Illustration and photoliterary complementarity: the case of Nadja, by André Breton

Detalhes bibliográficos
Autor(a) principal: Estanislau de Ataíde Mantovani, Juliana
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: letrônica
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33338
Resumo: This article proposes to describe and to analyze the photoliterary relations present in Nadja (1928), André Breton’s first prose narrative, as well as toanalyze the effects of the senses generated in the whole of the work. In our discussion, we will base ourselves on the basic concepts of Photoliterary (MONTIER, 2008 and 2015) and we will analyze this book, with emphasis on some textual excerpts and on some photographic images inserted inBreton’s work. From this perspective, we will also reflect on the connotative potential of photography and, finally, we will intend - from such investigations - to understand the interactions and the interferences established between the text and the image, in order to defend the existence in this work of a form of illustration in complementarity.
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spelling Illustration and photoliterary complementarity: the case of Nadja, by André BretonIlustração e complementariedade fotoliterária: o caso de Nadja, de André BretonLiterature. Photography. Illustration in complementarity. Nadja.LiteraturaFotografiaIlustração em complementariedadeNadjaThis article proposes to describe and to analyze the photoliterary relations present in Nadja (1928), André Breton’s first prose narrative, as well as toanalyze the effects of the senses generated in the whole of the work. In our discussion, we will base ourselves on the basic concepts of Photoliterary (MONTIER, 2008 and 2015) and we will analyze this book, with emphasis on some textual excerpts and on some photographic images inserted inBreton’s work. From this perspective, we will also reflect on the connotative potential of photography and, finally, we will intend - from such investigations - to understand the interactions and the interferences established between the text and the image, in order to defend the existence in this work of a form of illustration in complementarity.Este artigo se propõe a descrever e a analisar as relações fotoliterárias presentes em Nadja (1928), primeira narrativa em prosa de André Breton, bem como os efeitos dos sentidos gerados no todo da obra. Em nossa discussão, nos fundamentaremos nos conceitos basilares da Fotoliteratura (MONTIER, 2008 e 2015) e faremos a análise pontual desse livro, com ênfase em alguns excertos textuais e em algumas imagens fotográficas inseridas na obra bretoniana. Nessa perspectiva, refletiremos também sobre o potencial conotativo da fotografia e, por fim, objetivaremos – a partir de tais investigações – a compreender as interações e as interferências estabelecidas entre o texto e a imagem, com a finalidade de defender a existência nessa obra de uma forma de ilustração em complementariedade. Editora da PUCRS - ediPUCRS2019-12-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/3333810.15448/1984-4301.2019.3.33338Letrônica; Vol. 12 No. 3 (2019): Literatura e Fotografia; e33338Letrônica; v. 12 n. 3 (2019): Literatura e Fotografia; e333381984-430110.15448/1984-4301.2019.3reponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33338/19235Copyright (c) 2019 Letrônicainfo:eu-repo/semantics/openAccessEstanislau de Ataíde Mantovani, Juliana2019-12-17T17:26:51Zoai:ojs.revistaseletronicas.pucrs.br:article/33338Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2019-12-17T17:26:51letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv Illustration and photoliterary complementarity: the case of Nadja, by André Breton
Ilustração e complementariedade fotoliterária: o caso de Nadja, de André Breton
title Illustration and photoliterary complementarity: the case of Nadja, by André Breton
spellingShingle Illustration and photoliterary complementarity: the case of Nadja, by André Breton
Estanislau de Ataíde Mantovani, Juliana
Literature. Photography. Illustration in complementarity. Nadja.
Literatura
Fotografia
Ilustração em complementariedade
Nadja
title_short Illustration and photoliterary complementarity: the case of Nadja, by André Breton
title_full Illustration and photoliterary complementarity: the case of Nadja, by André Breton
title_fullStr Illustration and photoliterary complementarity: the case of Nadja, by André Breton
title_full_unstemmed Illustration and photoliterary complementarity: the case of Nadja, by André Breton
title_sort Illustration and photoliterary complementarity: the case of Nadja, by André Breton
author Estanislau de Ataíde Mantovani, Juliana
author_facet Estanislau de Ataíde Mantovani, Juliana
author_role author
dc.contributor.author.fl_str_mv Estanislau de Ataíde Mantovani, Juliana
dc.subject.por.fl_str_mv Literature. Photography. Illustration in complementarity. Nadja.
Literatura
Fotografia
Ilustração em complementariedade
Nadja
topic Literature. Photography. Illustration in complementarity. Nadja.
Literatura
Fotografia
Ilustração em complementariedade
Nadja
description This article proposes to describe and to analyze the photoliterary relations present in Nadja (1928), André Breton’s first prose narrative, as well as toanalyze the effects of the senses generated in the whole of the work. In our discussion, we will base ourselves on the basic concepts of Photoliterary (MONTIER, 2008 and 2015) and we will analyze this book, with emphasis on some textual excerpts and on some photographic images inserted inBreton’s work. From this perspective, we will also reflect on the connotative potential of photography and, finally, we will intend - from such investigations - to understand the interactions and the interferences established between the text and the image, in order to defend the existence in this work of a form of illustration in complementarity.
publishDate 2019
dc.date.none.fl_str_mv 2019-12-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33338
10.15448/1984-4301.2019.3.33338
url https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33338
identifier_str_mv 10.15448/1984-4301.2019.3.33338
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33338/19235
dc.rights.driver.fl_str_mv Copyright (c) 2019 Letrônica
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Letrônica
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Letrônica; Vol. 12 No. 3 (2019): Literatura e Fotografia; e33338
Letrônica; v. 12 n. 3 (2019): Literatura e Fotografia; e33338
1984-4301
10.15448/1984-4301.2019.3
reponame:letrônica
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str letrônica
collection letrônica
repository.name.fl_str_mv letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv letronica@pucrs.br||ivanetemileski@gmail.com
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