A scream that builds up: A semiolinguistic analysis of the song Maria da Vila Matilde

Detalhes bibliográficos
Autor(a) principal: Oliveira, Felipe de Souza
Data de Publicação: 2021
Outros Autores: Oliveira, Rafael Junior de
Tipo de documento: Artigo
Idioma: por
Título da fonte: letrônica
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/39736
Resumo: The increasing rates of domestic violence show how Brazil is still constituted by a patriarchal, sexist, and racist culture, supported by the conception of women as beautiful, modest, and domestic (VEJA, 2016). Based on the Semiolinguistics Theory proposed by Patrick Charaudeau (2008), in this work we analyze the language acts present in the song “Maria da Vila Matilde”, composed by Douglas Germano and sung by Elza Soares. The theoretical-methodological approach is based on the classification of the text as stated by the Modes of discourse organization, with focus on the Enunciative Mode as an analytic category. The nature of this work is descriptive-analytical-interpretative, which we have outlined in a chart designed to organize the song lyrics according to their enunciative modes. Following the description contained in the chart, we analyze and interpret how these modes constitute meaning, especially meanings of confrontation/empowerment.
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spelling A scream that builds up: A semiolinguistic analysis of the song Maria da Vila MatildeUm grito que soma: Uma análise semiolinguística da canção Maria da Vila MatildeSemiolinguisticsDiscourseBrazilian musicDomestic violenceSemiolinguísticaDiscursoMúsica brasileiraViolência domésticaThe increasing rates of domestic violence show how Brazil is still constituted by a patriarchal, sexist, and racist culture, supported by the conception of women as beautiful, modest, and domestic (VEJA, 2016). Based on the Semiolinguistics Theory proposed by Patrick Charaudeau (2008), in this work we analyze the language acts present in the song “Maria da Vila Matilde”, composed by Douglas Germano and sung by Elza Soares. The theoretical-methodological approach is based on the classification of the text as stated by the Modes of discourse organization, with focus on the Enunciative Mode as an analytic category. The nature of this work is descriptive-analytical-interpretative, which we have outlined in a chart designed to organize the song lyrics according to their enunciative modes. Following the description contained in the chart, we analyze and interpret how these modes constitute meaning, especially meanings of confrontation/empowerment.Os crescentes índices de violência doméstica demonstram como o Brasil ainda se constitui a partir de uma cultura patriarcal, machista e racista, apoiada na concepção de mulher enquanto bela, recatada e do lar (VEJA, 2016). A partir da Teoria Semiolinguística proposta por Patrick Charaudeau (2008), realizamos neste trabalho uma análise dos atos de linguagem presentes na canção Maria da Vila Matilde, composta por Douglas Germano e interpretada por Elza Soares. A abordagem teórico-metodológica utilizada neste artigo está baseada na classificação do texto a partir dos Modos de organização do discurso, tendo o Modo Enunciativo como foco. Este trabalho é de cunho descritivo-analítico-interpretativo, o que esboçamos em um quadro elaborado a fim de organizar a música em virtude dos seus modos enunciativos. Logo após essa descrição feita por meio do quadro, analisamos e interpretamos de que maneira tais modos constituem sentido, especialmente o sentido de enfrentamento/empoderamento.Editora da PUCRS - ediPUCRS2021-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/3973610.15448/1984-4301.2021.4.39736Letrônica; Vol. 14 No. 4 (2021): Re-emphasis, stereotypes and displacements in contemporary times: discourse as a space for social (re)organization; e39736Letrônica; v. 14 n. 4 (2021): Reacentuações, estereótipos e deslocamentos na contemporaneidade: o discurso como espaço de (re)organização social ; e397361984-430110.15448/1984-4301.2021.4reponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/39736/27362Copyright (c) 2022 Letrônicahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessOliveira, Felipe de SouzaOliveira, Rafael Junior de2022-01-27T19:15:28Zoai:ojs.revistaseletronicas.pucrs.br:article/39736Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2022-01-27T19:15:28letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv A scream that builds up: A semiolinguistic analysis of the song Maria da Vila Matilde
Um grito que soma: Uma análise semiolinguística da canção Maria da Vila Matilde
title A scream that builds up: A semiolinguistic analysis of the song Maria da Vila Matilde
spellingShingle A scream that builds up: A semiolinguistic analysis of the song Maria da Vila Matilde
Oliveira, Felipe de Souza
Semiolinguistics
Discourse
Brazilian music
Domestic violence
Semiolinguística
Discurso
Música brasileira
Violência doméstica
title_short A scream that builds up: A semiolinguistic analysis of the song Maria da Vila Matilde
title_full A scream that builds up: A semiolinguistic analysis of the song Maria da Vila Matilde
title_fullStr A scream that builds up: A semiolinguistic analysis of the song Maria da Vila Matilde
title_full_unstemmed A scream that builds up: A semiolinguistic analysis of the song Maria da Vila Matilde
title_sort A scream that builds up: A semiolinguistic analysis of the song Maria da Vila Matilde
author Oliveira, Felipe de Souza
author_facet Oliveira, Felipe de Souza
Oliveira, Rafael Junior de
author_role author
author2 Oliveira, Rafael Junior de
author2_role author
dc.contributor.author.fl_str_mv Oliveira, Felipe de Souza
Oliveira, Rafael Junior de
dc.subject.por.fl_str_mv Semiolinguistics
Discourse
Brazilian music
Domestic violence
Semiolinguística
Discurso
Música brasileira
Violência doméstica
topic Semiolinguistics
Discourse
Brazilian music
Domestic violence
Semiolinguística
Discurso
Música brasileira
Violência doméstica
description The increasing rates of domestic violence show how Brazil is still constituted by a patriarchal, sexist, and racist culture, supported by the conception of women as beautiful, modest, and domestic (VEJA, 2016). Based on the Semiolinguistics Theory proposed by Patrick Charaudeau (2008), in this work we analyze the language acts present in the song “Maria da Vila Matilde”, composed by Douglas Germano and sung by Elza Soares. The theoretical-methodological approach is based on the classification of the text as stated by the Modes of discourse organization, with focus on the Enunciative Mode as an analytic category. The nature of this work is descriptive-analytical-interpretative, which we have outlined in a chart designed to organize the song lyrics according to their enunciative modes. Following the description contained in the chart, we analyze and interpret how these modes constitute meaning, especially meanings of confrontation/empowerment.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/39736
10.15448/1984-4301.2021.4.39736
url https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/39736
identifier_str_mv 10.15448/1984-4301.2021.4.39736
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/39736/27362
dc.rights.driver.fl_str_mv Copyright (c) 2022 Letrônica
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Letrônica
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Letrônica; Vol. 14 No. 4 (2021): Re-emphasis, stereotypes and displacements in contemporary times: discourse as a space for social (re)organization; e39736
Letrônica; v. 14 n. 4 (2021): Reacentuações, estereótipos e deslocamentos na contemporaneidade: o discurso como espaço de (re)organização social ; e39736
1984-4301
10.15448/1984-4301.2021.4
reponame:letrônica
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str letrônica
collection letrônica
repository.name.fl_str_mv letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv letronica@pucrs.br||ivanetemileski@gmail.com
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