Brazil or “Brazis”? Diversity, divisions and cultural hybridism in Aluísio Azevedo’s O Cortiço
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | letrônica |
Texto Completo: | https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/39226 |
Resumo: | The cultural formation of Brazil has always been linked to the aspects of its plurality. The contact between multiple cultures established an important role for the reformulation of practices appropriated by local conditions, which revitalized their cultural identity. Thus, in this article he proposes to work on these cultural issues in The Cortiço, by Aluísio Azevedo, on the perspective of Cultural Studies, in order to point out the cultural views that Brazil constituted in the novel. For this purpose, concepts such as multicultural ism and multiculturalism in Hall (2003) were used as theoretical basis, as well as discussions about the powers of capital in Bourdieu (1987) and the notions of cultural interactions — aculturation, transculturation and hybridism —in Fernando Ortiz (1983), Peter Burke (2006) and Rama (2008). As results obtained, he came to the conclusion that the novel presents two distinct cultural views, which we call macro and microcosmic of the novel: in the first, society is culturally divided into high and low culture, and its distinction is operationalized on coercive action of social factors expressed in the trajectory of João Romão, and in the second , cultural contact mediates the integralization of differences, contributing to the idealization of Brazilian culture in cultural hybridism embodied in mulattos – Firmo, Porfiro and Rita Baiana. |
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Brazil or “Brazis”? Diversity, divisions and cultural hybridism in Aluísio Azevedo’s O CortiçoBrasil ou “Brasis"? Diversidade, divisões e hibridismo cultural em O Cortiço, de Aluísio AzevedoCulturesMulticultural SocietyMulticulturalismHybridismCulturasSociedade MulticulturalMulticulturalismoHibridismoThe cultural formation of Brazil has always been linked to the aspects of its plurality. The contact between multiple cultures established an important role for the reformulation of practices appropriated by local conditions, which revitalized their cultural identity. Thus, in this article he proposes to work on these cultural issues in The Cortiço, by Aluísio Azevedo, on the perspective of Cultural Studies, in order to point out the cultural views that Brazil constituted in the novel. For this purpose, concepts such as multicultural ism and multiculturalism in Hall (2003) were used as theoretical basis, as well as discussions about the powers of capital in Bourdieu (1987) and the notions of cultural interactions — aculturation, transculturation and hybridism —in Fernando Ortiz (1983), Peter Burke (2006) and Rama (2008). As results obtained, he came to the conclusion that the novel presents two distinct cultural views, which we call macro and microcosmic of the novel: in the first, society is culturally divided into high and low culture, and its distinction is operationalized on coercive action of social factors expressed in the trajectory of João Romão, and in the second , cultural contact mediates the integralization of differences, contributing to the idealization of Brazilian culture in cultural hybridism embodied in mulattos – Firmo, Porfiro and Rita Baiana. Este trabalho aborda questões de diversidade cultural dentro das divisões socioeconômicas apresentadas no romance O Cortiço, de Aluísio Azevedo, pautadas em uma visão de cultura brasileira para além do unitarismo. Nessas prerrogativas, objetivamos, de modo geral, investigar essa diversidade dentro das divisões culturais do romance, seja por um ideal estratégico de culturas de classe, seja por questões de nacionalidades. De modo específico, apresentar as estratégias de administração das diferenças culturais, bem como o contato que essa diversidade mantém entre si; discutir sobre culturas de classe e suas distinções operacionalizada pelo poder do capital e examinar os processos de contatos culturais na identificação do que é descrito como cultura brasileira no romance. Assim, metodologicamente, a nossa base teórica está pautada nas ideias de sociedade multicultural e do multiculturalismo, de Hall (2003), bem como em os poderes do capital numa distinção de culturas de classe, apoiados nos postulados de Bourdieu (1987), e das noções de interações entre culturas — aculturação, transculturação e hibridismos —, em Fernando Ortiz, Peter Burke (2006) e em outras bibliografias, que utilizamos para conceber nos resultados obtidos, através da análise das duas visões presente n’O Cortiço, o pertencimento e as posições das personagens frente a ideia de diversidade.Editora da PUCRS - ediPUCRS2021-11-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/3922610.15448/1984-4301.2021.3.39226Letrônica; Vol. 14 No. 3 (2021): Subaltern Characters in Portuguese Language Literatures; e39226Letrônica; v. 14 n. 3 (2021): Personagens Subalternas nas Literaturas de Língua Portuguesa; e392261984-430110.15448/1984-4301.2021.3reponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/39226/27201Copyright (c) 2021 Letrônicahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSilva, Francinaldo Pereira daAlmeida, Lucélia de Sousa2021-11-09T14:32:09Zoai:ojs.revistaseletronicas.pucrs.br:article/39226Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2021-11-09T14:32:09letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.none.fl_str_mv |
Brazil or “Brazis”? Diversity, divisions and cultural hybridism in Aluísio Azevedo’s O Cortiço Brasil ou “Brasis"? Diversidade, divisões e hibridismo cultural em O Cortiço, de Aluísio Azevedo |
title |
Brazil or “Brazis”? Diversity, divisions and cultural hybridism in Aluísio Azevedo’s O Cortiço |
spellingShingle |
Brazil or “Brazis”? Diversity, divisions and cultural hybridism in Aluísio Azevedo’s O Cortiço Silva, Francinaldo Pereira da Cultures Multicultural Society Multiculturalism Hybridism Culturas Sociedade Multicultural Multiculturalismo Hibridismo |
title_short |
Brazil or “Brazis”? Diversity, divisions and cultural hybridism in Aluísio Azevedo’s O Cortiço |
title_full |
Brazil or “Brazis”? Diversity, divisions and cultural hybridism in Aluísio Azevedo’s O Cortiço |
title_fullStr |
Brazil or “Brazis”? Diversity, divisions and cultural hybridism in Aluísio Azevedo’s O Cortiço |
title_full_unstemmed |
Brazil or “Brazis”? Diversity, divisions and cultural hybridism in Aluísio Azevedo’s O Cortiço |
title_sort |
Brazil or “Brazis”? Diversity, divisions and cultural hybridism in Aluísio Azevedo’s O Cortiço |
author |
Silva, Francinaldo Pereira da |
author_facet |
Silva, Francinaldo Pereira da Almeida, Lucélia de Sousa |
author_role |
author |
author2 |
Almeida, Lucélia de Sousa |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Silva, Francinaldo Pereira da Almeida, Lucélia de Sousa |
dc.subject.por.fl_str_mv |
Cultures Multicultural Society Multiculturalism Hybridism Culturas Sociedade Multicultural Multiculturalismo Hibridismo |
topic |
Cultures Multicultural Society Multiculturalism Hybridism Culturas Sociedade Multicultural Multiculturalismo Hibridismo |
description |
The cultural formation of Brazil has always been linked to the aspects of its plurality. The contact between multiple cultures established an important role for the reformulation of practices appropriated by local conditions, which revitalized their cultural identity. Thus, in this article he proposes to work on these cultural issues in The Cortiço, by Aluísio Azevedo, on the perspective of Cultural Studies, in order to point out the cultural views that Brazil constituted in the novel. For this purpose, concepts such as multicultural ism and multiculturalism in Hall (2003) were used as theoretical basis, as well as discussions about the powers of capital in Bourdieu (1987) and the notions of cultural interactions — aculturation, transculturation and hybridism —in Fernando Ortiz (1983), Peter Burke (2006) and Rama (2008). As results obtained, he came to the conclusion that the novel presents two distinct cultural views, which we call macro and microcosmic of the novel: in the first, society is culturally divided into high and low culture, and its distinction is operationalized on coercive action of social factors expressed in the trajectory of João Romão, and in the second , cultural contact mediates the integralization of differences, contributing to the idealization of Brazilian culture in cultural hybridism embodied in mulattos – Firmo, Porfiro and Rita Baiana. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-11-09 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/39226 10.15448/1984-4301.2021.3.39226 |
url |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/39226 |
identifier_str_mv |
10.15448/1984-4301.2021.3.39226 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/39226/27201 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Letrônica http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Letrônica http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
dc.source.none.fl_str_mv |
Letrônica; Vol. 14 No. 3 (2021): Subaltern Characters in Portuguese Language Literatures; e39226 Letrônica; v. 14 n. 3 (2021): Personagens Subalternas nas Literaturas de Língua Portuguesa; e39226 1984-4301 10.15448/1984-4301.2021.3 reponame:letrônica instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) instacron:PUC_RS |
instname_str |
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
instacron_str |
PUC_RS |
institution |
PUC_RS |
reponame_str |
letrônica |
collection |
letrônica |
repository.name.fl_str_mv |
letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
repository.mail.fl_str_mv |
letronica@pucrs.br||ivanetemileski@gmail.com |
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1799128599988535296 |