Images of Chile: the Documentary Photograph Between the Social Denunciation and the Authorial Expression

Detalhes bibliográficos
Autor(a) principal: Monteiro, Charles
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Estudos Ibero-Americanos
Texto Completo: https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/31742
Resumo: This article proposes a reflection on the picture of Kena Lorenzini to think ways of social resistance and the maintenance of memory about the missing during the military dictatorship in Chile. Photographs of women in public acts against dictatorship are especially important to reflect on ways to give visibility in public space to political repression, torture and censorship that characterized that period of recent history Latin America. The work of photographers and photographers organized in independent agency, such as the AFI where played Kena Lorenzini, helped to give visibility to the resistance and the Chilean civil society struggle for the return of democracy. Almost thirty years after the return of democracy, the Chilean cultural field continues to present visual productions that incite reflection on the State terrorism that struck the country between 1973 and 1988.
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spelling Images of Chile: the Documentary Photograph Between the Social Denunciation and the Authorial ExpressionImágenes de Chile: fotografía documental entre denuncia social y la expresión autoralImagens do Chile: a fotografia documental entre a denúncia social e a expressão autoraldocumentary photographyChilean DictatorshipKena Lorenziniimages of Chile.fotografía documentalditadura chilenaKena Lorenziniimágenes de Chile.fotografia documentalditadura chilenaKena Lorenziniimagens do Chile.This article proposes a reflection on the picture of Kena Lorenzini to think ways of social resistance and the maintenance of memory about the missing during the military dictatorship in Chile. Photographs of women in public acts against dictatorship are especially important to reflect on ways to give visibility in public space to political repression, torture and censorship that characterized that period of recent history Latin America. The work of photographers and photographers organized in independent agency, such as the AFI where played Kena Lorenzini, helped to give visibility to the resistance and the Chilean civil society struggle for the return of democracy. Almost thirty years after the return of democracy, the Chilean cultural field continues to present visual productions that incite reflection on the State terrorism that struck the country between 1973 and 1988.Este artículo propone una reflexión sobre la fotografía de Kena Lorenzini para pensar las formas de resistencia social y el mantenimiento de la memoria de los desaparecidos durante la dictadura militar en Chile. Fotografías de mujeres en actos públicos contra la dictadura son especialmente importantes para reflexionar sobre las formas de dar visibilidad en el espacios públicos a la represión política, tortura y censura que caracterizan ese período de la historia reciente Latinoamericana. El trabajo de fotógrafos y fotógrafas organizados en agencias independientes, como la AFI donde a trabajado Kena Lorenzini, ayudaran a dar visibilidad a la resistencia y la lucha de la sociedad civil chilena para el retorno de la democracia. Casi treinta años después de la vuelta de la democracia, el campo cultural chileno sigue presentando producciones visuales que incitan a la reflexión sobre el terrorismo de estado que asoló el país entre 1973 y 1988.O presente artigo propõe uma reflexão sobre a fotografia de Kena Lorenzini para pensar as formas de resistência social e a manutenção da memória sobre os desaparecidos durante a ditadura militar chilena. As fotografias de mulheres em atos públicos contra a ditadura são especialmente importantes para refletir sobre as formas de dar visibilidade no espaço público à repressão política, à tortura e à censura que caracterizaram aquele período da história recente da América Latina. O trabalho de fotógrafos e fotógrafas organizados em agência independentes, como a AFI onde atuava Kena Lorenzini, ajudaram a dar visibilidade à resistência e a luta da sociedade civil chilena pelo retorno da democracia. Quase trinta anos após o retorno da democracia, o campo cultural chileno continua a apresentar produções visuais que instigam a reflexão sobre o terrorismo de Estado que assolou o país entre 1973 e de 1988.Editora da PUCRS - ediPUCRS2018-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/3174210.15448/1980-864X.2018.3.31742Estudos Ibero-Americanos; Vol. 44 No. 3 (2018): Dossier: Colors, Classifications and Social Categories: Africans in the Iberian Empires, 16th to the 19th Centuries; 528-535Estudos Ibero-Americanos; Vol. 44 Núm. 3 (2018): Dossier: Colores, clasificaciones y categorías sociales: los africanos en los imperios ibéricos, del siglo XVI hasta el XIX; 528-535Estudos Ibero-Americanos; v. 44 n. 3 (2018): Dossiê: Cores, classificações e categorias sociais: os africanos nos impérios ibéricos, séculos XVI a XIX; 528-5351980-864X0101-406410.15448/1980-864X.2018.3reponame:Estudos Ibero-Americanosinstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/31742/17497Copyright (c) 2018 Charles Monteirohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMonteiro, Charles2019-01-18T14:45:08Zoai:ojs.revistaseletronicas.pucrs.br:article/31742Revistahttps://revistaseletronicas.pucrs.br/index.php/iberoamericanaPRIhttps://revistaseletronicas.pucrs.br/index.php/iberoamericana/oaieditora.periodicos@pucrs.br||eia@pucrs.br1980-864X0101-4064opendoar:2019-01-18T14:45:08Estudos Ibero-Americanos - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv Images of Chile: the Documentary Photograph Between the Social Denunciation and the Authorial Expression
Imágenes de Chile: fotografía documental entre denuncia social y la expresión autoral
Imagens do Chile: a fotografia documental entre a denúncia social e a expressão autoral
title Images of Chile: the Documentary Photograph Between the Social Denunciation and the Authorial Expression
spellingShingle Images of Chile: the Documentary Photograph Between the Social Denunciation and the Authorial Expression
Monteiro, Charles
documentary photography
Chilean Dictatorship
Kena Lorenzini
images of Chile.
fotografía documental
ditadura chilena
Kena Lorenzini
imágenes de Chile.
fotografia documental
ditadura chilena
Kena Lorenzini
imagens do Chile.
title_short Images of Chile: the Documentary Photograph Between the Social Denunciation and the Authorial Expression
title_full Images of Chile: the Documentary Photograph Between the Social Denunciation and the Authorial Expression
title_fullStr Images of Chile: the Documentary Photograph Between the Social Denunciation and the Authorial Expression
title_full_unstemmed Images of Chile: the Documentary Photograph Between the Social Denunciation and the Authorial Expression
title_sort Images of Chile: the Documentary Photograph Between the Social Denunciation and the Authorial Expression
author Monteiro, Charles
author_facet Monteiro, Charles
author_role author
dc.contributor.author.fl_str_mv Monteiro, Charles
dc.subject.por.fl_str_mv documentary photography
Chilean Dictatorship
Kena Lorenzini
images of Chile.
fotografía documental
ditadura chilena
Kena Lorenzini
imágenes de Chile.
fotografia documental
ditadura chilena
Kena Lorenzini
imagens do Chile.
topic documentary photography
Chilean Dictatorship
Kena Lorenzini
images of Chile.
fotografía documental
ditadura chilena
Kena Lorenzini
imágenes de Chile.
fotografia documental
ditadura chilena
Kena Lorenzini
imagens do Chile.
description This article proposes a reflection on the picture of Kena Lorenzini to think ways of social resistance and the maintenance of memory about the missing during the military dictatorship in Chile. Photographs of women in public acts against dictatorship are especially important to reflect on ways to give visibility in public space to political repression, torture and censorship that characterized that period of recent history Latin America. The work of photographers and photographers organized in independent agency, such as the AFI where played Kena Lorenzini, helped to give visibility to the resistance and the Chilean civil society struggle for the return of democracy. Almost thirty years after the return of democracy, the Chilean cultural field continues to present visual productions that incite reflection on the State terrorism that struck the country between 1973 and 1988.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/31742
10.15448/1980-864X.2018.3.31742
url https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/31742
identifier_str_mv 10.15448/1980-864X.2018.3.31742
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/index.php/iberoamericana/article/view/31742/17497
dc.rights.driver.fl_str_mv Copyright (c) 2018 Charles Monteiro
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Charles Monteiro
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Estudos Ibero-Americanos; Vol. 44 No. 3 (2018): Dossier: Colors, Classifications and Social Categories: Africans in the Iberian Empires, 16th to the 19th Centuries; 528-535
Estudos Ibero-Americanos; Vol. 44 Núm. 3 (2018): Dossier: Colores, clasificaciones y categorías sociales: los africanos en los imperios ibéricos, del siglo XVI hasta el XIX; 528-535
Estudos Ibero-Americanos; v. 44 n. 3 (2018): Dossiê: Cores, classificações e categorias sociais: os africanos nos impérios ibéricos, séculos XVI a XIX; 528-535
1980-864X
0101-4064
10.15448/1980-864X.2018.3
reponame:Estudos Ibero-Americanos
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str Estudos Ibero-Americanos
collection Estudos Ibero-Americanos
repository.name.fl_str_mv Estudos Ibero-Americanos - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv editora.periodicos@pucrs.br||eia@pucrs.br
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