Cuban games: the island, nowadays, on first-person news reports

Detalhes bibliográficos
Autor(a) principal: Serelle, Márcio
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista FAMECOS: Mídia cultura e tecnologia
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/11342
Resumo: First-person reports about the decline of the Cuban Revolution executed, in recent years, the movement from the narrative of the great journey to the small account, grounded in personal truths. This article examines two of those narratives: one by North-American Patrick Symmes (2011), Cuban for thirty days, and the Brazilian one by Airton Ortiz (2010), Havana. These reports have their persuasive force in the intensely subjective experience, in which the reporter inflicts to his own body to testify with authority as would the Cubans. From the analysis of these texts and based on some Carlo Ginzburg’s (1989) theoretical considerations, in the article “Ekphrasis and quotation”, about the literary potential on historiography, this paper discusses the effect of truth in the journalistic testimony, its relationship with autopsia and evidence, as a stylistic effect. This work also aims at reflecting on this type of journalism, considering the specificities of his testimony – when compared to that of disasters – and its ethical tensions.
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spelling Cuban games: the island, nowadays, on first-person news reportsJuegos cubanos: la isla, hoy, en reportajes en la primera personaJogos cubanos: a ilha, hoje, em reportagens na primeira pessoaCubareportstestimonyReportsCubaReportajeTestimonioReportajeCubareportagemtestemunhoReportagemFirst-person reports about the decline of the Cuban Revolution executed, in recent years, the movement from the narrative of the great journey to the small account, grounded in personal truths. This article examines two of those narratives: one by North-American Patrick Symmes (2011), Cuban for thirty days, and the Brazilian one by Airton Ortiz (2010), Havana. These reports have their persuasive force in the intensely subjective experience, in which the reporter inflicts to his own body to testify with authority as would the Cubans. From the analysis of these texts and based on some Carlo Ginzburg’s (1989) theoretical considerations, in the article “Ekphrasis and quotation”, about the literary potential on historiography, this paper discusses the effect of truth in the journalistic testimony, its relationship with autopsia and evidence, as a stylistic effect. This work also aims at reflecting on this type of journalism, considering the specificities of his testimony – when compared to that of disasters – and its ethical tensions.Los reportajes en primera persona sobre el declive de la Revolución Cubana, en los últimos años, constituyeron en los últimos años el movimiento de intercambio de la narrativa del gran periplo por el pequeño relato anclado en verdades personales. Este artículo examina dos de estas narrativas: la del norteamericano Patrick Symmes (2011), cubano por treinta días, y la del brasileño Airton Ortiz (2010), La Habana. Estos relatos tienen su fuerza persuasiva en la experiencia intensamente subjetiva, en la que el reportero somete el propio cuerpo para testimoniar con autoridad la vivencia de los cubanos. A partir del análisis de estos textos y sobre la base de algunas consideraciones teóricas de Carlo Ginzburg (1989), en el artículo "Ekphrasis y citación", acerca de la potencialidad literaria en la historiografía, se problemaiza el efecto de verdad en el testimonio periodístico, su relación con la autopsia y la vivacidad, como efecto estilístico. Se busca, además, reflexionar acerca de esa modalidad de periodismo, considerando las especificidades de su testimonio  – cuando comparado al de las catástrofes – y sus tensiones éticas.Reportagens em primeira pessoa sobre o declínio da Revolução Cubana perfizeram, nos últimos anos, o movimento de troca da narrativa do grande périplo pelo pequeno relato ancorado em verdades pessoais. Este artigo examina duas dessas narrativas: a do norte-americano Patrick Symmes (2011), Cubano por trinta dias, e a do brasileiro Airton Ortiz (2010), Havana. Esses relatos têm sua força persuasiva na experiência intensamente subjetiva, em que o repórter submete o próprio corpo para testemunhar com autoridade a vivência dos cubanos. A partir da análise desses textos e com base em algumas considerações teóricas de Carlo Ginzburg (1989), no artigo “Ekphrasis e citação”, acerca da potencialidade literária na historiografia, problematizam-se o efeito de verdade no testemunho jornalístico, sua relação com a autopsia e a vivacidade, como efeito estilístico. Busca-se, ainda, refletir acerca dessa modalidade de jornalismo, considerando-se as especificidades de seu testemunho – quando comparado àquele das catástrofes – e seus tensionamentos éticos.Editora da PUCRS - ediPUCRS2012-05-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/1134210.15448/1980-3729.2012.1.11342Revista FAMECOS; Vol. 19 No. 1 (2012); 83-98Revista FAMECOS; Vol. 19 Núm. 1 (2012); 83-98Revista FAMECOS; v. 19 n. 1 (2012); 83-981980-37291415-054910.15448/1980-3729.2012.1reponame:Revista FAMECOS: Mídia cultura e tecnologiainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/11342/7733Serelle, Márcioinfo:eu-repo/semantics/openAccess2017-08-31T15:00:59Zoai:ojs.revistaseletronicas.pucrs.br:article/11342Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecosPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/oai||revistafamecos@gmail.com1980-37291980-3729opendoar:2017-08-31T15:00:59Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv Cuban games: the island, nowadays, on first-person news reports
Juegos cubanos: la isla, hoy, en reportajes en la primera persona
Jogos cubanos: a ilha, hoje, em reportagens na primeira pessoa
title Cuban games: the island, nowadays, on first-person news reports
spellingShingle Cuban games: the island, nowadays, on first-person news reports
Serelle, Márcio
Cuba
reports
testimony
Reports
Cuba
Reportaje
Testimonio
Reportaje
Cuba
reportagem
testemunho
Reportagem
title_short Cuban games: the island, nowadays, on first-person news reports
title_full Cuban games: the island, nowadays, on first-person news reports
title_fullStr Cuban games: the island, nowadays, on first-person news reports
title_full_unstemmed Cuban games: the island, nowadays, on first-person news reports
title_sort Cuban games: the island, nowadays, on first-person news reports
author Serelle, Márcio
author_facet Serelle, Márcio
author_role author
dc.contributor.author.fl_str_mv Serelle, Márcio
dc.subject.por.fl_str_mv Cuba
reports
testimony
Reports
Cuba
Reportaje
Testimonio
Reportaje
Cuba
reportagem
testemunho
Reportagem
topic Cuba
reports
testimony
Reports
Cuba
Reportaje
Testimonio
Reportaje
Cuba
reportagem
testemunho
Reportagem
description First-person reports about the decline of the Cuban Revolution executed, in recent years, the movement from the narrative of the great journey to the small account, grounded in personal truths. This article examines two of those narratives: one by North-American Patrick Symmes (2011), Cuban for thirty days, and the Brazilian one by Airton Ortiz (2010), Havana. These reports have their persuasive force in the intensely subjective experience, in which the reporter inflicts to his own body to testify with authority as would the Cubans. From the analysis of these texts and based on some Carlo Ginzburg’s (1989) theoretical considerations, in the article “Ekphrasis and quotation”, about the literary potential on historiography, this paper discusses the effect of truth in the journalistic testimony, its relationship with autopsia and evidence, as a stylistic effect. This work also aims at reflecting on this type of journalism, considering the specificities of his testimony – when compared to that of disasters – and its ethical tensions.
publishDate 2012
dc.date.none.fl_str_mv 2012-05-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/11342
10.15448/1980-3729.2012.1.11342
url https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/11342
identifier_str_mv 10.15448/1980-3729.2012.1.11342
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/11342/7733
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Revista FAMECOS; Vol. 19 No. 1 (2012); 83-98
Revista FAMECOS; Vol. 19 Núm. 1 (2012); 83-98
Revista FAMECOS; v. 19 n. 1 (2012); 83-98
1980-3729
1415-0549
10.15448/1980-3729.2012.1
reponame:Revista FAMECOS: Mídia cultura e tecnologia
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reponame_str Revista FAMECOS: Mídia cultura e tecnologia
collection Revista FAMECOS: Mídia cultura e tecnologia
repository.name.fl_str_mv Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
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