To think digital music consumption
Autor(a) principal: | |
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Data de Publicação: | 2008 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista FAMECOS: Mídia cultura e tecnologia |
Texto Completo: | https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3334 |
Resumo: | The present article discusses the transformations in the modes of listening, as well as music distribution within the context of cyberculture. Along with the fact that listening has been increasingly mediated by highly sophisticated technologies of sound, the radical immateriality of digital media must be acknowledged. The extreme malleability of the digital sound favors the fading of contours betweencopy and original, author and editor, consumer and distributor. The proliferation of sites of free distribution of music in the Internet has also been challenging thecommercial format of music listening. As independent production and distribution become more professional, minority consumer niches meet their possible economicviability in the web. |
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To think digital music consumptionPara pensar o consumo da música digitalcyberculturedigital musiclisteningconsumptionCiberculturaMúsica digitalEscutaConsumoThe present article discusses the transformations in the modes of listening, as well as music distribution within the context of cyberculture. Along with the fact that listening has been increasingly mediated by highly sophisticated technologies of sound, the radical immateriality of digital media must be acknowledged. The extreme malleability of the digital sound favors the fading of contours betweencopy and original, author and editor, consumer and distributor. The proliferation of sites of free distribution of music in the Internet has also been challenging thecommercial format of music listening. As independent production and distribution become more professional, minority consumer niches meet their possible economicviability in the web.Este trabalho examina as transformações nas formas de distribuição e consumo de música no contexto da cibercultura. Somada à escuta crescentemente mediada por sofisticadas tecnologias do som, temos a radical imaterialidade dos meios digitais. A extrema maleabilidade do som digital favorece a diluição de fronteiras entre cópia e original, autor e editor, receptor e distribuidor. A disseminação de sites de distribui- ção gratuita de música na Internet vem ainda desafiando sobremaneira a formatação comercial da escuta. Por outro lado, a produção e a distribuição independentes ganham contornos profissionais, enquanto nichos minoritários de consumo encontram na rede sua possível viabilidade econômica.Editora da PUCRS - ediPUCRS2008-04-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/333410.15448/1980-3729.2005.28.3334Revista FAMECOS; Vol. 12 No. 28 (2005); 30-36Revista FAMECOS; Vol. 12 Núm. 28 (2005); 30-36Revista FAMECOS; v. 12 n. 28 (2005); 30-361980-37291415-054910.15448/1980-3729.2005.28reponame:Revista FAMECOS: Mídia cultura e tecnologiainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3334/2591Castro, Gisela G. S.info:eu-repo/semantics/openAccess2017-09-10T21:56:10Zoai:ojs.revistaseletronicas.pucrs.br:article/3334Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecosPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/oai||revistafamecos@gmail.com1980-37291980-3729opendoar:2017-09-10T21:56:10Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.none.fl_str_mv |
To think digital music consumption Para pensar o consumo da música digital |
title |
To think digital music consumption |
spellingShingle |
To think digital music consumption Castro, Gisela G. S. cyberculture digital music listening consumption Cibercultura Música digital Escuta Consumo |
title_short |
To think digital music consumption |
title_full |
To think digital music consumption |
title_fullStr |
To think digital music consumption |
title_full_unstemmed |
To think digital music consumption |
title_sort |
To think digital music consumption |
author |
Castro, Gisela G. S. |
author_facet |
Castro, Gisela G. S. |
author_role |
author |
dc.contributor.author.fl_str_mv |
Castro, Gisela G. S. |
dc.subject.por.fl_str_mv |
cyberculture digital music listening consumption Cibercultura Música digital Escuta Consumo |
topic |
cyberculture digital music listening consumption Cibercultura Música digital Escuta Consumo |
description |
The present article discusses the transformations in the modes of listening, as well as music distribution within the context of cyberculture. Along with the fact that listening has been increasingly mediated by highly sophisticated technologies of sound, the radical immateriality of digital media must be acknowledged. The extreme malleability of the digital sound favors the fading of contours betweencopy and original, author and editor, consumer and distributor. The proliferation of sites of free distribution of music in the Internet has also been challenging thecommercial format of music listening. As independent production and distribution become more professional, minority consumer niches meet their possible economicviability in the web. |
publishDate |
2008 |
dc.date.none.fl_str_mv |
2008-04-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3334 10.15448/1980-3729.2005.28.3334 |
url |
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3334 |
identifier_str_mv |
10.15448/1980-3729.2005.28.3334 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3334/2591 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
dc.source.none.fl_str_mv |
Revista FAMECOS; Vol. 12 No. 28 (2005); 30-36 Revista FAMECOS; Vol. 12 Núm. 28 (2005); 30-36 Revista FAMECOS; v. 12 n. 28 (2005); 30-36 1980-3729 1415-0549 10.15448/1980-3729.2005.28 reponame:Revista FAMECOS: Mídia cultura e tecnologia instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) instacron:PUC_RS |
instname_str |
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
instacron_str |
PUC_RS |
institution |
PUC_RS |
reponame_str |
Revista FAMECOS: Mídia cultura e tecnologia |
collection |
Revista FAMECOS: Mídia cultura e tecnologia |
repository.name.fl_str_mv |
Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
repository.mail.fl_str_mv |
||revistafamecos@gmail.com |
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1799128657827987456 |