Illustration and photoliterary complementarity: the case of Nadja, by André Breton
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | letrônica |
Texto Completo: | https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33338 |
Resumo: | This article proposes to describe and to analyze the photoliterary relations present in Nadja (1928), André Breton’s first prose narrative, as well as toanalyze the effects of the senses generated in the whole of the work. In our discussion, we will base ourselves on the basic concepts of Photoliterary (MONTIER, 2008 and 2015) and we will analyze this book, with emphasis on some textual excerpts and on some photographic images inserted inBreton’s work. From this perspective, we will also reflect on the connotative potential of photography and, finally, we will intend - from such investigations - to understand the interactions and the interferences established between the text and the image, in order to defend the existence in this work of a form of illustration in complementarity. |
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Illustration and photoliterary complementarity: the case of Nadja, by André BretonIlustração e complementariedade fotoliterária: o caso de Nadja, de André BretonLiterature. Photography. Illustration in complementarity. Nadja.LiteraturaFotografiaIlustração em complementariedadeNadjaThis article proposes to describe and to analyze the photoliterary relations present in Nadja (1928), André Breton’s first prose narrative, as well as toanalyze the effects of the senses generated in the whole of the work. In our discussion, we will base ourselves on the basic concepts of Photoliterary (MONTIER, 2008 and 2015) and we will analyze this book, with emphasis on some textual excerpts and on some photographic images inserted inBreton’s work. From this perspective, we will also reflect on the connotative potential of photography and, finally, we will intend - from such investigations - to understand the interactions and the interferences established between the text and the image, in order to defend the existence in this work of a form of illustration in complementarity.Este artigo se propõe a descrever e a analisar as relações fotoliterárias presentes em Nadja (1928), primeira narrativa em prosa de André Breton, bem como os efeitos dos sentidos gerados no todo da obra. Em nossa discussão, nos fundamentaremos nos conceitos basilares da Fotoliteratura (MONTIER, 2008 e 2015) e faremos a análise pontual desse livro, com ênfase em alguns excertos textuais e em algumas imagens fotográficas inseridas na obra bretoniana. Nessa perspectiva, refletiremos também sobre o potencial conotativo da fotografia e, por fim, objetivaremos – a partir de tais investigações – a compreender as interações e as interferências estabelecidas entre o texto e a imagem, com a finalidade de defender a existência nessa obra de uma forma de ilustração em complementariedade. Editora da PUCRS - ediPUCRS2019-12-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/3333810.15448/1984-4301.2019.3.33338Letrônica; Vol. 12 No. 3 (2019): Literatura e Fotografia; e33338Letrônica; v. 12 n. 3 (2019): Literatura e Fotografia; e333381984-430110.15448/1984-4301.2019.3reponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33338/19235Copyright (c) 2019 Letrônicainfo:eu-repo/semantics/openAccessEstanislau de Ataíde Mantovani, Juliana2019-12-17T17:26:51Zoai:ojs.revistaseletronicas.pucrs.br:article/33338Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2019-12-17T17:26:51letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.none.fl_str_mv |
Illustration and photoliterary complementarity: the case of Nadja, by André Breton Ilustração e complementariedade fotoliterária: o caso de Nadja, de André Breton |
title |
Illustration and photoliterary complementarity: the case of Nadja, by André Breton |
spellingShingle |
Illustration and photoliterary complementarity: the case of Nadja, by André Breton Estanislau de Ataíde Mantovani, Juliana Literature. Photography. Illustration in complementarity. Nadja. Literatura Fotografia Ilustração em complementariedade Nadja |
title_short |
Illustration and photoliterary complementarity: the case of Nadja, by André Breton |
title_full |
Illustration and photoliterary complementarity: the case of Nadja, by André Breton |
title_fullStr |
Illustration and photoliterary complementarity: the case of Nadja, by André Breton |
title_full_unstemmed |
Illustration and photoliterary complementarity: the case of Nadja, by André Breton |
title_sort |
Illustration and photoliterary complementarity: the case of Nadja, by André Breton |
author |
Estanislau de Ataíde Mantovani, Juliana |
author_facet |
Estanislau de Ataíde Mantovani, Juliana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Estanislau de Ataíde Mantovani, Juliana |
dc.subject.por.fl_str_mv |
Literature. Photography. Illustration in complementarity. Nadja. Literatura Fotografia Ilustração em complementariedade Nadja |
topic |
Literature. Photography. Illustration in complementarity. Nadja. Literatura Fotografia Ilustração em complementariedade Nadja |
description |
This article proposes to describe and to analyze the photoliterary relations present in Nadja (1928), André Breton’s first prose narrative, as well as toanalyze the effects of the senses generated in the whole of the work. In our discussion, we will base ourselves on the basic concepts of Photoliterary (MONTIER, 2008 and 2015) and we will analyze this book, with emphasis on some textual excerpts and on some photographic images inserted inBreton’s work. From this perspective, we will also reflect on the connotative potential of photography and, finally, we will intend - from such investigations - to understand the interactions and the interferences established between the text and the image, in order to defend the existence in this work of a form of illustration in complementarity. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-12-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33338 10.15448/1984-4301.2019.3.33338 |
url |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33338 |
identifier_str_mv |
10.15448/1984-4301.2019.3.33338 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33338/19235 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Letrônica info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Letrônica |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
dc.source.none.fl_str_mv |
Letrônica; Vol. 12 No. 3 (2019): Literatura e Fotografia; e33338 Letrônica; v. 12 n. 3 (2019): Literatura e Fotografia; e33338 1984-4301 10.15448/1984-4301.2019.3 reponame:letrônica instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) instacron:PUC_RS |
instname_str |
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
instacron_str |
PUC_RS |
institution |
PUC_RS |
reponame_str |
letrônica |
collection |
letrônica |
repository.name.fl_str_mv |
letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
repository.mail.fl_str_mv |
letronica@pucrs.br||ivanetemileski@gmail.com |
_version_ |
1799128598759604224 |