. 2 (2014); 459-483
Revista FAMECOS; Vol. 21 Núm. 2 (2014); 459-483
Revista FAMECOS; v. 21 n. 2 (2014); 459-483
1980-3729
1415-0549
10.15448/1980-3729.2014.2
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reponame_str Revista FAMECOS: Mídia cultura e tecnologia
collection Revista FAMECOS: Mídia cultura e tecnologia
repository.name.fl_str_mv Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
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