Modernity, criticism and return of religion: an approach of Parasite and The Platform

Detalhes bibliográficos
Autor(a) principal: Mendes, Danilo
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rever (São Paulo. Online)
Texto Completo: https://revistas.pucsp.br/index.php/rever/article/view/51870
Resumo: Our article exposes the relation between modernity and religion through the movies Parasite (2019) and The platform (2019). Its main objective is to demonstrate how these movies retreat this relation. We hypothesize that the relation is constituted by the modern critics of religion and its return. The article is structured in the following order: 1) an analysis of the religion, in a modern perspective, in images, ideas, and structure in each movie; 2) an approximation of their narratives to the modern critics of religion and its return. We intend that this article contributes to the study of religion and cinema (and pop culture in general) and the research field of the relation between religion and contemporaneity.
id PUC_SP-13_da63850f9ca1cd7a1a7394c977b09c78
oai_identifier_str oai:ojs.pkp.sfu.ca:article/51870
network_acronym_str PUC_SP-13
network_name_str Rever (São Paulo. Online)
repository_id_str
spelling Modernity, criticism and return of religion: an approach of Parasite and The PlatformModernidade, crítica e retorno da religião: uma abordagem de Parasita e O PoçoReligiãoModernidadeParasitaO PoçoReligionModernityParasiteThe PlatformOur article exposes the relation between modernity and religion through the movies Parasite (2019) and The platform (2019). Its main objective is to demonstrate how these movies retreat this relation. We hypothesize that the relation is constituted by the modern critics of religion and its return. The article is structured in the following order: 1) an analysis of the religion, in a modern perspective, in images, ideas, and structure in each movie; 2) an approximation of their narratives to the modern critics of religion and its return. We intend that this article contributes to the study of religion and cinema (and pop culture in general) and the research field of the relation between religion and contemporaneity.Nosso artigo trata da relação entre modernidade e religião através dos filmes Parasita (2019) e O poço (2019). Seu objetivo é demonstrar como esses filmes retratam essa relação. Temos como hipótese que isso se dá por meio da crítica da religião desenvolvida pela modernidade e de seu retorno. Dessa forma, o artigo segue na seguinte ordem: 1) análise da religião, na perspectiva moderna, em configuração imagética, ideológica e estrutural em cada um dos filmes; 2) aproximação dos enredos com as críticas modernas à religião e com seu retorno. Pretendemos que este artigo contribua tanto para os estudos de religião e cinema (e cultura pop em geral) quanto para o campo de pesquisa da relação entre religião e contemporaneidade.Pontifícia Universidade Católica de São Paulo2020-12-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/rever/article/view/5187010.23925/1677-1222.2020vol20i3a5REVER: Journal for the Study of Religion; Vol. 20 No. 3 (2020): Religião e cultura pop; 59-74REVER: Revista de Estudos da Religião; v. 20 n. 3 (2020): Religião e cultura pop; 59-741677-1222reponame:Rever (São Paulo. Online)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/rever/article/view/51870/33835Copyright (c) 2020 REVER - Revista de Estudos da Religiãoinfo:eu-repo/semantics/openAccessMendes, Danilo2020-12-11T23:22:47Zoai:ojs.pkp.sfu.ca:article/51870Revistahttps://revistas.pucsp.br/index.php/rever/PRIhttps://revistas.pucsp.br/rever/oairever@pucsp.br1677-12221677-1222opendoar:2020-12-11T23:22:47Rever (São Paulo. Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Modernity, criticism and return of religion: an approach of Parasite and The Platform
Modernidade, crítica e retorno da religião: uma abordagem de Parasita e O Poço
title Modernity, criticism and return of religion: an approach of Parasite and The Platform
spellingShingle Modernity, criticism and return of religion: an approach of Parasite and The Platform
Mendes, Danilo
Religião
Modernidade
Parasita
O Poço
Religion
Modernity
Parasite
The Platform
title_short Modernity, criticism and return of religion: an approach of Parasite and The Platform
title_full Modernity, criticism and return of religion: an approach of Parasite and The Platform
title_fullStr Modernity, criticism and return of religion: an approach of Parasite and The Platform
title_full_unstemmed Modernity, criticism and return of religion: an approach of Parasite and The Platform
title_sort Modernity, criticism and return of religion: an approach of Parasite and The Platform
author Mendes, Danilo
author_facet Mendes, Danilo
author_role author
dc.contributor.author.fl_str_mv Mendes, Danilo
dc.subject.por.fl_str_mv Religião
Modernidade
Parasita
O Poço
Religion
Modernity
Parasite
The Platform
topic Religião
Modernidade
Parasita
O Poço
Religion
Modernity
Parasite
The Platform
description Our article exposes the relation between modernity and religion through the movies Parasite (2019) and The platform (2019). Its main objective is to demonstrate how these movies retreat this relation. We hypothesize that the relation is constituted by the modern critics of religion and its return. The article is structured in the following order: 1) an analysis of the religion, in a modern perspective, in images, ideas, and structure in each movie; 2) an approximation of their narratives to the modern critics of religion and its return. We intend that this article contributes to the study of religion and cinema (and pop culture in general) and the research field of the relation between religion and contemporaneity.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/rever/article/view/51870
10.23925/1677-1222.2020vol20i3a5
url https://revistas.pucsp.br/index.php/rever/article/view/51870
identifier_str_mv 10.23925/1677-1222.2020vol20i3a5
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/rever/article/view/51870/33835
dc.rights.driver.fl_str_mv Copyright (c) 2020 REVER - Revista de Estudos da Religião
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 REVER - Revista de Estudos da Religião
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv REVER: Journal for the Study of Religion; Vol. 20 No. 3 (2020): Religião e cultura pop; 59-74
REVER: Revista de Estudos da Religião; v. 20 n. 3 (2020): Religião e cultura pop; 59-74
1677-1222
reponame:Rever (São Paulo. Online)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Rever (São Paulo. Online)
collection Rever (São Paulo. Online)
repository.name.fl_str_mv Rever (São Paulo. Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv rever@pucsp.br
_version_ 1796798389106507776