On the poetry of the chimneys: thoughts on crime fiction, world literature and other human hieroglyphs in three atempts
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | letrônica |
Texto Completo: | https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/13500 |
Resumo: | This article takes three tries on understanding why crime fiction is such a global phenomena and what it has to say about world literature. In first place, we’ll approach the question as it was formulated by G. K. Chesterton in 1902, i. e., why detective stories are so popular. He has two arguments: the genre’s ability to talk about the present and the way it guarantees the well being of the society. A second try rounds about crime fiction’s structure, as formulated by Roger Caillois and Tzvetan Todorov. Ultimately, the massification of crime fiction is explained by its behavior as a genre, after Jacques Derrida and Anvitta Ronell’s studies. In conclusion, crime fiction, as a genre, has a economy similar to world literature, as it repeats itself through space and time, and, by this proliferation, acquires marks, anomalies. World literature is also a proliferation that has its untranslatable marks. |
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On the poetry of the chimneys: thoughts on crime fiction, world literature and other human hieroglyphs in three atemptsSobre a poesia das chaminés: questionamentos acerca de gênero policial, literatura-mundo e outros hieróglifos humanos em três tentativasCrime fictionG. K. ChestertonWorld literature.literatura policialG. K. Chestertonliteratura mundialThis article takes three tries on understanding why crime fiction is such a global phenomena and what it has to say about world literature. In first place, we’ll approach the question as it was formulated by G. K. Chesterton in 1902, i. e., why detective stories are so popular. He has two arguments: the genre’s ability to talk about the present and the way it guarantees the well being of the society. A second try rounds about crime fiction’s structure, as formulated by Roger Caillois and Tzvetan Todorov. Ultimately, the massification of crime fiction is explained by its behavior as a genre, after Jacques Derrida and Anvitta Ronell’s studies. In conclusion, crime fiction, as a genre, has a economy similar to world literature, as it repeats itself through space and time, and, by this proliferation, acquires marks, anomalies. World literature is also a proliferation that has its untranslatable marks.Este artigo faz três tentativas para entender por que a literatura policial é um fenômeno global e o que ela teria a dizer a respeito da literatura-mundo. Em primeiro lugar, abordamos a questão conforme formulada por G. K. Chesterton em 1902, qual seja, por que as histórias de detetive são tão populares. Seus argumentos são dois: a habilidade de o gênero falar sobre o presente e a forma com que garante o bom funcionamento da sociedade. Uma segunda tentativa passa pela estrutura do policial, segundo formulações de Roger Caillois e Tzvetan Todorov. Por último, a massificação do policial tem a ver com o seu comportamento como gênero literário, segundo Jacques Derrida e Avitta Ronell. Em suma, a literatura policial, como gênero, tem uma economia similar à literatura mundial, já que se repete pelo tempo e pelo espaço e, por causa desta proliferação, adquire marcas, anomalias. A literatura mundial também é uma proliferação que tem suas marcas intraduzíveis.Editora da PUCRS - ediPUCRS2013-10-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/13500Letrônica; Vol. 6 No. 1 (2013): Sociolinguística Variacionista & Weltliteratur hoje; 405-418Letrônica; v. 6 n. 1 (2013): Sociolinguística Variacionista & Weltliteratur hoje; 405-4181984-4301reponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/13500/10115Parrine, Raquelinfo:eu-repo/semantics/openAccess2017-02-23T21:01:10Zoai:ojs.revistaseletronicas.pucrs.br:article/13500Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2017-02-23T21:01:10letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.none.fl_str_mv |
On the poetry of the chimneys: thoughts on crime fiction, world literature and other human hieroglyphs in three atempts Sobre a poesia das chaminés: questionamentos acerca de gênero policial, literatura-mundo e outros hieróglifos humanos em três tentativas |
title |
On the poetry of the chimneys: thoughts on crime fiction, world literature and other human hieroglyphs in three atempts |
spellingShingle |
On the poetry of the chimneys: thoughts on crime fiction, world literature and other human hieroglyphs in three atempts Parrine, Raquel Crime fiction G. K. Chesterton World literature. literatura policial G. K. Chesterton literatura mundial |
title_short |
On the poetry of the chimneys: thoughts on crime fiction, world literature and other human hieroglyphs in three atempts |
title_full |
On the poetry of the chimneys: thoughts on crime fiction, world literature and other human hieroglyphs in three atempts |
title_fullStr |
On the poetry of the chimneys: thoughts on crime fiction, world literature and other human hieroglyphs in three atempts |
title_full_unstemmed |
On the poetry of the chimneys: thoughts on crime fiction, world literature and other human hieroglyphs in three atempts |
title_sort |
On the poetry of the chimneys: thoughts on crime fiction, world literature and other human hieroglyphs in three atempts |
author |
Parrine, Raquel |
author_facet |
Parrine, Raquel |
author_role |
author |
dc.contributor.author.fl_str_mv |
Parrine, Raquel |
dc.subject.por.fl_str_mv |
Crime fiction G. K. Chesterton World literature. literatura policial G. K. Chesterton literatura mundial |
topic |
Crime fiction G. K. Chesterton World literature. literatura policial G. K. Chesterton literatura mundial |
description |
This article takes three tries on understanding why crime fiction is such a global phenomena and what it has to say about world literature. In first place, we’ll approach the question as it was formulated by G. K. Chesterton in 1902, i. e., why detective stories are so popular. He has two arguments: the genre’s ability to talk about the present and the way it guarantees the well being of the society. A second try rounds about crime fiction’s structure, as formulated by Roger Caillois and Tzvetan Todorov. Ultimately, the massification of crime fiction is explained by its behavior as a genre, after Jacques Derrida and Anvitta Ronell’s studies. In conclusion, crime fiction, as a genre, has a economy similar to world literature, as it repeats itself through space and time, and, by this proliferation, acquires marks, anomalies. World literature is also a proliferation that has its untranslatable marks. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-10-15 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/13500 |
url |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/13500 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/13500/10115 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
dc.source.none.fl_str_mv |
Letrônica; Vol. 6 No. 1 (2013): Sociolinguística Variacionista & Weltliteratur hoje; 405-418 Letrônica; v. 6 n. 1 (2013): Sociolinguística Variacionista & Weltliteratur hoje; 405-418 1984-4301 reponame:letrônica instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) instacron:PUC_RS |
instname_str |
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
instacron_str |
PUC_RS |
institution |
PUC_RS |
reponame_str |
letrônica |
collection |
letrônica |
repository.name.fl_str_mv |
letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
repository.mail.fl_str_mv |
letronica@pucrs.br||ivanetemileski@gmail.com |
_version_ |
1799128596451688448 |