Reading and writing workshop inspired on literature, cinema and fantastic

Detalhes bibliográficos
Autor(a) principal: Camilo, Alessandra da Rosa Trindade
Data de Publicação: 2016
Outros Autores: Becker, Simone, Fontanella, Valdirene Alves
Tipo de documento: Artigo
Idioma: por
Título da fonte: letrônica
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/23551
Resumo: Nowadays, non-verbal language has been gaining space and being explored for its pedagogical character in classrooms. In this article, it is possible to observe that whereas filmic language uses resources such as sound and image, literary language induces the readers to imagine what goes beyond words from their personal experiences. In this sense, a workshop on reading and writing processes was conducted in an undergraduate program of English and literature, based on excerpts of the written version (LOWRY, 2014) and on the filmic version (NOYCE, 2014) of The Giver (1983). The workshop aimed to promote interaction and reflection about the reading of word senses in diferente contexts and supports, as well as encouraging spontaneous creative writing, presenting the multiple views of students and placing them as subjects in the process. As an instigating factor, the ficcional work used had some characteristics of the fantastic. The article finds the theoretical basis for interaction and contextualization in Bakhtin, Garcez, Scnheuwly, Rodrigues; Cerutti-Rizatti and Kleiman, the concept of fantastic in Todorov and the relation among the filmic and literary works in Bourdieu, Fabris, and Duarte.
id PUC_RS-14_cfee3c636bf46feced54d2214e8b341f
oai_identifier_str oai:ojs.revistaseletronicas.pucrs.br:article/23551
network_acronym_str PUC_RS-14
network_name_str letrônica
repository_id_str
spelling Reading and writing workshop inspired on literature, cinema and fantasticOficina de leitura e escrita inspirada em literatura, cinema e fantásticoWritingReadingLiteratureCinemaFantasticEscritaLeituraLiteraturaCinemaFantásticoNowadays, non-verbal language has been gaining space and being explored for its pedagogical character in classrooms. In this article, it is possible to observe that whereas filmic language uses resources such as sound and image, literary language induces the readers to imagine what goes beyond words from their personal experiences. In this sense, a workshop on reading and writing processes was conducted in an undergraduate program of English and literature, based on excerpts of the written version (LOWRY, 2014) and on the filmic version (NOYCE, 2014) of The Giver (1983). The workshop aimed to promote interaction and reflection about the reading of word senses in diferente contexts and supports, as well as encouraging spontaneous creative writing, presenting the multiple views of students and placing them as subjects in the process. As an instigating factor, the ficcional work used had some characteristics of the fantastic. The article finds the theoretical basis for interaction and contextualization in Bakhtin, Garcez, Scnheuwly, Rodrigues; Cerutti-Rizatti and Kleiman, the concept of fantastic in Todorov and the relation among the filmic and literary works in Bourdieu, Fabris, and Duarte.Na época atual, a linguagem não verbal vem ganhando espaço e sendo explorada por seu caráter pedagógico em sala de aula. Neste artigo, é possível observar que, enquanto a linguagem do cinema utiliza recursos de som e imagem, a linguagem da literatura induz o leitor a imaginar o que se passa além das palavras a partir de sua experiência pessoal. Nesse sentido, foi realizada uma oficina de processos de leitura e escrita, em um curso de graduação de licenciatura em letras, baseada em trechos da versão escrita (LOWRY, 2014) e da versão fílmica (NOYCE, 2014) da obra O Doador de Memórias (The Giver, 1983). A oficina teve como objetivos promover a interação e a reflexão sobre a leitura de sentidos de palavras em diferentes contextos e suportes, bem como o estímulo da produção escrita espontânea e criativa, a apresentação de múltiplas visões dos alunos e a colocação deles como sujeitos no processo. Como fator instigante, a obra ficcional utilizada  presentava características do fantástico. O artigo encontra embasamento para interação e contextualização em Bakhtin, Garcez, Scnheuwly, Rodrigues; Cerutti-Rizatti e Kleiman, o conceito de fantástico em Todorov e a relação entre obras fílmicas e literárias em Bourdieu, Fabris e Duarte.Editora da PUCRS - ediPUCRS2016-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/2355110.15448/1984-4301.2016.2.23551Letrônica; Vol. 9 No. 2 (2016): Tecnologias no aprendizado e no ensino da leitura e da escrita & Literatura e Misticismo Judaico (Kabbalah); 282-294Letrônica; v. 9 n. 2 (2016): Tecnologias no aprendizado e no ensino da leitura e da escrita & Literatura e Misticismo Judaico (Kabbalah); 282-2941984-430110.15448/1984-4301.2016.2reponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/23551/15319Copyright (c) 2017 Letrônicainfo:eu-repo/semantics/openAccessCamilo, Alessandra da Rosa TrindadeBecker, SimoneFontanella, Valdirene Alves2017-02-21T19:18:07Zoai:ojs.revistaseletronicas.pucrs.br:article/23551Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2017-02-21T19:18:07letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv Reading and writing workshop inspired on literature, cinema and fantastic
Oficina de leitura e escrita inspirada em literatura, cinema e fantástico
title Reading and writing workshop inspired on literature, cinema and fantastic
spellingShingle Reading and writing workshop inspired on literature, cinema and fantastic
Camilo, Alessandra da Rosa Trindade
Writing
Reading
Literature
Cinema
Fantastic
Escrita
Leitura
Literatura
Cinema
Fantástico
title_short Reading and writing workshop inspired on literature, cinema and fantastic
title_full Reading and writing workshop inspired on literature, cinema and fantastic
title_fullStr Reading and writing workshop inspired on literature, cinema and fantastic
title_full_unstemmed Reading and writing workshop inspired on literature, cinema and fantastic
title_sort Reading and writing workshop inspired on literature, cinema and fantastic
author Camilo, Alessandra da Rosa Trindade
author_facet Camilo, Alessandra da Rosa Trindade
Becker, Simone
Fontanella, Valdirene Alves
author_role author
author2 Becker, Simone
Fontanella, Valdirene Alves
author2_role author
author
dc.contributor.author.fl_str_mv Camilo, Alessandra da Rosa Trindade
Becker, Simone
Fontanella, Valdirene Alves
dc.subject.por.fl_str_mv Writing
Reading
Literature
Cinema
Fantastic
Escrita
Leitura
Literatura
Cinema
Fantástico
topic Writing
Reading
Literature
Cinema
Fantastic
Escrita
Leitura
Literatura
Cinema
Fantástico
description Nowadays, non-verbal language has been gaining space and being explored for its pedagogical character in classrooms. In this article, it is possible to observe that whereas filmic language uses resources such as sound and image, literary language induces the readers to imagine what goes beyond words from their personal experiences. In this sense, a workshop on reading and writing processes was conducted in an undergraduate program of English and literature, based on excerpts of the written version (LOWRY, 2014) and on the filmic version (NOYCE, 2014) of The Giver (1983). The workshop aimed to promote interaction and reflection about the reading of word senses in diferente contexts and supports, as well as encouraging spontaneous creative writing, presenting the multiple views of students and placing them as subjects in the process. As an instigating factor, the ficcional work used had some characteristics of the fantastic. The article finds the theoretical basis for interaction and contextualization in Bakhtin, Garcez, Scnheuwly, Rodrigues; Cerutti-Rizatti and Kleiman, the concept of fantastic in Todorov and the relation among the filmic and literary works in Bourdieu, Fabris, and Duarte.
publishDate 2016
dc.date.none.fl_str_mv 2016-12-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/23551
10.15448/1984-4301.2016.2.23551
url https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/23551
identifier_str_mv 10.15448/1984-4301.2016.2.23551
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/23551/15319
dc.rights.driver.fl_str_mv Copyright (c) 2017 Letrônica
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Letrônica
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Letrônica; Vol. 9 No. 2 (2016): Tecnologias no aprendizado e no ensino da leitura e da escrita & Literatura e Misticismo Judaico (Kabbalah); 282-294
Letrônica; v. 9 n. 2 (2016): Tecnologias no aprendizado e no ensino da leitura e da escrita & Literatura e Misticismo Judaico (Kabbalah); 282-294
1984-4301
10.15448/1984-4301.2016.2
reponame:letrônica
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str letrônica
collection letrônica
repository.name.fl_str_mv letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv letronica@pucrs.br||ivanetemileski@gmail.com
_version_ 1799128597853634560